公共活動(dòng)館，圣保羅，巴西

建筑設(shè)計(jì)：阿納莉亞·阿莫林，奇羅·皮隆迪，魯本·奧特羅

1 鳥瞰/Aerial view

為生命而戰(zhàn)的建筑

由建筑師團(tuán)隊(duì)為圣保羅市政府設(shè)計(jì)的公共活動(dòng)館是《帕賴索波利斯總體規(guī)劃（2010-2025）》項(xiàng)目中的一部分。

一些教育及社會(huì)項(xiàng)目的總部因基礎(chǔ)設(shè)施建設(shè)或處于危險(xiǎn)地區(qū)而不得不搬遷，而該建筑誕生的初衷便是為了解決這一遷移問(wèn)題。

多年之后，該項(xiàng)目并未滿足原計(jì)劃的功能。貧民窟的人們（約10 萬(wàn)居民）必須在新冠病毒疫情期間自發(fā)組織采取必要的措施。

在此背景下，該展館變成了必要的存在。

展館雖然是個(gè)帶頂棚的空間，但開闊且通風(fēng)良好，因此所有抗擊疫情的活動(dòng)都在此開展。

在這里，社區(qū)領(lǐng)導(dǎo)人組織了衛(wèi)生培訓(xùn)課程，幫助人們了解應(yīng)對(duì)新冠病毒應(yīng)采取的措施。館內(nèi)設(shè)有一間廚房供應(yīng)優(yōu)質(zhì)食物，分發(fā)給在社交隔離中失去工作的弱勢(shì)群體。為了給貧困居民捐款，展覽館還開設(shè)了口罩工場(chǎng)。

如今，隨著形勢(shì)的好轉(zhuǎn)，公共活動(dòng)館也承擔(dān)起了文化角色：中央空間用于舉辦藝術(shù)和攝影展覽；樓層夾層為帕賴索波利斯芭蕾舞團(tuán)提供了排練場(chǎng)地。一切宛如美好的重生。（王單單 譯）

注：圣保羅市的平均死亡率為每10萬(wàn)居民中死亡56.2人；在帕賴索波利斯的案例中，由于社區(qū)組織的作用，同比死亡人數(shù)為21.7，有力證明了控制策略的成功。（來(lái)源：波利斯研究所，2020年5月）

項(xiàng)目信息/Credits and Data

客戶/Client: 圣保羅市/Municipality of S?o Paulo

主持建筑師/Principal Architects: Anália Amorim, Ciro Pirondi, Ruben Otero (architect in charge)

設(shè)計(jì)團(tuán)隊(duì)/Design Team: Adda Ungaretti, Camila Dibaco, Gabriela Callejas, Roseli Azevedo

材料/Materials: 鐵材，混凝土/Iron, Concrete

項(xiàng)目面積/Project Area: 2620 m2；建筑面積/Floor Area: 1870 m2

造價(jià)/Cost: 560,000美元/560,000 USD

竣工時(shí)間/Completion Time: 2014

干預(yù)時(shí)間/Invervention Time: 2020

繪圖/Drawings: Nicholas Rottmann

攝影/Photos: Tiago Quieroz (fig.2,6,8), André Lucas (fig.12), Ruben Otero (fig.1,7,9-11)

2 使用場(chǎng)景/Daily activities

3 總平面/Site plan

4 立面及剖面/Elevations and sections

5 帕賴索波利斯總圖/Paraisópolis master plan（制作：Ciro Pirondi, Ruben Otero, Anália Amorim）

Architecture in the Fight for Life

The Social Pavilion is part of the projects foreseen in the Paraisópolis Master Plan 2010-2025 designed by the team of architects for the Municipality of S?o Paulo.

The initial objective of the project was to relocate some educational and social programmes whose headquarters had to be removed because of infrastructure works or because they are in areas at risk.

After a few years without meeting the originally planned use, the outbreak of the COVID-19 pandemic caused the population of the favela (around 100,000 inhabitants) to organise themselves to take the necessary measures due to the inaction of the national government.

In this new scenario, the Pavilion has become a fundamental piece.

6-8 內(nèi)景/Interior views

Due to its condition as a covered space, but open and well ventilated, the Pavilion managed to gather all the activities to fight the pandemic.

In it, health training classes were organised by community leaders to clarify the measures to be taken by the population to deal with the COVID-19; a kitchen was set up to prepare quality food to distribute to the most vulnerable population who had lost their jobs in the process of social isolation; a facial mask-making workshop was set up to donate to the neediest residents.

Today, with the situation quite more controlled, the Pavilion also assumed a cultural role. Its central space is home to art and photography exhibitions; on the mezzanine, Paraisópolis ballet body rehearsals were resumed. A beautiful metaphor for the rebirth of life.

Note: The average mortality rate in the municipality of S?o Paulo is 56.2 people per 100,000 inhabitants; in the case of Paraisópolis, due the community organisation, the rate is 21.7, demonstrating the successful control strategy. (Source: Instituto Polis, May 2020)

9 外景/Exterior views

10 外景/Exterior views

11.12 近景/Close views