世界文化視野中的中國(guó)油畫(huà)
——記“中華意蘊(yùn)——中國(guó)油畫(huà)藝術(shù)國(guó)際巡展（意大利）”

文紀(jì) 文

開(kāi)幕式上，嘉賓為展覽剪彩At the opening ceremony,guests cut the ribbon for the exhibition.

羅馬盛夏，白晝很長(zhǎng)，位于古羅馬城遺址邊上的威尼斯廣場(chǎng)，令人驚嘆的建筑和如織的游人映襯出這座偉大城市昔日的輝煌。廣場(chǎng)中的維多利亞諾宮，在7月18日這一天被賦予了似曾相識(shí)卻又全新的含義：兩張巨大的紅色海報(bào)在陽(yáng)光下顯得格外耀眼，幾乎染紅了隔街相望的古羅馬遺址的殘?jiān)珨啾?。這一次，讓古城煥發(fā)出別樣光彩的是來(lái)自千年絲綢之路另一端——中國(guó)的當(dāng)代油畫(huà)藝術(shù)。7月18日，“中華意蘊(yùn)——中國(guó)油畫(huà)藝術(shù)國(guó)際巡展（意大利）”在意大利首都羅馬維多利亞諾宮開(kāi)幕。

此次展覽由中國(guó)國(guó)家畫(huà)院、中國(guó)文學(xué)藝術(shù)基金會(huì)主辦，中國(guó)國(guó)家畫(huà)院油畫(huà)院承辦，于7月18日至9月9日在羅馬舉辦。意大利文化遺產(chǎn)和旅游部副部長(zhǎng)姜盧卡·瓦卡，意大利前副總理、中意文化合作機(jī)制意方協(xié)調(diào)人弗朗切斯科·魯泰利，中國(guó)駐意大利大使李瑞宇，中國(guó)美協(xié)名譽(yù)主席靳尚誼，中國(guó)國(guó)家畫(huà)院油畫(huà)院院長(zhǎng)詹建俊，中國(guó)文學(xué)藝術(shù)基金會(huì)副理事長(zhǎng)兼秘書(shū)長(zhǎng)向云駒，本展策展人克勞迪奧·斯特里納蒂、妮可麗娜·皮安奇、張祖英等出席展覽開(kāi)幕式。全山石、邵大箴、奚靜之、水天中、尚揚(yáng)等中國(guó)美術(shù)界知名人士，以及羅馬美術(shù)學(xué)院院長(zhǎng)提香娜·達(dá)切蓮，維多利亞諾宮館長(zhǎng)蘿莉·西耶娜，圣路加學(xué)院院長(zhǎng)將尼·德斯，佛羅倫薩美術(shù)學(xué)院院長(zhǎng)克勞迪歐·洛卡，原羅馬美術(shù)學(xué)院院長(zhǎng)、畫(huà)家丹東尼歐·達(dá)切利，意大利美術(shù)史學(xué)家加布里?！の髅苫岬?00余位嘉賓亦共襄盛舉。

“中華意蘊(yùn)——中國(guó)油畫(huà)藝術(shù)國(guó)際巡展（意大利）”旨在落實(shí)國(guó)家中華文化走出去的戰(zhàn)略指向，讓世界了解當(dāng)今中國(guó)油畫(huà)的現(xiàn)狀，展示中國(guó)當(dāng)代油畫(huà)藝術(shù)所取得的成果，推動(dòng)中國(guó)油畫(huà)邁向更高的藝術(shù)水平；同時(shí)讓世界借助油畫(huà)這一藝術(shù)載體了解和認(rèn)識(shí)當(dāng)代中國(guó)文化，進(jìn)一步增進(jìn)東西方文化交流。中國(guó)油畫(huà)傳承自西方，經(jīng)過(guò)百余年中國(guó)幾代油畫(huà)家的不懈追求，中國(guó)油畫(huà)正在形成具有中國(guó)藝術(shù)特色與精神內(nèi)涵的整體面貌。此次意大利巡展是展覽繼法國(guó)巴黎展出之后的又一次展出，對(duì)于加強(qiáng)中外油畫(huà)藝術(shù)的深入交流、促進(jìn)世界油畫(huà)藝術(shù)的發(fā)展，必將起到積極的重要意義。

此次意大利巡展的63位參展畫(huà)家以中國(guó)國(guó)家畫(huà)院油畫(huà)院研究員為主體，并邀請(qǐng)中國(guó)油畫(huà)界的部分優(yōu)秀油畫(huà)家的作品參展，共展出作品146幅，第一次整體全面地向意大利公眾展示當(dāng)代中國(guó)油畫(huà)取得的最高藝術(shù)成就。展覽以“中華意蘊(yùn)”為主旨，共分三個(gè)主題板塊對(duì)作品加以呈現(xiàn)：“生活之意”“人文之思”“心靈之境”。“生活之意”重在表達(dá)畫(huà)家對(duì)豐富多樣的現(xiàn)實(shí)生活的關(guān)注，及其所引發(fā)的獨(dú)特感受的表達(dá)；“人文之思”側(cè)重于畫(huà)家從現(xiàn)實(shí)出發(fā)所引發(fā)的對(duì)于中國(guó)文化與歷史的情感關(guān)懷與深沉思考；“心靈之境”則重在畫(huà)家回首內(nèi)心世界，關(guān)乎中國(guó)精神與審美的形而上的自由表現(xiàn)。

油畫(huà)是歐洲文藝的精華，在西方歷史發(fā)展的各個(gè)時(shí)期所出現(xiàn)的藝術(shù)大師的經(jīng)典名作，吸引和影響著世界各國(guó)人民和藝術(shù)家。20世紀(jì)初始，中國(guó)的藝術(shù)家懷著極大的熱情先后漂洋渡海遠(yuǎn)赴歐洲學(xué)習(xí)油畫(huà)藝術(shù)。經(jīng)過(guò)幾代中國(guó)油畫(huà)家的不懈努力，油畫(huà)藝術(shù)在中國(guó)得到了傳播與發(fā)展。在這一過(guò)程中，中國(guó)油畫(huà)家努力運(yùn)用油畫(huà)藝術(shù)語(yǔ)言來(lái)表現(xiàn)本土生活、反映中國(guó)精神和文化特質(zhì)，使油畫(huà)藝術(shù)逐漸融入到中國(guó)現(xiàn)代文化的歷史進(jìn)程中，對(duì)當(dāng)代中國(guó)文化的發(fā)展與創(chuàng)造產(chǎn)生了重要的推動(dòng)作用。詹建俊認(rèn)為，當(dāng)下，中國(guó)油畫(huà)家一方面依托著本民族深厚的文化藝術(shù)傳統(tǒng)，一方面不斷地深入鉆研與探索油畫(huà)語(yǔ)言特有的藝術(shù)效果與表現(xiàn)力，努力創(chuàng)作出更具油畫(huà)藝術(shù)魅力與中國(guó)文化特色的油畫(huà)作品。當(dāng)下中國(guó)油畫(huà)藝壇已形成多元并進(jìn)、百花齊放的繁榮局面，油畫(huà)在中國(guó)正展現(xiàn)出蓬勃發(fā)展的強(qiáng)勁藝術(shù)活力。

展覽現(xiàn)場(chǎng)Exhibition sites

“意大利是文藝復(fù)興的發(fā)源地，擁有眾多繪畫(huà)藝術(shù)瑰寶，產(chǎn)生過(guò)很多重要的藝術(shù)流派和大師。油畫(huà)藝術(shù)在中國(guó)雖起步較晚，但經(jīng)過(guò)中國(guó)幾代藝術(shù)家的不懈努力，已取得一些成就，本次油畫(huà)展將63位中國(guó)當(dāng)代油畫(huà)家的146件作品帶到意大利，既是一次繪畫(huà)藝術(shù)的尋根之旅，也是一次與意大利同行們共同探討油畫(huà)藝術(shù)未來(lái)的寶貴機(jī)會(huì)，有著特殊的學(xué)術(shù)價(jià)值和現(xiàn)實(shí)意義。”李瑞宇表示。

向云駒介紹，中國(guó)文學(xué)藝術(shù)基金會(huì)是由中國(guó)文聯(lián)主管的公益性社會(huì)團(tuán)體，自1994年成立以來(lái)，已經(jīng)累計(jì)實(shí)施和資助了1000多項(xiàng)文化公益項(xiàng)目，“其中，資助國(guó)際文化藝術(shù)交流合作，增進(jìn)中國(guó)文學(xué)藝術(shù)界的國(guó)際交流是我們非常重要的一個(gè)工作內(nèi)容，本次展覽就是我們支持的一個(gè)代表性項(xiàng)目。這個(gè)項(xiàng)目2016年7月在法國(guó)巴黎展出，取得了巨大成功”。

開(kāi)幕式上，姜盧卡·瓦卡等意方嘉賓高度評(píng)價(jià)了中國(guó)油畫(huà)藝術(shù)在意大利的展出，認(rèn)為這次展覽將為兩國(guó)的友好和文化交流作出重要貢獻(xiàn)。提香娜·達(dá)切蓮向嘉賓介紹了中國(guó)學(xué)生近年來(lái)在意大利尤其是羅馬美術(shù)學(xué)院的學(xué)習(xí)情況，對(duì)中國(guó)油畫(huà)藝術(shù)取得的成就予以高度評(píng)價(jià)?？藙诘蠆W·斯特里納蒂準(zhǔn)確地詮釋了中國(guó)藝術(shù)，包括繪畫(huà)和音樂(lè)的獨(dú)特氣質(zhì)，指出中國(guó)油畫(huà)已經(jīng)走出了一條不同于西方的道路：中國(guó)和意大利各自在儒學(xué)和基督教的影響下形成了輝煌的藝術(shù)成就，并在此再次交匯——“在20世紀(jì)和21世紀(jì)之間，兩個(gè)古老國(guó)度之間令人興奮的聯(lián)系重新在藝術(shù)領(lǐng)域回歸，本次展覽恰好提供了一個(gè)難忘的見(jiàn)證”，他說(shuō)。妮可麗娜·皮安奇則特別注意到了“意蘊(yùn)”二字所包含的深刻含義，她希望觀眾仔細(xì)觀察和思考這些含義，從而了解中國(guó)油畫(huà)是如何從向西方學(xué)習(xí)、再回到本土重生的過(guò)程。

在展覽開(kāi)幕式之前，一場(chǎng)題為“世界文化視野中的中國(guó)油畫(huà)”的學(xué)術(shù)研討會(huì)在維多利亞諾宮舉行。研討會(huì)邀請(qǐng)了對(duì)中國(guó)油畫(huà)領(lǐng)域有著深入研究的著名理論家、藝術(shù)家，以及來(lái)自意大利的重要批評(píng)家、理論家、藝術(shù)家，以“中國(guó)油畫(huà)”為核心議題，展開(kāi)了藝術(shù)與思想上的深切交流和研討。這場(chǎng)中意雙方參與的高水平學(xué)術(shù)研討會(huì)，得到了參會(huì)專(zhuān)家的高度評(píng)價(jià)。這次會(huì)議的舉行不僅是一個(gè)重要的藝術(shù)時(shí)刻，而且對(duì)于推動(dòng)中意雙方油畫(huà)界未來(lái)的學(xué)術(shù)交流和合作具有重要意義。

In the midsummer of Rome,daytime lasts much longer.Located at the Piazza Venezia on the edge of the ancient Roman city,the stunning architecture and numerous visitors reflect the glory of this great city.The Vittoriano Complex in the square was given a familiar and new meaning on the day of July 18th: the two huge red posters were particularly dazzling in the sun,almost covering the ancient Roman ruins in red across the street.This time,it was from the other end of the Millennium Silk Road that let the ancient city glow with a different kind of brilliance - China's contemporary oil painting art.On July 18th,the"Implication of China---International Tour of Chinese Oil Painting(Italy)" has been held at the Vittoriano Complex in the capital of Rome.

The exhibition,hosted by China National Academy of Painting and China Literature and Art Foundation and undertaken by the Oil Painting Institute of China National Academy of Painting,has been held from July 18thto September 9thin Rome.Gianluca Vacca,Deputy Minister of Italian Ministry of Cultural Heritage and Tourism,Francesco Rutelli,former Italian Deputy Prime Minister and Italian coordinator of China-Italy cultural cooperation mechanism,LI Ruiyu,Chinese Ambassador to Italy,JIN Shangyi,Honorary Chairman of China Artists Association,ZHAN Jianjun,President of Oil Painting Institute of China National Academy of Painting,XIANG Yunju,Vice-president and Secretary-general of China Literature and Art Foundation,event curators as Claudio Strinati,Nicolina Bianchi,ZHANG Zuying and others have participated into the opening ceremony.Celebrities from Chinese art circles,QUAN Shanshi,SHAO Dazhen,XI Jingzhi,SHUI Tianzhong,SHANG Yang and others,and over 400 guests have attended the grand event,including Tiziana D'Acchille,dean of the Academy of Fine Arts in Rome,Lole Siena,Curator of Vittoriano Complex,Gianni Dessi,President of St.Luke's College,Claudio Rocca,President of Florence National Academy of Fine arts of Italy,Andonio D'Acchile,former president of Accademia di belle arti DI ROMA and the painter,Gabriele Simongini,a historian of Italian art amongst others.

展覽現(xiàn)場(chǎng)Exhibition sites

"Implication of China---International Tour of Chinese Oil Painting(Italy)" aims to implement the strategic direction of the Chinese culture going-out,let the world understand the current situation of Chinese oil painting,showcase the achievements of Chinese contemporary oil painting art,and promote the fine art to a higher artistic level.Meanwhile,it allows the world to understand the contemporary Chinese culture with the help of oil painting as an artistic carrier,and further enhance cultural exchanges between the East and the West.Having been inherited from the West,Chinese oil paintings are forming an overall appearance with Chinese artistic characteristics and spiritual connotations thanks to Chinese oil painters' unremitting pursuit for more than a hundred years.As another exhibition after that in Paris,France,the Italian tour will play an important role in strengthening the in-depth exchange of Chinese and foreign oil painting art and promoting the progress of world oil painting art.

The 63 participating artists of the Italian tour were mainly researchers of the Oil Painting Institute of China National Academy of Painting,and some outstanding pieces of painters from Chinese oil painting circles were also invited for the exhibition.A total of 146 works fully displayed the highest artistic achievement gained in contemporary Chinese oil painting to the Italian public for the first time.With the theme of Implication of China,the works are presented in three thematic sections:"Meaning of Life""Thoughts of Humanity" and "Realm of the Soul"."Meaning of Life" focuses on expressing the artist's attention to the rich and diverse life of reality and the expression of the unique feelings it triggers;"Thoughts of Humanity"emphasizes the emotional care and deep thinking of Chinese culture and history caused by the artist's thoughts based upon the reality; "Realm of the Soul" focal point is on the artist's return to the inner world,the metaphysical free expression of the Chinese spirit and aesthetics.

The oil painting is the essence of European literature and art.Its classic masterpieces of art masters appearing in various periods of Western historical development have attracted and influenced people and artists from all over the world.Since the beginning of the 20thcentury,the Chinese artists have traveled to Europe to study oil painting art with great enthusiasm.After several generations of Chinese oil painters' unremitting efforts,the art of oil painting has been spread and developed in China.During this process,Chinese oil painters strive to use oil painting art language to express local life,reflecting Chinese spiritual and cultural characteristics,and gradually integrating the oil painting art into the historical process of Chinese modern culture,causing an important driving power to develop and create contemporary Chinese culture.ZHAN Jianjun believes that,at present,the Chinese oil painters,on one hand,rely on the profound cultural and artistic traditions of the nation,on the other hand continue to delve into and explore the unique artistic effects and expressive power of oil painting language,and strive to create more masterpieces with charm of the oil painting art and Chinese culture.At present,the Chinese oil painting art circle has formed a multi-faceted and prosperous situation,and the oil painting in China is showcasing a vigorous and powerful artistic vitality.

"As the birthplace of the Renaissance,Italy has many treasures of painting art with a number of important art schools and masters.Although the oil painting art started late in China,it has made great achievements through the unremitting efforts of several generations of Chinese artists.This oil painting exhibition has brought forth 146 pieces of 63 Chinese contemporary oil painters to Italy,which is not only a root-seeking journey,but also a valuable opportunity to discuss the future of oil painting art with Italian peers,featuring special academic and practical significance." Claimed by LI Ruiyu.

According to the introduction by XIANG Yunju,the Chinese Literature and Art Foundation,a public welfare social group headed by the Federation of Chinese Literary and Art Circles,is the only literary and art foundation with the highest level of 5A amongst many Chinese organizations of such kind.Since its establishment in 1994,it has implemented and funded more than 1,000 cultural public welfare projects,"It is a very important working content for us to fund international cultural and art exchanges and cooperation and enhance the international exchanges of the Chinese literary and art circles.This exhibition is a representative project we support.Exhibited in Paris,France in July 2016,it has achieved great success".

At the opening ceremony,Gianluca Vacca and other Italian guests have highly praised the exhibition of Chinese oil painting art in Italy,and believed that this event would make an important contribution to the friendship and cultural exchanges between the two countries.Tiziana D'Acchille has introduced the study of Chinese students in Italy to all the guests,especially their performance at the Academy of Fine Arts in Rome in recent years,and highly commended the achievements of Chinese oil painting art.Claudio Strinati has accurately interpreted the unique temperament of Chinese art,including painting and music,pointing out that Chinese oil painting has already embarked on a different path from the West: China and Italy each formed brilliant artistic achievements under the influence of Confucianism and Christianity,and here again resulting in convergence ---"Between the 20thand 21stcenturies,the exciting connection between the two ancient nations has returned to the art world,and this exhibition just provides an unforgettable testimony",he said.Nicolina Bianchi has,in particular,noticed the profound meaning of the word "Implication",hoping that the audience would carefully observe and think about these meanings so as to understand how Chinese oil painting learns from the West and then returns to the local for the rebirth.

Prior to the opening ceremony of the exhibition,an academic seminar entitled "Chinese Oil Painting in the Perspective of World Culture" has been held at the Vittoriano Complex.The seminar has invited famous theorists and artists who have in-depth research in the field of Chinese oil painting,as well as important critics,theorists and artists from Italy.Starting by the "Chinese oil painting" as the core issue,they have launched a profound exchange of art and ideas.The high-level academic seminars attended by the Chinese and Italian sides were highly commended by the participating experts.The holding of this conference was not only an important artistic moment,but also of great significance for promoting the future academic exchanges and cooperation between the Chinese and Italian oil painting circles.