【卷首語】

本期學刊雖然是新媒體?？?，但在本期的《展覽現(xiàn)場》當中，我們卻也關(guān)注著這個時代不該忘記的那些前行者們的業(yè)績。“始終逆時代而行的理想主義者”值得我們?nèi)ド羁虘涯睿驗檎撬麄?，在“沉浸之光”中從未迷失自己的方向，為更多的后來者明示了藝術(shù)發(fā)展的可能趨向。

本期的《熱點人物》，我們關(guān)注施元欣的創(chuàng)作，其作品構(gòu)筑了一個在“有序”和“無序”間實現(xiàn)了特殊和諧的世界，從而探索實踐出藝術(shù)與設(shè)計的獨立形式語言和對人的思維具有啟發(fā)性的價值。

《內(nèi)部信息——大數(shù)據(jù)時代的藝術(shù)》是本刊近期少有的海外資源，感謝本刊的老朋友石冠哲先生的熱心翻譯，以及像他一樣一直關(guān)愛本刊的各位朋友。從2018年開始，本刊會計劃重新做強《海外藝術(shù)》欄目，希望各位朋友給予我們刊物更多更好的意見和鞭策。

天津美術(shù)學院學報執(zhí)行主編 邵亮

2017年4月

[ Editorial ]

Though this issue is about new media, in Exhibition Reviews, we also pay attention to the achievements of our forerunners who should not be forgotten in this era. “The idealist always going against the times” deserves our deep respect, because it is such people that never lose themselves in “immersive light,” shedding light on possible art paths for successors.

Hotspot Figures of this issue focuses on Shi Yuanxin, whose works present a world of special harmony between“order” and “disorder,” thus exploring independent formal language of art and design and its inspiring effect on human thinking.

“Internal Information: an Art of the Big Dada Era” is an article from abroad, rarely seen in recent issues. Here we show our thanks to Mr. Shi Guanzhe, an old friend of ours, for his kind translation and those who follow us. From 2018 on, we will restart our Overseas Art. Any recommendations would be highly appreciated.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

April 2017