終極廢墟

建筑師：馬可?卡薩格蘭

地點(diǎn)：中國(guó)臺(tái)北

室內(nèi)面積：210m2

陽(yáng)臺(tái)面積：520 m2

完工：2013年

攝影：AdDa Zei

Architect: Marco Casagrande

Location: Yangming Mountain, Taipei,

Interior space: 210 m2

Terraces: 520 m2

Completed: 2013

Photos: AdDa Zei

“終極廢墟”是木制建筑機(jī)體，它是在一座紅磚農(nóng)舍的廢墟上建立的，農(nóng)舍坐落在農(nóng)場(chǎng)梯級(jí)和野生叢林的聚集之處。這座弱建筑采用開(kāi)放式，受昆蟲(chóng)在樹(shù)叢中活動(dòng)的啟發(fā)，并結(jié)合廢墟位置和“當(dāng)?shù)刂R(shí)”即興創(chuàng)作而成。

“終極廢墟”內(nèi)設(shè)多功能綜合空間和平臺(tái)，可以服務(wù)于各類(lèi)生活功能，也可作為冥想之處。在這里，房屋內(nèi)部與外部的空間連續(xù)性是彈性的——內(nèi)部就是外部，樹(shù)林就在房屋內(nèi)?！敖K極廢墟”如同由大自然演奏的樂(lè)器，而人類(lèi)也被囊括進(jìn)廣闊的大自然中。雖然建筑主要的使用者是一個(gè)家庭，但整個(gè)空間卻是開(kāi)放的，直面更廣袤的世界?！敖K極廢墟”并不立足于工業(yè)控制，而是有機(jī)式的建筑律動(dòng)。自然的律動(dòng)比建筑控制性更重要。建筑的控制性需要讓道，我們要迎回大自然，讓那些生動(dòng)的廢墟自然地存在。一個(gè)人只有真實(shí)地存在著才能了解自然的驅(qū)動(dòng)力，“真實(shí)地存在”是一切藝術(shù)的奧秘所在。

建筑絕不是一種孤獨(dú)的語(yǔ)言，建筑絕不能固步自封。所有的建筑都要體現(xiàn)大自然的理念，成為大自然的一部分。“終極廢墟”出現(xiàn)于后廢墟時(shí)代，人們已經(jīng)重新回到建筑/廢墟，與大自然共享同一空間。

倘若沒(méi)有與客戶(hù)、當(dāng)?shù)鼐用窈痛笞匀婚g建設(shè)性的對(duì)話，這樣的設(shè)計(jì)自然就無(wú)法存在。通過(guò)這樣的對(duì)話達(dá)成了知識(shí)建筑的共識(shí)，而“終極廢墟”的建設(shè)正是對(duì)這種共識(shí)的響應(yīng)。

Ultra-Ruin is a wooden architectural organism that is growing from the ruins of an abandoned red brick farmhouse in the meeting place of terraced farms and jungle. The weak architecture follows the principles of Open Form and is improvised on the site based on instincts reacting on the presence of jungle, ruin and local knowledge.

The complex has a variety of multi-functional spaces and platforms that can be activated for different living functions and for meditation. The spatial continuity between interior and exterior spaces is flexible – also the inside is out and the jungle is in the house. The Ultra-Ruin is an architectural instrument played by nature including human. The main user is a private family, but the space is occasionally opened up for wider meetings.

Ultra-Ruin is more of an organic accident, than based on industrial control. Accident is greater than architectural control. Architectural control has been opened up in order to let nature to step in and human error to take place. In order to understand the dynamics of an accident one must be present. To be present is the key of all art.

Architecture is not an independent language and architecture is not talking alone. Architecture needs nature to become part of nature. Ultra-Ruin is a post-ruin condition, where human has come back to the house / ruin and share the same space with jungle.

This design would not have had happened without and constructive dialog with the client, local people and nature. Ultra-Ruin is an architectural response to the knowledge building that was reached through this dialog.