菲律賓館：互助結(jié)構(gòu)

策展人：蘇達(dá)山·V· 小卡德卡，亞歷山大·埃里克森·富魯內(nèi)斯

1 展亭外景/Exterior view of pavilion

2021年威尼斯建筑雙年展的菲律賓國家館所展示的是一個圖書館兼調(diào)?？臻g，其設(shè)計和建造通過與菲律賓布拉坎社區(qū)的相互支持而實現(xiàn)。該空間是在原址建造的，后經(jīng)拆除，運(yùn)到威尼斯雙年展的現(xiàn)場，展覽結(jié)束后將在布拉坎社區(qū)進(jìn)行重建并永久保留。相互支持是一種傳統(tǒng)，人們聚集在一起共同工作，以實現(xiàn)一個共同的目標(biāo)。它以多種形式存在于世界各地，是應(yīng)對災(zāi)難和日常生活的一種方式。在菲律賓，這種相互支持的傳統(tǒng)被稱為“Bayanihan”，在挪威則被稱為“Dugnad”。我們?nèi)绾喂餐畹膯栴}也是我們?nèi)绾喂餐ㄔO(shè)的問題。相互支持增加了可供我們共同建造和共同生活的方式，因此，相互支持的傳統(tǒng)可以指導(dǎo)我們建筑實踐的方式。

第17屆國際建筑展的國際評審團(tuán)授予菲律賓國家館特別提名獎，表彰該項目為“一個示范性社區(qū)項目，創(chuàng)建了豐富的存檔資料和協(xié)作建造的實踐經(jīng)驗”?！?王欣欣 譯)

The Philippine Pavilion at the Venice Architecture Biennale 2021 exhibits a library and conflict resolution space designed and built through mutual support with a community in Bulacan, Philippines. It was built on site and then dismantled and shipped to Venice for the Biennale and it will be rebuilt back in the community permanently after the exhibition. Mutual support is a tradition where people come together for collective work in order to achieve a common goal. It exists in multiple forms around the world and has been a way to cope in the face of disasters and in everyday life. In the Philippines the mutual support tradition is called Bayanihan and in Norway it is called Dugnad. The question of how we live together is also a question of how we build together. As such, mutual support traditions can inform the way we practice architecture because they are alternative ways for us to build and live together.

The international Jury of the 17th International Architecture Exhibition has awarded special mention as National Participation to Philippines for "an exemplary community project that creates a rich archive and experience of collaborative construction practices".□

2 展亭內(nèi)景/Interior view of pavilion

3 展亭外景/Exterior view of pavilion

4.5 展亭內(nèi)景/Interior views of pavilion

6 展亭內(nèi)景/Interior view of pavilion

7展示墻/Exhibition walls

8 展示墻/Exhibition walls

9 項目歷程/Project process

項目信息/Credits and Data

地點(diǎn)/Location: Arsenale, Venice, Italy (2021) GK Enchanted Farm, Angat, Bulacan, Philippines (2020, 2022)

委托方/Commissioner: Arsenio "Nick" J. Lizaso, Chairman, National Commission for Culture and the Arts (NCCA)

策展人及參展人/Curators and Exhibitors: Framework Collaborative (GK Enchanted Farm Community and Architects Sudarshan V. Khadka Jr. and Alexander Eriksson Furunes)

設(shè)計團(tuán)隊/Design Team: Sudarshan V. Khadka Jr. and Alexander Eriksson Furunes & GK EF community

合作者/Collaborators: Jessica Pineda, Paula Francisco, Yen Alforque & Kristin Helgadottir

顧問/Consultants: Eng. Jason Toralde

材料及結(jié)構(gòu)/Materials & Structure: 可持續(xù)來源木材，鍍鋅鋼板，膠合木/Sustainably Sourced Timber, Galvanized Iron Sheets, Plywood

項目面積/Project Area: 70m2(Philippines), 320m2(Venice)

設(shè)計周期/Design Time: 1個月/1 Month

建造周期/Construction Period: 3個月/3 Months

竣工時間/Completion Time: 2020.01 (Philippines), 2021.05 (Venice), 2022.05 (Philippines)

繪圖/Drawings: Sudarshan V. Khadka Jr., Alexander Eriksson Furunes

攝影/Photos: Alexander Eriksson Furunes (fig.1,2,9b, 9e,15-17,19,20), Andrea D. Altoe (fig.3,4,6-8,9i,18), Federico Vespignani (fig.5), Ron Stephen Reyes (fig.9a, 9c), Chris Yuhico (fig.9d,9h), Don Patrick Claudio (fig.9f,9g)

10 基地立面（菲律賓安加特）/Site elevation, Angat, Philippines

11 平面（意大利威尼斯）/Plan, Venice, Italy

12 剖面A-A（意大利威尼斯）/Section A-A, Venice, Italy

13 剖面B-B（意大利威尼斯）/Section B-B, Venice, Italy

14 剖面C-C（意大利威尼斯）/Section C-C, Venice, Italy

15 展亭外景/Exterior view of pavilion

16 展亭外景/Exterior view of pavilion

17-20 展亭細(xì)節(jié)/Details of pavilion