Best Netflix Documentaries網(wǎng)飛紀(jì)錄片佳作推介

丁婷

From nature stories， to dystopian1， geopolitical dramas， there is a wealth of documentaries to help us make sense of it all. Here’s a selection of the best eye-opening documentaries from around the world.

The Social Dilemma

You may have seen The Social Network， in which a baby-faced Mark Zuckerberg， played by Jesse Eisenberg， creates his college’s social networking page， and inadvertently2 changes the course of human society forever with the invention of Facebook. Since the film was released， we’ve become more attuned to the dangers that social media places on our personal and social lives. 2020 saw the release of The Social Dilemma， Jeff Orlowski’s compelling deconstruction of the operations behind the social media industry. The film slowly excoriates3 the advert-powered business models of tech giants—including those behind Facebook， Instagram and Twitter—as dangerous manipulators of our behaviour. At the documentary’s core is a message that the tech industry is sorely in need of more stringent ethical and moral regulation. As technology and social media become deeply integrated with our daily lives， the film becomes a wake-up call to avert from the dystopia that we may yet find ourselves in.

My Octopus Teacher

After years of overworking， film-maker Craig Foster sought to re-engage with his natural subject matter， taking time off work to free dive off the coast of South Africa. Peering through the murky waters of the shallows， two pairs of eyes—each belonging to sentient4 life forms—stared at each other in mutual fascination. As Foster ventured to the surface， the octopus that held his gaze softly clung to his arm in an apparent moment of interspecies curiosity. The moment awakened Foster’s fascination for the ways in which we relate to intelligent， non-human entities in the natural world. Peter Godfrey-Smith’s breakthrough 2016 book Other Minds5 perfectly captured the wonders of intelligent life beyond the human experience. Now in 2021， My Octopus Teacher is a meditative， visual guide to appreciating and respecting the complexities of life on our planet.

American Factory

American Factory depicts the culture-clash of a Chinese-owned manufacturing facility in the state of Ohio. In 2014， the Chinese glass manufacturer Fuyao promised to rekindle the crushed economy of Ohio， where car plants have been shutting down since 2008. In came a wave of Chinese workers， bringing with them a very different working culture and ethic to their American counterparts. As factory operations come under review from a newfound blend of American and Chinese executives， a fascinating diorama for modern Sino-American relations begins to unfold before our eyes.

The Edge of Democracy

Petra Costa’s 2019 documentary brings a startling perspective on Brazil’s political troubles over the last few years. The Edge of Democracy showcases the descent of Brazilian politics into populism. Reaching deep into the annals of historical footage， Costa chronicles the history of Brazilian politics. From the birth of the country’s democracy， the corruption scandals and eventual impeachment of president Dilma Rousseff in 2015， to the election of populist Jair Bolsonaro in 2018， this documentary is a piercing guide to Brazil’s democracy.

Crip Camp

Camp Jened， founded in 1951， offered its disabled campers a haven in which to freely live and express themselves away from the judgement of non-disabled citizens. The location is a backdrop for the eventual emergence of the disabled civil rights movement of 1977. The grassroots movement was led by activists and former Camp Jened attendees， who were tired of being denied opportunities of employment and medical care. Director and former camper Jim LeBrecht， helped by executive producers Barack and Michelle Obama， bring a wholesome and important tale of how youth-led activism overcame the systematic discrimination of the time.

A Life on Our Planet

A retrospective look at the career of the famed and beloved naturalist David Attenborough， or an urgent message to heal our political divides for the sake of the natural world？ The much talked about documentary traces the growth of Attenborough’s career， which though remarkable and rich， parallels the ecological breakdown that has become the defining issue of our times. The tone hits a different note to its predecessors in Our Planet， Blue Planet or the original Life on Earth series—a sterner Attenborough directs the lens not merely on the creatures and climate that we have a moral duty to protect， but on the very survival of our own species.

從自然題材作品到敵托邦式的地緣政治鬧劇，海量紀(jì)錄片有助于我們洞悉一切。以下是讓人大開(kāi)眼界的全球紀(jì)錄片佳作精選。

《社交困境》

你可能看過(guò)電影《社交網(wǎng)絡(luò)》，片中，娃娃臉的馬克·扎克伯格（杰西·艾森伯格飾）創(chuàng)建了所在大學(xué)的社交網(wǎng)頁(yè)，還憑借創(chuàng)立“臉書(shū)”無(wú)意間永久改變了人類(lèi)社會(huì)的進(jìn)程。該片上映以來(lái)，我們愈發(fā)意識(shí)到社交媒體給我們個(gè)人和社交生活帶來(lái)的危害?！渡缃焕Ь场酚?020年上映，展現(xiàn)了杰夫·奧洛威斯基對(duì)社交媒體行業(yè)幕后運(yùn)營(yíng)的解析，令人信服。全片緩慢推進(jìn)，痛斥“臉書(shū)”“照片墻”“推特”等技術(shù)巨頭的廣告驅(qū)動(dòng)商業(yè)模式會(huì)操縱人類(lèi)行為，十分危險(xiǎn)。該片的核心信息是：技術(shù)行業(yè)亟須更加嚴(yán)格的倫理和道德管束。鑒于技術(shù)和社交媒體同我們的日常生活深度融合，該片可謂敲響了警鐘，告誡人們遠(yuǎn)離遲早會(huì)身陷其中的敵托邦。

《我的章魚(yú)老師》

多年的超負(fù)荷工作后，電影制作人克雷格·福斯特希望回歸熟悉的自然主題，他放下了工作到南非海岸自由潛水。透過(guò)淺水區(qū)幽暗的海水，兩個(gè)有感知能力的生命體四目相視，深深地為彼此所吸引。當(dāng)福斯特小心翼翼浮至水面時(shí)，那只吸引住他目光的章魚(yú)輕輕纏住他的手臂，物種間的好奇一時(shí)間盡顯無(wú)遺。那一刻激發(fā)了福斯特極大的興趣去探究我們同自然界非人類(lèi)智慧體的相處方式。彼得·戈弗雷-史密斯2016年出版的驚世之作《其他思想》完美捕捉到了人類(lèi)經(jīng)驗(yàn)之外的智慧生命奇觀。2021年的今天，《我的章魚(yú)老師》不失為一部發(fā)人深思的視覺(jué)指南，引導(dǎo)觀眾去欣賞并尊重地球上復(fù)雜多樣的生命體。

《美國(guó)工廠》

《美國(guó)工廠》描繪了俄亥俄州一家中資制造廠內(nèi)部發(fā)生的文化沖突。2014年，中國(guó)玻璃制造商福耀集團(tuán)承諾要重振俄亥俄州陷入崩潰的經(jīng)濟(jì)，該州的汽車(chē)制造廠自2008年以來(lái)紛紛關(guān)閉。大批中國(guó)工人涌入工廠，帶來(lái)了與美國(guó)工人截然不同的職場(chǎng)文化和倫理規(guī)范。隨著工廠的運(yùn)轉(zhuǎn)由全新組合的美中管理層聯(lián)手管控，一幅有趣的現(xiàn)代中美關(guān)系立體圖景呈現(xiàn)在我們眼前。

《民主的邊緣》

2019年發(fā)行的這部紀(jì)錄片由佩特拉·科斯塔執(zhí)導(dǎo)，以令人震撼的視角呈現(xiàn)了巴西過(guò)去幾年的政治困境。該片展示了巴西政治淪為民粹主義的過(guò)程?？扑顾钔谑妨?，用鏡頭按照時(shí)間順序回溯了巴西的政治歷史。從民主在該國(guó)誕生，到2015年總統(tǒng)迪爾瑪·羅塞夫卷入貪腐丑聞終遭彈劾，再到2018年民粹主義者雅伊爾·博索納羅當(dāng)選總統(tǒng)，整部紀(jì)錄片極具洞察力，引領(lǐng)觀眾了解巴西的民主制度。

《殘疾營(yíng)地》

創(chuàng)建于1951年的堅(jiān)內(nèi)德?tīng)I(yíng)地為殘障營(yíng)員們提供了一個(gè)避風(fēng)港。在這里，他們可以無(wú)拘無(wú)束地生活、表達(dá)自我，遠(yuǎn)離非殘障者的評(píng)頭論足。營(yíng)地的建立最終催生了1977年的殘障者民權(quán)運(yùn)動(dòng)。這場(chǎng)發(fā)端于社會(huì)底層的運(yùn)動(dòng)由社會(huì)活動(dòng)人士和堅(jiān)內(nèi)德?tīng)I(yíng)地前營(yíng)員領(lǐng)導(dǎo)，他們受夠了就業(yè)和醫(yī)療機(jī)會(huì)屢遭剝奪的現(xiàn)實(shí)。導(dǎo)演吉姆·萊布雷希特也曾是一名營(yíng)員，在影片監(jiān)制（前總統(tǒng)）奧巴馬夫婦的幫助下，他將一段頗具道德影響力的歷史故事搬上銀幕，詮釋了青年主導(dǎo)的行動(dòng)主義如何戰(zhàn)勝了當(dāng)時(shí)的系統(tǒng)性歧視。

《地球上的一段生命旅程》

是對(duì)深受喜愛(ài)的知名自然主義者大衛(wèi)·愛(ài)登堡職業(yè)生涯的回顧，還是為保護(hù)自然界發(fā)出的彌合政治分歧的緊急呼吁？這部備受關(guān)注的紀(jì)錄片梳理了愛(ài)登堡的職業(yè)歷程，這一歷程非凡而豐富，卻也伴生著已成為當(dāng)代具有決定性意義的生態(tài)惡化問(wèn)題。相較此前的《我們的星球》《藍(lán)色星球》及最開(kāi)始的系列片《生命的進(jìn)化》，本片一改以往的基調(diào)，愛(ài)登堡以更加嚴(yán)苛的視角將鏡頭不僅聚焦于我們負(fù)有道義責(zé)任去保護(hù)的生物和氣候，還聚焦于我們?nèi)祟?lèi)自身的生存狀況。? ? ? □

（譯者為“《英語(yǔ)世界》杯”翻譯大賽獲獎(jiǎng)?wù)?單位：中國(guó)進(jìn)出口銀行）