薩姆森街酒店

項(xiàng)目地點(diǎn)：泰國(guó)曼谷

建設(shè)單位：L.S. 酒店及度假集團(tuán)

用地面積：1 400平方米

總建筑面積：2 560平方米

建筑占地面積：640平方米

樓層數(shù)：4層

建筑/室內(nèi)/景觀設(shè)計(jì)：CHAT建筑師事務(wù)所

首席建筑師：Chatpong Chuenrudeemol

設(shè)計(jì)團(tuán)隊(duì)：Prueksakun Kornudom, Natthapakorn Kapukum,Karn Chuensriswang

結(jié)構(gòu)工程師：Sarawut Yuanteng

設(shè)計(jì)時(shí)間：2017年

竣工時(shí)間：2019年

攝影：W Workspace

Location: Bangkok, Thailand

Client: L.S. Hotels & Resorts Group

Site Area: 1 400 m2

Gross Built Area: 2 560 m2

Building Footprint Area: 640 m2

Floor Numbers: 4

Architects / Interior / Landscape: CHAT Architects

Chief Architect: Chatpong Chuenrudeemol

Design Team: Prueksakun Kornudom, Natthapakorn Kapukum,Karn Chuensriswang

Structural Engineer: Sarawut Yuanteng

Design Year: 2017

Completion Year: 2019

Photography: W Workspace

薩姆森街酒店由一個(gè)簾式情愛(ài)汽車旅館翻修而成，長(zhǎng)期以來(lái)，這是曼谷“未言明”風(fēng)格之一。這座建筑的建筑結(jié)構(gòu)容納并保護(hù)了其秘密使用者——密會(huì)的情侶。其空間序列不同于其他秘密情侶通常進(jìn)入的有色窗戶的汽車，它有一個(gè)內(nèi)部庭院，通過(guò)街道立面的隧道進(jìn)入。

The Samsen STREET Hotel is the renovation of a curtain sex motel, one of the Bangkok’s longstanding“unspoken” typologies. This architecture of this building accommodates and protects its clandestine users - couples engaged in secret affairs. Its spatial sequence is like none other - The secret couple usually enters in a car with tinted windows, it has an inner courtyard accessed by a tunnel through the street elevation.

從酒店翻新的組成部分可以明確地感受到——現(xiàn)有的建筑只是簡(jiǎn)單地用純灰色的拋光水泥灰泥重新完成，而新的介入部分則為淡綠色的“棚架”的形式。有3個(gè)棚架構(gòu)建：“soi”（巷道），rabeang（人行道露臺(tái)）和“nahngglangplang”（露天劇場(chǎng)）。

The components of the hotel’s renovation can be clearly perceived -The existing building is simply refinished in plain grey polished cement plaster while the new interventions come in the form of a pastel green “scaffolding”. There are 3 scaffolding elements: the “soi” (alley), the rabeang (sidewalk terrace),and the “nahng glang plang” (outdoor movie theater).

這種輕巧的結(jié)構(gòu)“面具”是從CHAT architects的研究對(duì)象——曼谷雜種（或泰國(guó)街頭地域雜交）中發(fā)現(xiàn)的棚架結(jié)構(gòu)中衍生而來(lái)。他們包括建筑工人住房、非正式棚戶區(qū)、快閃市場(chǎng)，以及更多……這些都將這種生活棚架策略定制為多用途熱帶游廊空間。

This light structural “mask” is a derivation from the scaffolding structures found in CHAT architects’research subjects - Bangkok Bastards (or Thai street vernacular hybrids). They include construction worker houses, informal shantytowns, pop-up markets, and many more… which all customize this living scaffolding strategy as multipurpose tropical veranda space.

“soi”（巷道）

The “soi” (alley)

從一開(kāi)始，客戶對(duì)裝修的主要要求是將每間現(xiàn)有客房的容納能力從可容納兩人增加到可容納三人（從而增加額外的客房供應(yīng)收入）。因此，我們?yōu)槊總€(gè)房間設(shè)計(jì)了一個(gè)綠色的懸臂睡艙，可以容納額外的客人。這些1.50米深的睡眠艙的擠壓形成了一個(gè)垂直的“soi（巷道），滿足了建筑系統(tǒng)服務(wù)巷道的需要?？照{(diào)冷凝器、電線管、排水管……一度被認(rèn)為是“丑陋”的后臺(tái)元素……現(xiàn)在暴露在外，易于維修，并被譽(yù)為熱帶城市建筑不可或缺的組成部分。在特殊的場(chǎng)合，立面通道轉(zhuǎn)變成一個(gè)垂直的舞臺(tái)，街頭音樂(lè)家可以在那里為社區(qū)表演。

From the beginning, the client’s major requirement for the renovation was for each existing guest room to increase its capacity from sleeping two people to three people (thereby increase income for extra guest provision). We therefore created a cantilevered green sleeping pod for each room that can accommodate the extra guest. The extrusion of these 1.50 meter deep sleeping pods created a vertical ““soi (alley) condition that serve as much needed building systems service alleys. Air conditioning condensers, electrical conduits, water drainage pipes…once considered “ugly” back of house elements…are now exposed, easily serviced, and celebrated as integral components of tropical urban architecture. On special occasions, the fa?ade alleyway transform into a vertical stage where street musicians can perform for the neighborhood.

“Rabeang”（人行道露臺(tái)）

The “rabeang” (sidewalk terrace)

rabeang（人行道露臺(tái)）區(qū)域最大限度地利用了建筑和界址線之間經(jīng)常未被充分利用的6米后置帶。在這里，檐篷將酒店大堂和餐廳連接到人行道，在酒店客人和路人之間建立了一個(gè)城市互動(dòng)區(qū)域，供人們吃飯、喝酒和聊天。為該地區(qū)設(shè)計(jì)的特殊移動(dòng)“街道”家具也可以在假日和節(jié)日期間推出，當(dāng)汽車交通關(guān)閉時(shí)，以占據(jù)街道和人行道。

The rabeang (sidewalk terrace) area makes to the most of the frequently under-utilized 6-meter setback zone between the building and the property line. Here, a canopied scaffolding connects hotel lobby and restaurant to sidewalk, creating a zone of urban interaction between hotel guests and passerbys for eating, drinking, chatting. Special mobile “street” furniture designed for the area can also be rolled out to “colonize” the street and sidewalks during holidays and festivals when auto traffic is closed off.

與巷道相鄰的西面露臺(tái)，供當(dāng)?shù)氐氖称窋傌溈伞敖油ā彪姾退畞?lái)烹飪、供應(yīng)和銷售其街頭食品。酒店業(yè)主和當(dāng)?shù)亟值罃傌溨g的合作社會(huì)/金融口頭協(xié)議提出了一種新的社區(qū)商業(yè)模式。以前，酒店機(jī)構(gòu)將食品攤販視為對(duì)自己的餐飲業(yè)務(wù)的潛在競(jìng)爭(zhēng)威脅，而曾經(jīng)是街頭小販本人的酒店所有者則看到了相互合作的社會(huì)和經(jīng)濟(jì)利益。一方面，酒店能夠支持、“樹(shù)立品牌”，并將曼谷文化的正宗文化元素（街頭美食）融入酒店項(xiàng)目。另一方面，鄰近的街頭食品攤販可以依賴酒店客人作為潛在客戶，并且能夠在政府官員在全國(guó)范圍的“清理”泰國(guó)街頭運(yùn)動(dòng)期間對(duì)他們的生計(jì)進(jìn)行嚴(yán)格審查之際，為他們的街頭食品活動(dòng)找到一個(gè)經(jīng)批準(zhǔn)的安全之地。

The west facing terrace adjacent to the small alley allows local food vendors to “plug in” for electricity and water to cook, serve, and sell their street food. The collaborative social/financial handshake agreement between hotel owner and local street vendorssuggests a new neighborhood business model. Whereas previously, hotel establishments would see food vendors as potential competitive threats to their own F&B operations, the owner of the hotel, once a street vendor himself, sees the social and economic benefits of mutual collaboration. On the one hand, the hotel is able support, “brand”,and integrate an authentic cultural aspect of Bangkok culture (street food) into its hotel program. On the other hand, neighboring street food vendors can rely on hotel guests as potential customers and are able to find a sanctioned refuge for their street food activities at a time when their livelihood is under heavy scrutiny by government officials during a nation-wide campaign to “clean up” Thai streets.

露天劇場(chǎng)（nahngglangplang）

The outdoor theater (nahng glang plang )

酒店的中央空地以前用作自駕購(gòu)汽車旅館，現(xiàn)在改造成了一個(gè)露天劇場(chǎng)（nahngglangplang）。深受泰國(guó)鄉(xiāng)村傳統(tǒng)快閃電影的啟發(fā)，這個(gè)空間為城市互動(dòng)創(chuàng)造了一個(gè)新的機(jī)會(huì)。球場(chǎng)中央的游泳池是一個(gè)注滿水的休息室，可以讓看電影的人在享受電影的同時(shí)浸泡涼快。為每間客房創(chuàng)造了一種新型的陽(yáng)臺(tái)，讓入住者可以懸空雙腳觀看電影。陽(yáng)臺(tái)迫使客人轉(zhuǎn)過(guò)身來(lái)，臉朝外，不僅可以看電影，還可以面對(duì)對(duì)面的鄰居……從而鼓勵(lì)客人之間的視覺(jué)和語(yǔ)言聯(lián)系，否則，他們將被隔離在房間里自己使用設(shè)備。一個(gè)特殊的爆米花輸送滑輪系統(tǒng)為每個(gè)陽(yáng)臺(tái)的客人提供電影期間的點(diǎn)心和飲料。

Previously used as a drive-in autocourt, the central void of the hotel has been transformed into an outdoor theater (nahng glang plang). Inpired by local Thai rural traditions of pop-up movies during holiday festivals, this space creates a new opportunity for urban interaction. The swimming pool at the center of the court is a water-filled lounge that allows movie-goers to soak and cool off while enjoying the film. A new type of balcony was created for each guest room, allowing occupants to dangle their feet to watch the movie. The balcony forces guests to turn and face outward to not only watch the movie, but to face their neighbors across the court… thereby encouraging visual and verbal connections amongst guests who otherwise would be isolated in their rooms with their devices. A special popcorn delivery pulley system supplies guests on every balcony with movie time snacks and drinks.