事務所/建筑師簡介

Stu/D/O Architects是一家位于曼谷的工作室，從事建筑、室內(nèi)設計、城市規(guī)劃和可持續(xù)性設計。工作室由ChanasitCholasuek（D）和ApichartSrirojanapinyo（O）于2010年成立。Stu/D/O概念設計方法是考慮每處場地的物理和文化層次差異，為建筑的功能、環(huán)境和空間創(chuàng)造新的可能，同時將被動可持續(xù)性設計融入到每個過程中。

我們完成的項目已獲得國際認可，并取得國際獎項。“Naiipa Art Complex”最近榮獲2017年亞洲建筑師協(xié)會建筑獎榮譽獎，2016年暹羅建筑師協(xié)會（ASA）的引文獎，以及《Wallpaper＊》雜志評選的2015年度建筑獎?！癟he Portrak Condominium”榮獲2016-2017年度國際房地產(chǎn)大獎泰國最佳高層住宅獎?！癆perture House”和“Kurves 7 Mall”榮獲暹羅建筑師協(xié)會（ASA）頒發(fā)的2016年金獎，“Zonic Vision office”榮獲2014年暹羅建筑師協(xié)會（ASA）頒發(fā)的引文獎，以及2015年Architizer頒發(fā)的A+中高層辦公樓大獎。

Stu/D/O目前參與了一系列設計類型的本地和國際項目。目前正在建設的項目包括MacroCare and Novasia Office的新總部，雅高集團的諾富特度假酒店，馨樂庭酒店位于菲律賓的大使酒店，曼谷的“Nowhere”屋頂餐廳以及全國各地的幾處私人住宅。

Stu/D/O Architects is a Bangkok based studio practicing architecture, interior design, urbanism,and sustainable design. It was founded in 2010 by Chanasit Cholasuek (D) and Apichart Srirojanapinyo (O). Stu/D/O conceptual design approach is to consider the layers of physical and cultural distinctness at each site to invent new possibilities for the buildings’ function, context,and space, while integrating passive sustainable design in every process.

Our completed projects are internationally recognized and awarded. ‘Naiipa Art Complex’has been recently selected for the 2017 Honorable Mention from The Arcasia Awards for Architecture, the 2016 Citation Award from the Association of Siamese Architects (ASA), along with the 2015 Building of the Year by Wallpaper＊Magazine. ‘The Portrait condominium’ has received the International Property Award 2016-2017 for Best Residential High-rise in Thailand.‘Aperture House’ & ‘Kurves 7 Mall’ received the 2016 Gold-Medal from the Association of Siamese Architects (ASA), ‘Zonic Vision Office’received the 2014 Citation Award from the Association of Siamese Architects (ASA) and the 2015 A+ Awards from Architizer in mid-rise office building category.

Stu/D/O is currently involved in both local and international projects across an array of design typology. Projects that are currently in construction includes the new headquarters for MacroCare and Novasia Office, The Novotel Hotel & Resort by Accor, the Ambassador Hotel by Citadines in the Philippines, ‘Nowhere’ rooftop restaurant in Bangkok, and several private residences across the country.

作為一種實踐，Studiomake堅持認為，我們對環(huán)境的內(nèi)在理解多源于與環(huán)境的親密互動尺度。在我們的工作室和工作坊中，這些觸知時刻是從流動而反復的設計行為和建筑表現(xiàn)之間轉換發(fā)展而來的。由于能夠體驗材料的重量和工具的摩擦，我們的想法由積累的經(jīng)驗知識催化。在全面和實時的工作中，我們探索建筑、室內(nèi)設計、家具和物件設計的重疊領域。由此發(fā)現(xiàn)我們的方法是完全可擴展的，因為我們經(jīng)手的項目從建筑到門把手，角色從建筑師到承包商、合作方和/或制作商。作為一種概念，Studiomake在David Schafer和他已故的合伙人ImSarasalin Schafer聯(lián)合，試圖將他們的長期合作正式化為未來實踐。他們在氣候干熱的圖森市亞利桑那大學相遇，后來搬到了圣地亞哥，為幾個著名的建筑工作室工作，他們獲得了加利福尼亞州建筑師執(zhí)照，在搬到曼谷之前，他們重返學術界，探索一種更私密的建筑規(guī)模。在克蘭布魯克藝術學院，他們花了兩年時間在金屬和陶瓷工作室研究切割、鑄造、雕刻、機械加工、車削、建造和施工。這種勢頭和精神仍在他們位于泰國曼谷郊區(qū)Sai Ma的工作室和工作坊中繼續(xù)發(fā)揚，而如今他們擁有完整的設計師和工匠團隊。

Studiomake, as a practice, maintains that more innate understandings of our environment stem from more intimate scales of interaction. In our studio and workshops these tactile moments develop from fluid, recurrent shifts between the act of design and the performance of construction. Being able to experience the weight of material and the friction of tools, our ideas are catalyzed by empirical knowledge derived inhand. Working in full scale and at real time we explore the overlapping realms of architecture,interiors, furniture, and object design. We find our approach is entirely scalable as our projects shift from buildings to door knobs and our roles vary from architect to contractor, collaborator, and/or fabricator.

Studiomake, as a notion, began to coalesce as David Schafer and his late partner,ImSarasalin Schafer, sought to formalize their long collaboration into a future practice. Having met in the dry heat of Tucson at the University of Arizona they both moved to San Diego to work for several significant architecture studios,they earned their architecture licenses from the State of California, and then prior to moving to Bangkok, they returned to academics to explore a more intimate scale of making. At Cranbrook Academy of Art they spent two years in the Metalsmithing and Ceramics studios cutting,casting, carving, machining, lathing, constructing and construing. That momentum and spirit continues today at their studio and workshops in Sai Ma on the outskirts of Bangkok, Thailand with a full team of designers and craftsman.

IDIN Architects成立于2004年，IDIN是將設計融入自然（Integrating Design Into Nature）的首字母縮寫。我們以兩種方式來理解“自然”。首先，自然可以定義為我們周圍的生態(tài)。其次，它還可以指不同的主張和個性。IDIN的設計理念和重點是將這種“自然”的環(huán)境感與建筑美學相融合。這種融合是通過對每個項目的不同需求和要求進行分析和優(yōu)先排序來完成的。

除了是設計融入自然首字母縮寫，泰語中“idin”一詞還用來形容降雨后土壤釋放出迷人氣息的一種自然現(xiàn)象。這象征著泰國的熱帶氣候，也是IDIN所有設計的目標。因此，我們不僅注重美學上，而且注重實用，以適應這種溫和的環(huán)境。

IDIN Architects的創(chuàng)始負責人JeravejHongsakul于1998年從泰國國王科技大學畢業(yè)，獲得建筑學學士學位。此外，公司本身也獲得了許多國內(nèi)和國際獎項：2016年榮獲泰國ASA建筑設計獎，2016年和2018年分別榮獲亞洲建筑師協(xié)會大獎，2017年榮獲美國建筑獎，同年榮獲2A亞洲建筑獎，2018年榮獲德國設計大獎，2016年、2017年和2019年分別榮獲A+獎。

An acronym for Integrating Design Into Nature,IDIN Architects was founded in 2004. We perceive‘nature’ in two ways. Firstly, nature can be defined as the ecology around us. Secondly, it can also refer to different mannerisms and personalities.The design philosophy and concentration of IDIN is to merge this sense of surrounding, the ‘natures’,to the architectural aesthetic. This merge is done through a process of analyzing and prioritizing the different needs and requirements of each project.In addition to being an acronym, the Thai word“idin” is used to describe the natural phenomenon when soil releases a beautiful scent after rainfall.This symbolizes Thailand’s tropical climate,something all IDIN designs aim to respond to.Our emphasis is therefore placed not only on aesthetics, but also on practically, in order to suit this temperate environment.

IDIN Architects’ founding principal, Mr. Jeravej Hongsakul, received a Bachelor of Architecture degree from King Mongkut’s Institute of Technology Ladkrabang in 1998. Furthermore,the company itself has also been awared with numerous prizes both national and international level: ASA Architectural design award in Thailand in 2016, ARCASIA in 2016 and 2018, American Architecture Prize in 2017, 2A Asia Architecture Award in 2017, German Design Award in 2018,A+Awards in 2016,2017 and 2019.

Chatpong“Chat”Chuenrudeemol于1994年獲得加州大學伯克利分校建筑學文學學士學位。并于2000年獲得哈佛大學設計研究生院建筑學碩士學位。他曾在位于伯克利的Fernau and Hartman Architects設計公司和dA設計公司（目前為NADAAA）任職。

在美國完成學業(yè)并結束工作后，Chat回到了他的出生地曼谷，并于2012年組建了CHAT architects，將研究和設計相結合實踐，產(chǎn)生了創(chuàng)新的城市/郊區(qū)/農(nóng)村干預措施，重新詮釋了當?shù)貤l件和激發(fā)社區(qū)生活的建筑項目。2015年，他組建了CHAT lab，這是一個旨在發(fā)現(xiàn)新的泰國方言“街頭”類型學的研究智庫，人們親切地稱其為曼谷混蛋。

除了他的實踐和研究，Chat還認為教育學是設計的重要組成部分。他曾在泰國多所大學任教，包括KMUTT（泰國國王科技大學），蘭實大學和朱拉隆功大學。

Chat的作品曾在國內(nèi)外展出，包括2015年日本TOTO Gallery Ma 30周年紀念展覽《亞洲人的日?！?。他曾在設計方面獲得多種獎項，包括由皇家贊助的暹羅建筑師協(xié)會（ASA）頒發(fā)的2017年泰國新興建筑師金獎。

Chatpong “Chat” Chuenrudeemol obtained his Bachelor of Arts in Architecture from U.C. Berkeley in 1994 and his Masters of Architecture at Harvard University’s Graduate School of Design in 2000.His work experience includes positions at Berkeleybased firm Fernau and Hartman Architects and at office dA (currently NADAAA).

After his studies and work experience in the United States, Chat returned to his birthplace of Bangkok,and in 2012, formed CHAT architects, a practice that combines research and design, resulting in innovative urban / suburban / rural interventions and architectural projects that re-interprets local conditions and stimulates community life. In 2015, he formed CHAT lab, a research think tank aimed at discovering new Thai vernacular “street”typologies, affectionately called Bangkok Bastards.Aside from his practice and research, Chat also considers pedagogy as a vital component of design. He has taught at various universities in Thailand, including KMUTT (King Mongkut University of Technology, Thonburi), Rangsit University, and Chulalongkorn University.

Chat’s work has been exhibited both at home and abroad, including Japan’s TOTO Gallery Ma 30th Anniversary exhibition entitled “The Asian Everyday” in 2015. He has won various awards in design, including the gold medal for Thailand’s Emerging Architect in 2017, presented by the Association of Siamese Architects under Royal Patronage (ASA).

Vasu Virajsilp出生于美國，在泰國曼谷長大。他在泰國藝術大學學習了三年建筑學，并于1994年轉學到紐約普瑞特藝術學院，1997年以優(yōu)異成績畢業(yè)并獲得建筑學學位。他后來于1998年獲得哥倫比亞大學高級建筑設計理學碩士學位。畢業(yè)后，Vasu開始了他的職業(yè)生涯，于1999年至2000年在易三倉大學教授建筑設計，并在蘭實大學和國立法政大學擔任客座講師，同時在泰國曼谷作為自由建筑師實習。2001年，他回到紐約，在GKV Architects短暫工作了一年。2003年，他回到曼谷追尋夢想；Vasu創(chuàng)立了自己的公司VaSLab ARCHITECTURE，他認為創(chuàng)新、可持續(xù)性和實驗是建筑的根本關鍵。后來，Vaslab Architecture的項目高度面向國際環(huán)境。他的Transverse/Convergence House、Bunker House、Honda

BigWing、Lit Bangkok Hotel和Casa de La Flora是泰國建筑師的首批項目，這些項目列入Archdaily，Architizer和Archello等知名網(wǎng)站，并在世界各地的國際雜志上發(fā)表。他的Casa de La Flora度假村榮獲芝加哥文藝協(xié)會的建筑與設計博物館和歐洲建筑藝術設計與城市研究中心頒發(fā)的2014年國際建筑獎，德國設計理事會頒發(fā)的2014年標志性設計大獎，2013年世界建筑節(jié)大獎（入圍），他的其他項目，Honda BigWing和達魯島度假村也分別入圍2009年和2014年世界建筑節(jié)。他最近的項目，Pak Phanang Wind Park Community Center社區(qū)中心已獲得兩個獎項；分別是2019年德國設計大獎，以及入圍芝加哥文藝協(xié)會的建筑與設計博物館和歐洲建筑藝術設計與城市研究中心頒發(fā)的2018年國際建筑獎。Vasu曾多次受邀擔任國內(nèi)外演講嘉賓，如曼谷的2007年ASA 8公共講座和2012年ASA論壇，2014年馬來西亞古晉的PAMSC設計論壇，2018年馬來西亞檳城的PAMNC WAF研討會，2019年曼谷設計周PechaKucha 20x20，2019年印尼雅加達的Archinesia東盟建筑研討會等。2012年和2014年在新加坡舉辦的世界建筑節(jié)上，他還受邀擔任評委。

Vasu Virajsilp was born in the United States.Raised in Bangkok, Thailand. He studied architecture at Silpakorn University for three

years and transferred to Pratt Institute, New York in 1994 where he graduated with honors with a degree in Architecture in 1997. He later received his Master of Science in Advanced Architectural Design from Columbia University in 1998. After graduation, Vasu began his career by teaching Architectural Design at Assumption University from 1999-2000 and a visiting instructor at Rangsit University and Thammasat University along with practicing as a freelance architect in Bangkok,Thailand. In 2001 he returned to New York to work briefly for a year at GKV Architects. In 2003,he came back to Bangkok to pursue his dream;founded his own firm, VaSLab ARCHITECTURE,which he believed that innovation, sustainability and experimentation are the fundamental keys for architecture. Later on, Vaslab Architecture’s projects were highly exposed to the international environment. His Transverse/ Convergence House, Bunker House, Honda BigWing, Lit Bangkok Hotel and Casa de La Flora were among the first projects from architects in Thailand to be included on the renowned websites such as Archdaily, Architizer and Archello, and were published in international magazines worldwide.His Casa de La Flora resort has been awarded the 2014 winner of International Architecture

Award by The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies, the 2014 Iconic Awards by The German Design Council, the 2013 World Architecture Festival Awards (Finalists), His other projects,Honda BigWing and Koh Talu Island Resort were also the finalists at the World Architecture Festival in 2009 and 2014 respectively. His recent project,Pak Phanang Wind Park Community Center has won two awards; German Design Award 2019 for Conceptual Architecture, the winner of International Architecture Award 2018 by The Chicago Athenaeum: Museum of Architecture and Design and The European Centre for Architecture Art Design and Urban Studies and The Plan Award 2018 Finalist. Vasu has been invited as a speaker locally and internationally such as ASA 8 Public Lecture 2007 and ASA Forum 2012 in Bangkok, PAMSC Design Forum 2014 in Kuching, Malaysia, PAMNC WAF Symposium 2018 in Penang, Malaysia, PechaKucha 20x20 in Bangkok Design Week 2019, Archinesia Asean Architecture Seminar 2019 in Jarkata, Indonesia.He was also invited as a judge at the World Architecture Festival in Singapore in 2012 and 2014.

M Space，我們的合作方法注重建筑內(nèi)部過渡空間的設計，通過在設計條件下創(chuàng)造空間操縱體驗，

與城市景觀變化相聯(lián)系。除了一般的架構方案外，我們還與客戶緊密合作進行詳細的規(guī)劃。詳細的設計將會通過模型來做進一步改進，然后與建造商進行討論。

M Space由運動+記憶+時刻構成

運動：空間設計與運動相互作用，通過建筑圍護結構的運動創(chuàng)造體驗和感知。平衡的建筑構圖產(chǎn)生了感覺和審美愉悅度的無縫過渡。

記憶：最難忘的時刻和有趣的實驗可通過技術體驗使用精選當?shù)乜捎貌牧蟿?chuàng)造空間來建立。

時刻：材料與光、水、空氣、景觀、視覺節(jié)奏等相互作用形成空間的瞬間現(xiàn)象，造成內(nèi)外空間的模糊聯(lián)系。

M Space, our collaborative approach focuses on the design of transitional space inside the building that link to the change of urban scape and landscape by creating the experience of space manipulation under design conditions. In addition to general architectural programs, we also work closely with our clients on detailed programming. The Detail designs will be deeply refined with mockup model and discussed with the builders afterwards.

M Space by Motion + Memory + Moment

Motion: The space design that interacts with the movement creating the experience and perception through the motion of the building's envelope and structure. A balanced architectural composition generates a seamless transition of feeling and aesthetically pleasing.

Memory: The most memorable moment and interesting experiment can be founded by experiencing via the technique of using selected locally found materials to create the space.

Moment: The momentary phenomenon of space forming by materials interacting with light, water,air, landscape and rhythm of vision causing the blurry connection between inside and outside space.

總部設在曼谷的all（zone）由一群設計專業(yè)人士組成，他們?yōu)椴粩嘧兓拇蠖际兄裕@為他們的日常生活賦予了一種形式。他們的觀察總是被當代鄉(xiāng)土設計方案所捕捉，引導他們創(chuàng)造出所有人都能感到“賓至如歸”的建筑環(huán)境。他們的國際參與設計包括紐約古根海姆博物館、芝加哥建筑雙年展、維特拉設計博物館和米蘭三年展。all（zone）入選多莫斯設計學院編制的2019年度100+最佳建筑設計公司榜單。

Based in Bangkok, all(zone) is a group of design professionals who are fascinated by everchanging mega metropolises that give a form to their everyday life. Their observations are always captured by contemporary vernacular design solutions leading them to create built environments where all could feel ‘a(chǎn)t home’in the world. Their international participations include those at Guggenheim Museum, New York, Chicago Architecture Biennial, Vitra Design Museum and Triennale di Milano. all(zone) is included in the 2019 list of 100+ Best Architecture Firms compiled by Domus.

Department of ARCHITECTURE Co., Ltd.由AmataLuphaiboon和TwiteeVajrabhaya Teparkum于2004年創(chuàng)立。該公司正在實踐建筑、室內(nèi)設計、景觀設計以及其他相關的設計學科融入廣泛的方案要求和規(guī)模。該公司專注發(fā)展建筑理念，研究社會、文化和物理環(huán)境，以及探索替代性的材料利用。

Department of ARCHITECTURE Co., Ltd.is founded by Amata Luphaiboon and Twitee Vajrabhaya Teparkum in 2004. The firm is practicing architecture, interior design, landscape design, and other related design disciplines in a broad range of programmatic requirements and scales. It focuses on developing ideas in architecture, researches on social, cultural,and physical context, as well as takes on an exploration for alternative material utilization.

PitupongChaowakul生于泰國烏汶府。他在朱拉隆功大學獲得建筑學學位，并在荷蘭貝拉格建筑學院獲得碩士學位。他曾在Nox建筑設計公司工作過一段時間。

他與另外5個朋友一起經(jīng)營另一個跨學科設計公司5年后，于2009年創(chuàng)立了超級機器設計工作室。超級機器設計工作室一直在做各種類型的設計項目，從音樂節(jié)、室內(nèi)設計到建筑設計。

他的項目曾獲得多項國際大獎，包括BUSAC榮獲2014年Archmarathon“最佳教育建筑”，The Labyrinth榮獲“2015年AR新興建筑獎”，Hubba-to榮獲110卡路里塔和Archdaily.com共同頒發(fā)的“2017年度建筑：室內(nèi)設計大獎”。

Pitupong Chaowakul was born in Ubonratchathani,Thailand. He earned his degree in Architecture from Chulalongkorn University and post-graduation from the Berlage Institute of Architecture, The Netherlands. During that time he worked at Nox architect for a brief period.

He founded Supermachine Studio in 2009 after running another cross-disciplinary design office with 5 other friends for 5 years. Supermachine studio has been doing various types of design projects from music festivals, interiors to architectures.

His projects have won several international awards including; 2014 Archmarathon “Best Educational architecture” from BUSAC , “2015 AR Emerging architecture award” from The Labyrinth, 10 Cal Tower and Archdaily.com's “Building of the year'17:Interior Design” from Hubba-to”

TonkaoPanin出生于法國，在泰國和美國接受教育，是泰國藝術大學建筑學院的全職教授。她于2010年創(chuàng)建了Panin研究工作室，此后一直致力于建筑理論和實踐的研究。針對理論與實踐的關系，Panin研究工作室的成員們將他們的工作集中在理論研究項目和建筑設計兩個方面。

Born in France and Educated in both Thailand and the United States, Tonkao Panin is a fulltime Professor at the Faculty of Architecture, Silpakorn University, Thailand. She founded Research Studio Panin in 2010 and has since been working on both architectural theory and practice. Aiming at the relationship between theory and practice,members of Research Studio Panin concentrate their works on both theoretical research projects and building designs.

Walllasia是泰國曼谷一家屢獲殊榮的建筑設計公司。憑借超過20年的經(jīng)驗，我們決心將建筑和景觀設計從文化、經(jīng)濟、環(huán)境和自然等方面深入融入社會。

我們認為隨時能夠接觸建筑對每個人來說都很重要，而建筑過程中的每一個細節(jié)（從規(guī)劃設計到最終完成項目）都構成了一種藝術形式，需要在設計和建造之間建立一種關系，形成一種對話。這是一門創(chuàng)造新技術、克服一切可能障礙的藝術。在Walllasia，我們結合了我們在建筑技術、藝術、直覺和應用自然哲學方面的優(yōu)勢，創(chuàng)造出相平衡的作品，使之游刃有余地存在于商業(yè)和藝術之間。我們還專門從事景觀設計，使建筑與環(huán)境相匹配。我們清楚知道如何選擇最合適的綠色元素，例如成熟的樹木，天然的材料如石頭，以及建造構件如雕塑和建筑材料，以達到最佳互補。

空間是為滿足客戶需求而量身定制的，以達到與自然和諧相處。

Walllasia is an award-winning firm of architects in Bangkok, Thailand. With over 20 years of experience, we are determined to integrate architecture and landscape design deeply into society in terms of culture, economics, the environment and nature.

We believe that ready access to architecture is important for everyone and that every detail in the process - from planning and design to the finished project - constitutes an art form that entails a relationship, a dialogue, between design and construction. It is an art in which new techniques are created and every possible obstacle is overcome.

At Walllasia, we have combined our strengths in construction technique, art, intuition and applied philosophy of Nature to create balanced works that exist comfortably between the Business and the Art.

We also specialize in landscape design, in matching architecture to the environment. We know precisely how to select the most appropriate green elements, such as mature trees, the natural materials like stones, and the constructed components like sculptures and building materials that will complement each other best.

Spaces are tailor-made to meet the client’s needs in harmony with nature.

PatamaRoonrakwit在位于曼谷的泰國藝術大學完成了她的建筑教育學業(yè)，并在牛津布魯克斯大學發(fā)展和應急研究中心（CENDEP）的指導下完成了發(fā)展實踐方面的進一步研究。1997年，她成立了住房與環(huán)境社區(qū)建筑師協(xié)會（CASE），這是一個與非正規(guī)住區(qū)的城市貧民密切合作的建筑師團體，以人道主義和人類學方法為人們創(chuàng)造合適的住房。PatamaRoonrakwit曾獲多次獲本地及國際認可，包括2004年榮獲皇家贊助下的暹羅建筑師協(xié)會頒發(fā)的杰出作品青年建筑師，2010年榮獲臺北設計獎（TIDA）及Silpathon大獎，2012年榮獲《泰國尚流》雜志頒發(fā)的具影響力女性獎，2014年榮獲皇家贊助下的暹羅建筑師協(xié)會頒發(fā)的卓越建筑師獎，同年榮獲A+D & CERA大獎的泰國金新興建筑師，2015年榮獲arcVision Prize頒發(fā)的優(yōu)秀獎，2016年獲全球可持續(xù)建筑獎的優(yōu)秀獎。

住房與環(huán)境社區(qū)建筑師協(xié)會是一個泰國建筑師團體，成立于1997年，致力于實現(xiàn)交替住宅的愿景。協(xié)會簡稱CASE，主要關注的是居住與物質(zhì)、文化以及社會經(jīng)濟背景之間的關系。CASE的工作理念認為場所的物理環(huán)境和人文因素都至關重要。

Patama Roonrakwit finished her architectural education at Silpakorn University Bangkok,completed further studies in development practice under the guidance of CENDEP, Oxford Brookes University. In 1997, she found Community Architect for Shelter and Environmental(CASE), a group of Architects working closely with the urban poor in informal settlements with a humanitarian and anthropological approach in creating appropriate housing for people.

Patama Roonrakwit has received several local and international recognitions, includin Young Architect with Outstanding work from the Association of Siamese Architects under Royal Patronage in 2004, TIDA Award and Silpathon Award in 2010, Woman Who Make a Difference Awards from Thailand Tatler Magazine in 2012, Excellence Award for Architects from the Association of Siamese Architects under Royal Patronage, the Golden Emerging Architect Thailand at A+D & CERA Award in 2014 and Honorable Mentions at arcVision Prize in 2015 and Global Award For Sustainable Architecture in 2016.

Community Architects for Shelter and Environment is a group of Thai architects formed in 1997 with central interests in alternate dwelling visions. Known as CASE, its major concern lies in the relationship between dwelling and physical, cultural as well as socio-economic contexts. Both the physical environment and the human elements of the place are considered vital to CASE’s working mentality.

DuangritBunnag于1966年出生于曼谷。1989年畢業(yè)于朱拉隆功大學，獲得建筑學學士學位，并于1998年成立了DuangritBunnag Architect Limited（DBALP）。

Duangrit獲得了倫敦建筑聯(lián)盟學院（AA）設計研究生文憑，并獲得了幾項認可，包括2015年榮獲亞洲建筑師協(xié)會金獎，2014年榮獲Wallpaper雜志設計獎最佳酒店獎，2014年榮獲亞洲建筑師協(xié)會榮譽獎，2013年榮獲亞洲建筑師協(xié)會金獎，2005年榮獲亞洲建筑師協(xié)會金獎，2004年、2006年、2010年、2012年和2014年榮獲ASA獎，2000年榮獲英國FX獎。

Duangrit經(jīng)常作為演講者和評論家受邀參加許多城市和國家的地方和國際研討會、講座和活動，其中包括：新加坡、吉隆坡、杭州、卡拉奇、孟加拉國、巴特那（印度）、德里、科倫坡、倫敦、東京、希臘和哥斯達黎加。

2014年，Duangrit將Khlongsan地區(qū)的老工廠改造成了名為“果醬工廠”的創(chuàng)意藝術文化空間。自成立以來，果醬工廠成為創(chuàng)意空間的新平臺，并擴展到其他品牌項目如30號倉庫和博卡澤酒店。他現(xiàn)在還擔任創(chuàng)意區(qū)基金會委員會主席，致力于創(chuàng)意經(jīng)濟的可持續(xù)發(fā)展。DuangritBunnag was born in Bangkok in 1966.He graduated with a Bachelor in Architecture from Chulalongkorn University in 1989, and found DuangritBunnag Architect Limited (DBALP) in 1998.

Duangrit received a Graduate Diploma in Design from the Architectural Association School of Architecture (AA) in London and has received several recognitions including; ARCASIA Awards for Architecture 2015: Gold Medal, Best Hotel by Wallpaper Design Awards 2014, Honorable Mention for the ARCASIA Award 2014, ARCASIA Award for Architecture 2013: Gold Medal, ARCASIA Gold Medal in 2005, the ASA Award in 2004, 2006,2010, 2012 and 2014 the UK’s FX Award in 2000.Duangrit has frequently been invited to contribute as a speaker and critic at many local and international symposiums, lectures and events in several cities and countries, including: Singapore,Kuala Lumpur, Hangzhou, Karachi, Bangladesh,Patna (India), Delhi, Colombo, London, Tokyo,Greece and Costa Rica.

In 2014, Duangrit renovated the old factory in Khlongsan area into the Creative art and culture space called The Jam Factory. From that establishment, The Jam Factory become the new platform of creative space that sprawning in to other branded projects such as WAREHOUSE 30 and HOTEL BOCAGE .He is also now chair the board of committee for Creative District Foundation, for the intention of sustainably develop the city on creative economy.

Architectkidd是位于泰國曼谷的一個建筑和設計實踐基地。該基地由UdomsakKomonvilas、JariyawadeeLekawatana和Luke Yeung領導。Architectkidd利用創(chuàng)新工具，敏感地應用于當?shù)氐牟牧虾徒ㄖ夹g。這種結合誕生了大膽和創(chuàng)造性的設計，并與東南亞的當?shù)貤l件緊密相連。

雖然每個Architectkidd項目在方法上都有相似之處，但在物理形式、比例以及與周圍環(huán)境的關系上卻有所不同。每種設計的特點都富有多樣性和動態(tài)性，經(jīng)常有明確的關節(jié)空間和結構與不尋常的飾面和表面并列。

在ArchitectKidd的項目中，建筑應用了多種材料，如再利用的木材、膠合板和塑料。這些材料通常都很容易獲得，但是通過ArchitectKidd的詮釋，它們被賦予了一種全新的目的感。在ArchitectKidd的項目中，有位于暹羅廣場自帶閃閃發(fā)光黑色門面的硬石餐廳；有王權免稅店的VR博物館，那里展出著世界上最有價值的佛教雕塑藏品之一；曼谷通羅的Lightmos展覽室有斑點濾光功能；以及泰國促投展覽會上的普利司通展館。

ArchitectKidd的作品正得到國際認可。2011年，Architectkidd榮獲享有盛譽的亞太地區(qū)霍爾森可持續(xù)建筑大獎。該獎表彰了ArchitectKidd將曼谷一家紡織廠改造成社區(qū)零售發(fā)展項目的創(chuàng)新綠色設計理念。

暹羅建筑師協(xié)會（ASA）將Architectkidd評為“年輕一代”建筑實踐之一。

Architectkidd is an architecture & design practice based in Bangkok, Thailand. The office is directed by Udomsak Komonvilas, Jariyawadee Lekawatana & Luke Yeung.

Architectkidd make use of innovative tools that are sensitively applied to local materials and construction techniques. This combination leads to designs that are bold and inventive but also closely connected with the local conditions of South East Asia.

While each Architectkidd project has similarities in approach, they differ in physical forms, proportion and relationships with their surroundings. Each design is characterized as being varied and dynamic, often with clearly articulated spaces and structures juxtaposed with unusual finishes and surfaces.

In Architectkidd's projects, buildings are expressed in a wide range of materials such as re-used timber, plywood and plastics. Often these materials are readily available, but through Architectkidd's interpretation they are given a radically new sense of purpose. Among Architectkidd's projects are the Hard Rock Cafe in Siam Square with its shimmering black facade;VR Museum at King Power exhibiting one of the most valuable Buddhist sculpture collections in the world; Lightmos Showroom at Thonglor with its speckled, light-filtering facade; and the Bridgestone Pavilion at BOI Fair.

Architectkidd's works are becoming recognized internationally. In 2011, Architectkidd was awarded the prestigious Holcim Award for Sustainable Construction for Asia Pacific region. The prize acknowledges Architectkidd's innovative green design philosophy towards the conversion of a textile factory into a community retail development in Bangkok.

Architectkidd was selected as one of the "Young Generation" architectural practices by the Association of Siamese Architects (ASA).

KanikaRatanapridakul于1984年畢業(yè)于南伊利諾伊大學室內(nèi)設計專業(yè)，并于1991年在南加州建筑學院（SCI-Arc）獲得建筑碩士學位。1984年至1986年期間，她在阿拉巴馬州Gresham，Smith & Partners公司擔任室內(nèi)設計師。在SCIArc學習期間，她于1988年至1989年在洛杉磯的Morphosis公司工作。畢業(yè)后，她回到曼谷做了幾年建筑師，然后在1994年前往德國慕尼黑工作了一年。1995年，她回到曼谷，在自己家中（House U3）做了一段時間的自由建筑師。

1996年至2004年期間，她在Leigh & Orange（Thailand）工作，直到成為該公司的董事。2004年，她成立了自己的公司，名為“時空建筑”（Spacetime Architects）。1996年至1999年，她在曼谷敦布里的泰國國王科技大學設計工作室任教并擔任主任，2000年至2003年，她在清邁大學設計工作室任教并擔任主任。她的作品曾在曼谷、東京和威尼斯展出。她曾于2004年獲暹羅建筑師協(xié)會（ASA）頒發(fā)的杰出作品青年建筑師類項下的杰出建筑師獎。Kanika Ratanapridakul graduated in interior design from Southern Illinois University in 1984 and received her Master of Architecture from Southern California Institute of Architecture (SCIArc) in 1991. She worked as an interior designer at Gresham, Smith & Partners in Birmingham,Alabama during 1984-86. And while studying at SCI-Arc, she worked with Morphosis in Los Angeles from 1988-89. After graduation she returned to Bangkok to work as an architect for several years before heading off to work in Munich, Germany for a year in 1994. In 1995 she returned to Bangkok and worked briefly as a freelance architect on her own house (House U3).During 1996-2004, she worked for Leigh &Orange (Thailand) Ltd. until became a director there. And in 2004, she established her own practice called Spacetime Architects. From 1996-99 she taught as a design studio leader at King Mongkut University of Technology, Thonburi,Bangkok and from 2000-2003 taught also as a design studio leader at Chiangmai University. Her work has been exhibited in Bangkok, Tokyo and Venice. She has been awarded an Outstanding Architects Award under the category of Young Architects with Outstanding Works by the Association of Siamese Architects (ASA) in 2004.

Arsomsilp Community and Environment Architector是一家專業(yè)建筑工作室，為支持Arsomsilp藝術學院建筑學院的“工作本位學習”而建立，Arsomsilp藝術學院是一所非營利性高等教育機構，致力于打造“變革性學習”的學習社區(qū)，通過教育培養(yǎng)建筑師，運用整體概念，以有趣的方式聯(lián)合起來，影響社會變革。Arsomsilp藝術學院始終堅持以下四個建筑原則：

1.關注建筑對人類和環(huán)境真正有益的價值。

2.強調(diào)從所有相關方的參與中成長起來的設計。

3.采用簡單明了的建筑，與自然融為一體。

4.在設計中運用當?shù)貍鹘y(tǒng)和泰國的知識和智慧（如熱帶和鄉(xiāng)土建筑）。

我們認為建筑作品的價值和意義并不局限于物理和美學的維度，它的真正價值在于它對生活的效用，為使用者、項目領導、社區(qū)、最終為社會和自然環(huán)境產(chǎn)生效益。因此，在實踐中，每個項目都強調(diào)閱讀和了解其背景。住房的真正問題是什么？其理念是指定挑戰(zhàn)并建立明確的基本價值目標，以關注所需的變革。在利益相關方的社會、經(jīng)濟、環(huán)境和精神需求所涉及的各個方面有哪些共同的因素，個人的態(tài)度應如何改變？

Arsomsilp Community and Environmental Architect, the professional architecture studio established to support “work-based learning” for school of architecture of Arsomsilp Institute of the Arts, a non-profit institution of higher education established as a learning community committed to “transformative learning,” or developing architect through education using the holistic concept of joining together in a worthwhile way to effect societal change, always holding fast to these four architectural principles:

1. Focus on the value architecture has for being truly beneficial to humanity and the environment.

2. Stress design that grows from participation of all parties concerned.

3. Use uncomplicated, straightforward architecture, at one with nature.

4. Utilize local tradition and Thai knowledge and wisdom in design (think: tropical and vernacular architecture).

We believe that the value and meaning of architectural work is not limited to physical and aesthetic dimensions, but that its true value lies in its utility for life, producing benefits for the user, the project lead, the community,and ultimately for society and the natural environment. In practice every project, therefore,stresses reading and getting to understand the background context of each project. What are the real issues surrounding a house? The idea is to specify the challenges and set up clear basic value objectives to focus on needed change.What are shared elements in various dimensions involved in the social, economic, environmental,and spiritual needs of stakeholders, and how must individual attitudes change?

建筑是社區(qū)生活不可分割的一部分，它告訴我們，我們是誰，我們生活在哪里，如何生活，我們向往什么。它是我們心靈和靈魂的有形表達。在Plan Architect，我們用藝術之心和實用之魂來對待建筑設計。我們知道，當建筑的審美價值等于它的社會效用時，它就是一件藝術品。1975年，Plan由一群建筑師創(chuàng)立，他們懷著創(chuàng)造創(chuàng)新和對社會負責的建筑設計的熱情而團結在一起。我們認為，對卓越的承諾可以與對泰國社會的承諾結合起來。Plan Architect總是站在創(chuàng)新設計的最前沿。在不斷快速變化的世界里，研究永無止境，將新理念應用于新技術的挑戰(zhàn)也永無止境。

我們對這一建立在友誼和相互尊重基礎上的組織充滿信心。我們鼓勵每一位成員發(fā)揮他們的潛能。工作滿意度高，因為團隊成員都有動力去完成他們最好的工作。這是我們公司的基石，從這里我們可以創(chuàng)造鼓舞人心的設計，使所有人受益。

Architecture is an integral part of community life. It tells us who we are, where and how we live, and what we aspire towards. It is a physical expression of our heart and soul. At Plan Architect we approach architectural design from an artistic heart and a pragmatic soul. We know that a structure is a work of art when its aesthetic value equals its social utility. In 1975, Plan was founded by a group architects that was bound together by a passion to create innovative and socially responsible architectural designs. We believed that a commitment to excellence could be combined with a commitment to Thai society.Plan Architect is always on the cutting edge of innovative design. In a constantly and rapidly changing world, research never ends and neither does the challenge of applying new ideas to new technology.

We believe in an organization that is founded on friendship and mutual respect. Each member of our whole is encouraged to develop to his or her potential. Job satisfaction is high, because team members are motivated to produce their best work. This is the foundation stone of our company from which we create life-affirming designs that benefit us all.

1991年，Chana Sumpalung獲得朱拉隆功大學建筑二等榮譽學士學位。并獲Architects 49 Limited（A49）獎學金，他于1998年修讀佛羅里達大學建筑碩士學位，同年獲杰出學生獎。畢業(yè)后，Chana在舊金山SOM公司工作，之后回到泰國?；氐礁呒壗ㄖ煹奈恢煤?，他負責的項目范圍很廣，從大型綜合體、高層建筑到住宅。這些項目其中大部分位于泰國，另一些位于包括奧地利、馬來西亞、柬埔寨、綿馬在內(nèi)的許多國家，還有最近印度的項目。他現(xiàn)在在49集團主要職責是制定主要政策，設計概念，并作為執(zhí)行委員會代表公司集團。

Chana長期積極服務于暹羅建筑師協(xié)會（ASA），并于2015年擔任ASA博覽會主席。他還參加了ASA和泰國建筑師委員會（ACT）的許多小組委員會。憑借他的知識和經(jīng)驗，泰國建筑師委員會主席評選他為建筑師執(zhí)業(yè)資格考試委員會成員，并從2001年起一直擔任這一職務。在Chana的職業(yè)生涯中，他不僅在泰國，而且在印度尼西亞、老撾和美國等其他國家，作為客座講師投身于社會和教育事業(yè)。

Chana作為美國留學獎學金的選定人員之一，有幸得到NithiSthapitanonda（A49公司創(chuàng)始人）的信任。目前，他在49集團中擔任兩家公司的重要職務，分別為Architects49 House Design的副董事總經(jīng)理和Architects49 Phuket的常務董事。

Interior Architects 49 Limited（IA49） 由NithiSthapitanonda和Architects 49 Limited（A49）創(chuàng)立于1992年。我們最初是A49下屬的一個室內(nèi)設計建筑部，是為了響應我們客戶對建筑的需求而創(chuàng)建的，這些建筑不僅要美觀，功能健全，而且要將室內(nèi)和室外完美融合在一起。作為一個獨立的公司成立于1998年，我們從與建筑師和工程師密切合作中獲得經(jīng)驗和專業(yè)知識，使公司能夠預見在處理建筑、結構和服務系統(tǒng)工程中可能出現(xiàn)的任何問題。我們一直以來并將繼續(xù)受客戶的信賴，為Architects 49 Limited及其他公司設計的建筑提供室內(nèi)設計服務。

Theeranuj Karnasuta Wongwaisayawan

常務董事

Theeranuj于1986年從朱拉隆功大學建筑系獲得工業(yè)設計（室內(nèi)）學士學位。并于密歇根大學安娜堡分校攻讀研究生課程，于1989年獲得室內(nèi)設計藝術碩士學位，并獲得威廉卡特室內(nèi)設計優(yōu)秀學生獎。

她在安娜堡的整個期間都在Hobbs & Black Architects做兼職，后來成為紐約市Mancini Duffy公司的設計師。1992年，她回到泰國，加入A49，擔任室內(nèi)建筑部總監(jiān)。IA49創(chuàng)立后，她在1998年至2007年期間擔任副董事總經(jīng)理，并自2008年起擔任董事總經(jīng)理。

在整個職業(yè)生涯中，她一直在各個國家負責從接待到商業(yè)零售的項目。雖然許多項目位于泰國和亞洲，但她的工作也延伸到該區(qū)域之外的北美和非洲。

作為泰國室內(nèi)設計師協(xié)會（TIDA）的專業(yè)事務副總裁，她積極參與由學者和專業(yè)人士組成的國際網(wǎng)絡，以保持該領域的專業(yè)標準和實踐。除了其他社交活動，自1993年起，她還在曼谷大學藝術學院擔任論文指導，自2006年起擔任朱拉隆功大學建筑學院室內(nèi)建筑系的論文評審。

In 1991, Chana Sumpalung received his Bachelor of Architecture Second Class Honor degree from Chulalongkorn University. With a Scholarship from Architects 49 Limited (A49), He extended his Master of Architecture degree at University of Florida in 1998 and also received Outstanding Student Award in same year. After graduation,Chana worked with SOM in San Francisco before returning to Thailand. Back in position as Senior Architect, he has been responsible for a wide range of projects from mega complexes and high-rise buildings to houses. Most of these are located in Thailand, while others are located in many countries including Austria, Malaysia,Cambodia, Mianmar and recently India. His main role in 49 Group is now to establish major policies, design concepts and represent Group of Company as Executive Committee.

Chana actively served the Association of Siamese Architects(ASA) for long time and become Chairman of ASA Expo in 2015. He has also participated in many subcommittees for both the ASA and the Architect Council of Thailand(ACT). With his knowledge and experience, he was selected by President of Architect Council of Thailand as Examination Committee for Architect License and maintain this duty from 2001 to present. In his professional life, he devote himself for society and educational as Guest Lecturer in many organizations and schools in all region not only in Thailand, but also in other countries such as Indonesia, Lao and United State of America.

Chana has the honour of being trusted by Nithi Sthapitanonda (the Founder of A49) since being one of selected scholarship staff to extend study in United State of America. Presently,he is taking an important role in 2 of 49 Group of Companies as Deputy Managing Director of Architects49 House Design and Managing Director of Architects49 Phuket.

Interior Architects 49 Limited (IA49) was founded in 1992 by Nithi Sthapitanonda and Architects 49 Limited (A49). Initially an Interior Architecture Department under A49, we were created in response to our clients’ demands for architecture that is not only aesthetically pleasing and functionally sound, but also well-integrated between the interior and the exterior. Established as a separate company in 1998, the experience and expertise gained from working closely with architects and engineers enables our company to foresee any problem that may occur in dealing with architecture, structure, and service systems engineering. We have always been, and continue to be, trusted by clients to provide interior design services for buildings designed by Architects 49

Limited as well as other firms.

Theeranuj Karnasuta Wongwaisayawan

Managing Director

Theeranuj received her Bachelor of Industrial Design (Interior) from the Faculty of Architecture at Chulalongkorn University in 1986. She pursued her graduate studies at The University of Michigan, Ann Arbor, where she graduated with a Master of Art in Interior Design in 1989 and was honoured the William T. Carter Award for Outstanding Interior Design Student.

She worked part-time for Hobbs & Black Architects throughout her time in Ann Arbor,before becoming a designer at Mancini Duffy in New York City. In 1992, she returned to Thailand and joined A49 as the director for the Interior Architecture Department. With the creation of IA49, she held the title of deputy managing director between 1998 and 2007, and has been the managing director since 2008.Throughout Theeranuj’s career, she has been responsible for projects ranging from hospitality to commercial retail in various countries.Although many projects are located in Thailand and within Asia, her work also extends outside the region to North America and Africa.

As Vice President of Professional Affairs of Thailand Interior Designers Association (TIDA),she actively engages in an international network of academics and professionals to maintain professional standards and practices in the field.Among other social engagements, she has also been sharing her time as a thesis advisor at Bangkok University’s School of Art since 1993 and as a thesis juror for the Interior Architecture Department at Chulalongkorn University’s Faculty of Architecture since 2006.