Ｂｒｉｅｆ?。粒睿幔欤螅椋蟆。铮妗。祝铮颍洌螅鳎铮颍簦琛蟆。茫铮睿悖澹穑簦椋铮睢。铮妗。危幔簦酰颍?/h1>
2009-11-09 06:41:54熊學(xué)惠
現(xiàn)代教師與教學(xué) 2009年5期
熊學(xué)惠
【Abstract】By comparing and analyzing Wordsworth's two poems, the paper defines Wordsworth's conception of nature. The reason why he formed such conception of nature lies in his passiveness.
【Key words】Wordsworth ;conception of nature;NATURE;passiveness
I. Introduction
As the leading character of the Lake Poets and the British Poet of Laureate, Wordsworth wil unavoidably attract the eyebals of both the researchers and critics.Some of them put Wordsworth in a very sinificant place.In the 19th century, romanticism prevailed as the literary mainstream throughout the European continent. William Wordsworth (1770-1850) was one of the pioneers in the romanticist movement. As a great poet of nature, he wrote many famous poems to express his love for nature, one of which is I Wandered Lonely as a Cloud. In the narrative poem, the poet compared his loneliness with the happy and vital daffodils successfully. The daffodils, the symbol of nature, bring great joy and relief to the speaker. So Wordsworth's conception of nature is that nature has a lot to do with man, it can not only refresh one's soul and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one's heart when in solitude.
Ⅱ.Wordsworth's conception of nature
On July 14, 1789, the Parisian people stormed the Bastille, which marked the outbreak of the French Revolution. Before long its great influence swept the whole European continent. In England all social contradictions sharpened in the meantime. Workers, peasants, and indeed all people of the lower classes as well as the progressive intellectuals hailed the French Revolution and its principle "liberty, equality and fraternity". In company with the political movement in progress, a new trend also arose in the literary world, namely, romanticism. It prevailed in England during the period 1798-1832. In 1798, Lyrical Ballads, with only about ten thousand words, came out as the manifesto to the English Romanticism, marking a new era in English literature. And its authors, William Wordsworth and his confidant Samuel T. Coleridge (1772-1834) became widely known as the "Lake Poets". In the Preface to the Lyrical Ballads, Wordsworth set forth his principles of poetry, which reads " all good poetry is the spontaneous overflow of powerful feeling." This forms a contrast to the classicism that made reason, order and the old, classical traditions the criteria in its poetical creations. Wordsworth holds that firstly the contents of a poem should focus on common country life and the beauty of nature, while the diction of a poem should be plain and vivid with the application of lower-class persons' daily language. The two main principles posed a strong challenge to the "upper-class only" Neo-classicism and quickly went popular.
In the eighteenth century poems were supposed to serve the upper class, and the theme usually had something to do with the upper-class life. In contrast, romanticism gave much attention to the nature. As a great poet of nature, he was the first to find words for the most elementary sensations of man face to face with natural phenomena. These sensations are universal and old, but once expressed in his poetry, become charmingly beautiful and new. His deep love for nature runs through such short lyrics as I Wandered Lonely as a Cloud:
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the thess,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
In the first two stanzas the narrator, one version of the poet, tells us that one day when wandering through a landscape, he was struck by the sight of a field of daffodils. The first line “I wondered lonely as a cloud” immediately establishes the speaker's loneliness. And in sharp contrast with the poet's loneliness, the daffodils are happy and bristling with life: they are “dancing”, and “tossing” their heads. In addition, the daffodils are in large numbers.Their vast number is emphasized in the second stanza when the poet describes them as “continuous” and in a “never-ending line”. Actually, the emphasis on the happiness of the daffodils and their large number serves to foil the isolation and dispiritedness of the speaker. But this contrast between the speaker and the landscape soon becomes fused or integrated in the third stanza, where the relationship between the poet and the landscape is one of intimate union, suggesting an identity of mood between subject and object: And later, in moments of solitude, he recalls the experience, seeing the field again in his mind.
For of it, when on my couch I lie,
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Loneliness once again seizes the poet as he lies on his couch. Though physically he is far from nature, he somehow feels sort of connection with it through the power of imagination. A single brief event which occurred in a distant summer landscape is recaptured in the poet's mind. Meanwhile, the emotional mood attached to that scene is also revived.
The diction of this poem is, in general, simple, direct, and clear. The image of the daffodils conveys qualities of movement and radiance through carefully chosen words.At first sight, the flowers are seen as “fluttering and dancing”; then the poet compares the flowers to the “stars that shine/and twinkle on the Milky Way”, and then to the “sparkling waves” of a nearby lake. The daffodils are described as “golden”, not yellow, because “golden” suggests more than a color; it connotes light. These words of movement and radiance create a picture of nature as vital, animated, and glowing. Words for joy (glee, sprightly, gay, jocund, bliss) are used in a crescendo that suggests the intensity of the speaker's happiness.
A different kind of repetition appears in the movement from loneliness to solitude. Both words denote aloneness, but they are radically different. The poem moves from the sadly alienated separation felt by the speaker in the beginning, to his joy and satisfaction in re-imagining the natural scene, a movement characterized in such words as “l(fā)oneliness” and “solitude.”A similar movement is depicted within the final stanza by such words as “vacant” and “fills”.The emptiness of the speaker's spirit is transformed into a fullness of feeling as he "remembers" the daffodils. Wordsworth develops the vision of the daffodils; and through this simple event, he tries to explore the relationship between humanity and nature. Therefore, in his eyes, nature can not only refresh oneself and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one's heart when in solitude.
III. Conclusion
Wordsworth is the representative of the romantic writers who reflected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalist development turned to the feudal past, i.e., the “merry old England”, as their ideal, or, “frightened by the coming of industrialism and the nightmare towns of industry, they were turning to nature for protection.”(Liu,252) These writers, who have been called passive or escapist romanticists, endeavored to reconcile man with his life by embellishing that life, or to distract him from the things around him by means of a barren introspection into his inner world, into thoughts of life's insoluble problems, such as love, death and other imponderables. So it is not surprising that nature, often personified, plays an important role in Wordsworth's works. The passions of man and the beauties of nature appealed strongly to the imagination of the romantic writers, and all became the fountain-heads of the poet's inspiration, as the poet knew well that only with inspiration could he speak out his true feeling, which was the loudest call of the Romantic Movement. Therefore, although Wordsworth put more attention to the individual than the neo-classicist writers of the 18th century, his intimacy with nature revealed his passive attitude toward life. Nature is his relief and his harbor,his works will always enlighten our mind and refresh our soul.
References
[1] Drabble,Margaret. Wordsworth [M]. London: Evans Brothers. 1956
[2]Wordsworth, W.The Complete Poetical Works of William Wordsworth[M].
UMI.1999.
[3]侯維瑞. 英國文學(xué)通史[M].上海:上海外語教育出版社.1997.
[4]劉炳善.《英國文學(xué)簡史》[M].河南人民出版社.2000,9
[5]吳偉仁《英國文學(xué)史及選讀》[M].外語教學(xué)與研究出版社. 2004.8
[6]王佐良、李賦寧、周鈺良、劉承沛.《英國文學(xué)名篇選注》[M].商務(wù)出版社.1999,
收稿日期:2009-09-17
猜你喜歡
內(nèi)卷科教新報(2024年4期)2024-03-17 09:48:21 往昔的時光（節(jié)選）小學(xué)生優(yōu)秀作文(高年級)(2023年12期)2024-01-28 09:20:32 文化觀念流變中的英國文學(xué)典籍研究：殷企平教授訪談錄英美文學(xué)研究論叢(2022年1期)2022-10-26 06:28:56 我等待……讀者(2021年5期)2021-02-05 02:52:39 英國文學(xué)中的文化主題英美文學(xué)研究論叢(2020年1期)2020-09-25 08:27:34 槍不離身的“黑老大”檢察風(fēng)云(2019年19期)2019-10-18 05:22:51 中世紀(jì)晚期英國文學(xué)中的農(nóng)民寫作英美文學(xué)研究論叢(2018年1期)2018-08-16 03:00:12 北京外國語大學(xué)：挖掘外國文學(xué)優(yōu)秀研究成果的價值中小學(xué)電教(2018年4期)2018-02-09 04:51:14 今日華人出版社有限公司華人經(jīng)濟(2017年6期)2017-08-18 04:10:14 張海迪：在婚姻里詩意漫步33年晚報文萃(2017年4期)2017-07-01 13:49:50
熊學(xué)惠
【Abstract】By comparing and analyzing Wordsworth's two poems, the paper defines Wordsworth's conception of nature. The reason why he formed such conception of nature lies in his passiveness.
【Key words】Wordsworth ;conception of nature;NATURE;passiveness
I. Introduction
As the leading character of the Lake Poets and the British Poet of Laureate, Wordsworth wil unavoidably attract the eyebals of both the researchers and critics.Some of them put Wordsworth in a very sinificant place.In the 19th century, romanticism prevailed as the literary mainstream throughout the European continent. William Wordsworth (1770-1850) was one of the pioneers in the romanticist movement. As a great poet of nature, he wrote many famous poems to express his love for nature, one of which is I Wandered Lonely as a Cloud. In the narrative poem, the poet compared his loneliness with the happy and vital daffodils successfully. The daffodils, the symbol of nature, bring great joy and relief to the speaker. So Wordsworth's conception of nature is that nature has a lot to do with man, it can not only refresh one's soul and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one's heart when in solitude.
Ⅱ.Wordsworth's conception of nature
On July 14, 1789, the Parisian people stormed the Bastille, which marked the outbreak of the French Revolution. Before long its great influence swept the whole European continent. In England all social contradictions sharpened in the meantime. Workers, peasants, and indeed all people of the lower classes as well as the progressive intellectuals hailed the French Revolution and its principle "liberty, equality and fraternity". In company with the political movement in progress, a new trend also arose in the literary world, namely, romanticism. It prevailed in England during the period 1798-1832. In 1798, Lyrical Ballads, with only about ten thousand words, came out as the manifesto to the English Romanticism, marking a new era in English literature. And its authors, William Wordsworth and his confidant Samuel T. Coleridge (1772-1834) became widely known as the "Lake Poets". In the Preface to the Lyrical Ballads, Wordsworth set forth his principles of poetry, which reads " all good poetry is the spontaneous overflow of powerful feeling." This forms a contrast to the classicism that made reason, order and the old, classical traditions the criteria in its poetical creations. Wordsworth holds that firstly the contents of a poem should focus on common country life and the beauty of nature, while the diction of a poem should be plain and vivid with the application of lower-class persons' daily language. The two main principles posed a strong challenge to the "upper-class only" Neo-classicism and quickly went popular.
In the eighteenth century poems were supposed to serve the upper class, and the theme usually had something to do with the upper-class life. In contrast, romanticism gave much attention to the nature. As a great poet of nature, he was the first to find words for the most elementary sensations of man face to face with natural phenomena. These sensations are universal and old, but once expressed in his poetry, become charmingly beautiful and new. His deep love for nature runs through such short lyrics as I Wandered Lonely as a Cloud:
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the thess,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
In the first two stanzas the narrator, one version of the poet, tells us that one day when wandering through a landscape, he was struck by the sight of a field of daffodils. The first line “I wondered lonely as a cloud” immediately establishes the speaker's loneliness. And in sharp contrast with the poet's loneliness, the daffodils are happy and bristling with life: they are “dancing”, and “tossing” their heads. In addition, the daffodils are in large numbers.Their vast number is emphasized in the second stanza when the poet describes them as “continuous” and in a “never-ending line”. Actually, the emphasis on the happiness of the daffodils and their large number serves to foil the isolation and dispiritedness of the speaker. But this contrast between the speaker and the landscape soon becomes fused or integrated in the third stanza, where the relationship between the poet and the landscape is one of intimate union, suggesting an identity of mood between subject and object: And later, in moments of solitude, he recalls the experience, seeing the field again in his mind.
For of it, when on my couch I lie,
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
Loneliness once again seizes the poet as he lies on his couch. Though physically he is far from nature, he somehow feels sort of connection with it through the power of imagination. A single brief event which occurred in a distant summer landscape is recaptured in the poet's mind. Meanwhile, the emotional mood attached to that scene is also revived.
The diction of this poem is, in general, simple, direct, and clear. The image of the daffodils conveys qualities of movement and radiance through carefully chosen words.At first sight, the flowers are seen as “fluttering and dancing”; then the poet compares the flowers to the “stars that shine/and twinkle on the Milky Way”, and then to the “sparkling waves” of a nearby lake. The daffodils are described as “golden”, not yellow, because “golden” suggests more than a color; it connotes light. These words of movement and radiance create a picture of nature as vital, animated, and glowing. Words for joy (glee, sprightly, gay, jocund, bliss) are used in a crescendo that suggests the intensity of the speaker's happiness.
A different kind of repetition appears in the movement from loneliness to solitude. Both words denote aloneness, but they are radically different. The poem moves from the sadly alienated separation felt by the speaker in the beginning, to his joy and satisfaction in re-imagining the natural scene, a movement characterized in such words as “l(fā)oneliness” and “solitude.”A similar movement is depicted within the final stanza by such words as “vacant” and “fills”.The emptiness of the speaker's spirit is transformed into a fullness of feeling as he "remembers" the daffodils. Wordsworth develops the vision of the daffodils; and through this simple event, he tries to explore the relationship between humanity and nature. Therefore, in his eyes, nature can not only refresh oneself and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one's heart when in solitude.
III. Conclusion
Wordsworth is the representative of the romantic writers who reflected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalist development turned to the feudal past, i.e., the “merry old England”, as their ideal, or, “frightened by the coming of industrialism and the nightmare towns of industry, they were turning to nature for protection.”(Liu,252) These writers, who have been called passive or escapist romanticists, endeavored to reconcile man with his life by embellishing that life, or to distract him from the things around him by means of a barren introspection into his inner world, into thoughts of life's insoluble problems, such as love, death and other imponderables. So it is not surprising that nature, often personified, plays an important role in Wordsworth's works. The passions of man and the beauties of nature appealed strongly to the imagination of the romantic writers, and all became the fountain-heads of the poet's inspiration, as the poet knew well that only with inspiration could he speak out his true feeling, which was the loudest call of the Romantic Movement. Therefore, although Wordsworth put more attention to the individual than the neo-classicist writers of the 18th century, his intimacy with nature revealed his passive attitude toward life. Nature is his relief and his harbor,his works will always enlighten our mind and refresh our soul.
References
[1] Drabble,Margaret. Wordsworth [M]. London: Evans Brothers. 1956
[2]Wordsworth, W.The Complete Poetical Works of William Wordsworth[M].
UMI.1999.
[3]侯維瑞. 英國文學(xué)通史[M].上海:上海外語教育出版社.1997.
[4]劉炳善.《英國文學(xué)簡史》[M].河南人民出版社.2000,9
[5]吳偉仁《英國文學(xué)史及選讀》[M].外語教學(xué)與研究出版社. 2004.8
[6]王佐良、李賦寧、周鈺良、劉承沛.《英國文學(xué)名篇選注》[M].商務(wù)出版社.1999,
收稿日期:2009-09-17
猜你喜歡
科教新報(2024年4期)2024-03-17 09:48:21
小學(xué)生優(yōu)秀作文(高年級)(2023年12期)2024-01-28 09:20:32
英美文學(xué)研究論叢(2022年1期)2022-10-26 06:28:56
讀者(2021年5期)2021-02-05 02:52:39
英美文學(xué)研究論叢(2020年1期)2020-09-25 08:27:34
檢察風(fēng)云(2019年19期)2019-10-18 05:22:51
英美文學(xué)研究論叢(2018年1期)2018-08-16 03:00:12
中小學(xué)電教(2018年4期)2018-02-09 04:51:14
華人經(jīng)濟(2017年6期)2017-08-18 04:10:14
晚報文萃(2017年4期)2017-07-01 13:49:50
