Saya 公園

CC&CB,Arquitectos

美術(shù)館鳥瞰 ? Fernando Guerra

1 美術(shù)館

建筑本不屬于這里，卻又好似為這片場地而生，并創(chuàng)造著自己獨特的場域。為了使美術(shù)館更好地融入場地，我們對場地進行了改造，以創(chuàng)造建筑之美。為了實現(xiàn)這一想法，我們克服了重重困難。

高聳的混凝土墻之間形成了一條林間小徑。紋理粗糙，但形式極為優(yōu)雅。穿過一個獨立的體量，是一間用于學(xué)習(xí)及查閱信息的圖書室。進入美術(shù)館，仿佛走進了一個雕塑，它吸引著我們，讓我們感受空間、光影、時間，思考過去和未來。走到這條路的盡頭，外面無盡的景色映入眼簾，停駐此地，觸景生情，探尋自己無盡的內(nèi)心世界。

在建筑中，空間即為時間，光線定義著形式，游走中充滿驚喜，粗糙里蘊藏優(yōu)雅，功能緊密地融合，光影流露出美的真諦。

2 教堂

這個公園以前并沒有教堂。公園內(nèi)有著大量可用來冥想與內(nèi)省的意象，徜徉此地，美景觸手可及，只有一個內(nèi)秀的空間才能與其相稱。

教堂坐落在山坡上，向東敞開，浸潤于每一天的陽光中。它與周圍那些具有重大象征與情感意義的空間共享這一片場地，其形體與功能一樣純粹。當(dāng)我們進入其中，沐浴在一道由上方孔隙透出的光線下，這種感覺是如此的真切、震撼和強烈。這里是信徒的禮拜之地，能夠充分感應(yīng)神靈的存在?？臻g、時間和冥思是這個小建筑創(chuàng)造出的奇跡，這種感覺就像走進了人們的靈魂深處。

3 觀景臺

穿過一片松林，我們便能欣賞到整個公園的自然美景。透過粗糙的樹枝和低洼的植被，可以看到一座清水混凝土鑄成的塔狀建筑矗立在山坡上，看起來既狹窄又纖細。

好奇心將我們引向這座塔，然后一路攀登到塔頂。沿路有能觀景的窗戶，可以短暫地瞥到窗外的景色。塔頂是一個向南的陽臺，在此山脈的形體感與歷史感沖擊著這片深谷，讓我們沉醉于它美麗的景致中。從觀景臺返回地面，一種內(nèi)省感油然而生。裸露在外且未曾加工過的混凝土表面與其純凈的形式形成鮮明的對比，盡管外形簡單，建筑的本質(zhì)——功能卻是復(fù)雜的。

1 Art Pavilion

There are projects that are born both out of their site and for it.There are projects that create the site for themselves.The Art Pavilion was modified to the hill site and also adapted itself to it.And we also adapted ourselves to the beauty of this project.There was a strong will to build this particular idea on that site and all the challenges were overcome.

The forest pathway makes its way between high concrete walls,rough in texture,but elegant in form.Through an isolated volume,there is the destination for study and information,the library.We enter the Art Pavilion as if entering a sculpture that absorbs us and enables us to feel space,light,shade,time and also,what is before and what is beyond.Having come to the end of the route,we are presented with an external view of infinity.Inside the space,we look for our own internal,the personal infinity.

In architecture,space can be time.In architecture,light defines form.In architecture,the route surprises.In architecture,rough materials convey elegance.In architecture,the function is being there.In architecture,the shadow reveals beauty.

2 A Chapel

Saya Park lacked a chapel.There were plenty of symbols for meditation and introspection,allowing visitors to experience moments of beauty out in the open.A space of internal beauty was needed.

The Chapel building tucks into the hillside,opening up to the East and allowing in the light of the new day.It shares the location with other spaces of great symbolism and emotional significance.Its geometry is pure because its function is also pure.As we enter,we are bathed in light from above that penetrates through a small opening.But its effect,its greatness,is startling.Intended for Christian worship,it opens us up to spirituality.Space,time and meditation are great wonders that fit into this little building.As they do in the Soul.

3 Observatory

We cross Saya Park through a pine forest.Taking in the immediate landscape,we are absorbed by nature.The views are filtered through gnarled branches and low-lying vegetation.A tower built of exposed concrete sits up on a little hill.It is sited above the valley,trying to make it narrower.

Curiosity draws us into the tower,to climb and reach the top.On our way up,we pass windows that give views out and have fleeting glimpses.At the top,a balcony opens to the South.We gaze and are dazzled.The deep valley is crushed by the scale of the mountains and their history.The descent provokes introspection as we return to earth.The almost raw finish of the exposed concrete contrasts with the purity of the form.Despite its simple appearance,the essence of the tower is complex.Its function is the essence of architecture.

圖片來源

1,2,8-13 CC&CB,Arquitectos 提供

5,6,18,19 Fernando Guerra 攝影

3,4,7,14-17 JongOh Kim 攝影

Saya Park 粗糙裸露的混凝土形象在一片綠樹叢中分外顯眼，其蜿蜒的建筑形體與地面緊密貼合，融為一體?；炷帘砻嬗≈举|(zhì)紋路，這種做法將人工材料與自然環(huán)境以另一種姿態(tài)聯(lián)系起來。

Saya Park uses rough exposed concrete,standing out from its green surroundings,while its long meandering shape and its close contact with the ground make it blend in with it.The texture of the wooden formwork is printed onto the concrete,in another gesture that relates the artificial material to its natural setting.

美術(shù)館由各種畫廊和展覽空間組成。人們進入后，首先映入眼簾的是獨立布置的圖書室；整個建筑的結(jié)構(gòu)有些類似洞穴，由兩個隧道連接的豎井組成；高大的混凝土墻、連續(xù)的形態(tài)以及光與影的相互作用構(gòu)成了建筑的內(nèi)部空間。

The "Art Pavilion" comprises a variety of art galleries and exhibition spaces.Upon entering,a library housed in a separate area will first come into view.The cavelike structure consists of two shafts are connected by a tunnel.High concrete walls,straight shapes and an interplay between light and shadow,structure the interior of the building.

2 美術(shù)館首層平面圖

3 美術(shù)館庭院4 美術(shù)館室外

5-7 美術(shù)館室內(nèi)

建設(shè)地點：韓國慶尚北道

建筑設(shè)計：CC&CB,Arquitectos

聯(lián)合設(shè)計：中國美術(shù)學(xué)院風(fēng)景建筑設(shè)計研究總院有限公司

項目負責(zé)人：álvaro Siza、Carlos Castanheira

設(shè)計團隊：Rita Ferreira、Diana Vasconcelos、Luíza Felizardo、Nuno Rodrigues、Filipa Guedes

3D 建模：Germano Vieira

結(jié)構(gòu)顧問：Paulo Fidalgo

木工：Serafim Pereira Sim?es Sucessores

石雕：Sousa Mármores

鋼雕：SteelProf

總建筑面積：美術(shù)館1 350m2，教堂42m2，觀景臺178.45m2

建成時間：2019

攝影：Fernando Guerra、JongOh Kim

教堂坐落在山坡上，向東敞開，浸潤于每一天的陽光中。它與周圍那些具有重大象征與情感意義的空間共享這一片場地，其形體與功能一樣純粹。當(dāng)我們進入其中，沐浴在一道由上方孔隙透出的光線下，這種感覺是如此的真切、震撼和強烈。

The Chapel building tucks into the hillside,opening up to the East and allowing in the light of the new day.It shares the location with other spaces of great symbolism and emotional significance.Its geometry is pure because its function is also pure.As we enter,we are bathed in light from above that penetrates through a small opening.But its effect,its greatness,is startling.

8 教堂平面圖9 教堂木質(zhì)十字架細部10 教堂剖面圖

觀景臺建在一座山坡上，塔頂是一個向南的陽臺，可以看到深谷的景色。

The observatory is built on a small hill to provide a view of the deep valley landscape.At the top,a balcony opens to the South.

11 觀景臺剖面圖

12,13觀景臺手工模型

14 教堂入口

15 教堂室內(nèi)16 教堂室內(nèi)木作17 教堂入口細部

18 美術(shù)館與觀景臺

19 觀景臺