納博恩博物館

建設(shè)單位：Région Occitanie

項(xiàng)目地點(diǎn)：法國(guó)納博恩

設(shè)計(jì)單位：福斯特建筑事務(wù)所

合作建筑師：Jean Capia

結(jié)構(gòu)工程：福斯特建筑事務(wù)所

場(chǎng)地面積：21 900 平方米

建筑面積：9 689 平方米

設(shè)計(jì)/建造: 2012 / 2020 年

攝影：Nigel Young / 福斯特建筑事務(wù)所，Philippe Chancel

Client: Région Occitanie

Location: Narbonne, France

Architect: Foster + Partners

Collaborating Architect: Jean Capia

Structural Engineer: Foster + Partners

Site Area: 21 900m2

Building Area: 9 689 m2

Design / Completion: 2012 / 2020

Photography: Nigel Young / Foster + Partners, Philippe Chancel

納博恩市曾是一個(gè)古羅馬的重要港口，一直以來不斷有人于此安家落戶，累積了不少令人過目難忘的建筑、古代遺跡與考古遺址遺產(chǎn)。該作品為福斯特建筑事務(wù)所與博物館專家阿德里安·卡迪（Adrien Gardère）的工作室聯(lián)合設(shè)計(jì)，以博物館的主要展品為基礎(chǔ)，即1000 多塊從19 世紀(jì)的城市中世紀(jì)城墻上復(fù)原的古代葬禮石器收藏。上述藏品的展示傳達(dá)了建筑的結(jié)構(gòu)風(fēng)格，簡(jiǎn)單的直線結(jié)構(gòu)中心處，一道天然屏障得以形成，將公共展區(qū)與修復(fù)空間隔開，且有組織的團(tuán)體可以進(jìn)入該空間參觀。參觀者可以透過石雕和燈光的交相呼應(yīng)，一睹考古學(xué)家與研究人員的工作成果，同時(shí)靈活的展示框架易于浮雕的再次排列，不失為一個(gè)難得的學(xué)習(xí)工具。

博物館為單層結(jié)構(gòu)，行政辦公室位于夾層。館內(nèi)配備預(yù)制混凝土頂篷，可進(jìn)行供熱并營(yíng)造一個(gè)全面完整的環(huán)境。頂篷高聳于長(zhǎng)廊上方，并布有采光井，向外延伸至博物館周邊一寬闊的公共廣場(chǎng)。該建筑內(nèi)有永久及臨時(shí)性展品展區(qū)、多媒體教育中心與圖書館，并有修復(fù)和儲(chǔ)存設(shè)施。

納博恩博物館位于米迪運(yùn)河一旁，將作為城市入口處的一個(gè)新型標(biāo)志建筑。景觀設(shè)計(jì)將加強(qiáng)水的元素，意在創(chuàng)造一個(gè)靜謐、自然的環(huán)境。博物館整體設(shè)計(jì)的靈感來自正規(guī)法式花園與羅馬庭院，其圓形劇場(chǎng)的配備意在方便露天展示與活動(dòng)。

Once a vital Roman port, the city of Narbonne in southern France has an impressive legacy of buildings, ancient relics and archaeological sites. The Narbo Via is a new landmark at the entrance to the city, on a site adjacent to the Canal de la Robine. The landscaping reinforces the connection with the water to create a tranquil natural setting. Inspired by formal French gardens and the Roman courtyard, the museum’s grounds feature an amphitheatre for open-air displays and events.

The centre piece of the museum is a collection of more than 1,000 ancient stone relief funerary blocks excavated nearby. Their display forms a natural barrier at the heart of the simple,rectilinear building, separating the public galleries from the more private restoration spaces.Visitors will be able to glimpse the work of the archaeologists and researchers through its mosaic of stone and light, and the flexible display framework allows the reliefs to be easily reconfigured and used as an active tool for learning.

The building incorporates galleries for permanent and temporary exhibitions, a multimedia education centre and library, as well as restoration and storage facilities. These spaces are arranged over a single storey with administrative offices at mezzanine level and are unified beneath a concrete roof canopy, which provides thermal mass and contributes to a comprehensive environmental strategy. The canopy is elevated above a clerestory, punctuated with light wells, and it extends to shade a wide public plaza around the museum.

? Philippe Chancel

? Nigel Young / Foster + Partners

? Aaron Hargreaves / Foster + Partners

? Nigel Young / Foster + Partners