The expression of painting language in Chinese painting

The expression form of painting language is various，the painter's emotion is expressed by its unique painting language.No matter what kind of artists，they use their unique language form to complete the emotional embodiment of the work.A painting from the original idea to the composition of the picture，all is the expression of the category of painting language，but also the inherent embodiment of style.The inner nature of style is not an act of conscious expression，but a product of the unconscious，like a painter who paints with Van Gogh's strokes and colors，but does not necessarily convey Van Gogh's meaning.The different use of painting language produces colorful and stylistic works.Product

The expressive language of Chinese painting

The expression method of Chinese painting is the ink with line，its material is brush，ink and rice paper.This kind of special tool material，has the close internal relation with the specific expression technique.Even"pen and ink"has become an important feature of Chinese painting.Whether there is pen or ink，has become an important symbol of people's evaluation of the merits and demerits of Chinese painting.

Comparing the painting language of Chinese and Western painters，although Western painters also use lines to create images and convey feelings，they focus more on the sense of quality，quantity and space of expressing images.The function of line in Chinese painting goes beyond the function of shaping the body and has the function of expressing the author's thoughts and feelings and independent aesthetic function.The rhythm beauty and rhyme beauty of Chinese painting line include two aspects：one is the rhythm and rhythm of each line itself，it is the change that the line has the control in the drawing process to raise the button，the movement，the turning point，the weight and the severity，the disease and so on.The other is the length，thickness，simplicity，density，void and so on.The rhythm of the whole picture is beautiful.The change of ink is developed from the change of pen.Pen and ink are combined and complement each other.As with bones and flesh，it cannot be separated completely.Ink from pen，pen by ink，a good Chinese painting strokes and ink rhyme is natural.

Chinese painting has its unique painting language in color，it eliminates the constraints of nature and light source，and generally emphasizes the inherent color of the object image.In the overall color relationship，based on white（white paper）and ink，color as a supplement.Early Chinese painting，most of which is to highlight the performance.For example，in Tang and Song dynasties，a large number of figure paintings and landscape paintings were mostly represented by heavy colors.Since the Yuan and Ming dynasties，with the emergence of paper has brought the evolution of ink technology.At the same time，the appearance of literati painting form，so that the painting gradually developed to ink-based，color as auxiliary appearance.Ink is not only a"black"color in Chinese painting，but a kind of adjustment painting.The"color"of language exists.The theory of"ink separation and five colors"in Chinese traditional painting is a typical ink-based concept.

The language of"artistic Conception"in Chinese painting

Mr.Li said："Artistic conception is the soul of art，it is the concentration of objective things，and the Tao-casting of people's thoughts and feelings."The artistic realm and the state of poetry are represented in the Chinese painting."Meaning"can be said to be the soul of a painting."Meaning"can be said to be the soul of a painting."The Chinese painting has always been said to be"painting is silent poetry"，"painting has artistic conception".

How to increase the expression of painting language in this artistic conception？

A painting is often a harmonious expression of the object's characteristics and the artist's feelings to produce poetry.The image of the poem is the form and image of the mixture of emotion and scenery，and the image of intention in the meaning and the taste outside the taste is the interesting artistic image.A loving，expressive painting can maintain a broad and lasting attraction to the viewer，which is the"artistic conception"of the Chinese painting.

The criteria of systematic painting creation and painting criticism are as follows：（1）vivid charm.（2）bone method with pen.（3）object pictograph.（4）with color.（5）management position.（6）transmission and mock-up writing.Charm vividness is the most important method in the six methods，which is the important criterion of painting creation and painting criticism in China for 1000 years.

Overall language representation

A complete painting，the overall style should be unified，the script font and painting style should be unified.For example，freehand brushwork with running script，cursive script，fine brushwork with regular script，official script and so on.Of course，this is not absolute，mainly according to the artistic style of the picture to the overall consideration.In the specific painting，according to the previous preparation to consider bold writing，carefully tidying up，as meticulous as possible.Bold writing in order to determine the frame，the general trend，control the overall picture，the overall cleaning should pay attention to adjust form and shape，potential and potential echo contrast relationship，pay attention to pen emotion and ink interest and the rhythm of the pen.

In short，no matter how much need to picture coordination as the first standard to make the picture color.Title or poem to lead to painting，or text as a painting to fill the white，handwriting size and inscription style should be linked to the style.The seal should also pay attention to the selection of the color of the print，here to choose according to personal preferences，generally have magenta，cinnabar，ancient color，iron ink and other mud，but also blue，green，black and other special colors.

Painting is a constantly developing and perfecting art.With the progress of society，new science and technology，new ideas will affect the development of art.Daring to learn from the outstanding cultural heritage of ancient，modern and foreign countries will be an important accomplishment of a great painter.We should learn from the sister arts of ancient poetry，articles，calligraphy，music and dance，and draw nourishment from modern western art.Dare to break all the rules of the past.A great artist must have a bold and innovative spirit.

作者簡介

丁琳，女，漢，山東濟(jì)南，在校研究生，研究方向：繪畫藝術(shù)。

（作者單位：齊魯工業(yè)大學(xué)）