馬薩納藝術(shù)學(xué)校，巴塞羅那，西班牙

（王單單 譯）

（潘奕 譯）

1 外景/Exterior view

馬薩納藝術(shù)學(xué)校是嘉杜尼亞廣場長期改造過程的一部分，位于巴塞羅那歷史區(qū)的中心地帶。

該項(xiàng)目實(shí)現(xiàn)了在11,000m2的有效面積中打造一個(gè)明亮的開放式內(nèi)部空間的愿景，同時(shí)其外觀還與所處的城市環(huán)境保持了和諧。

該建筑被切分開，無論在體積上，還是立面設(shè)計(jì)上，都與周圍的建筑相呼應(yīng)。為了賦予它更獨(dú)特的雕塑感，同時(shí)減小體量，建筑面向廣場的部分被分解為兩個(gè)看似旋轉(zhuǎn)的體量，形成了不同的露臺(tái)。

大樓的陶瓷板會(huì)令人聯(lián)想到遮陽板，不僅可以遮蓋外部，還突出了其體積光效，也確保了學(xué)生的私密性。□

（王單單 譯）

2 立面/Fa?ade

3 外景/Exterior view

4 外景/Exterior view（攝影/Photo: Duccio Malagamba）

La Massana Fine Arts School forms part of the long transformation process of the Gardunya Square, situated in the heart of Barcelona's historical district.

This project responds to the will of creating a luminous interior made up of open spaces in its 11,000 square metres of usable surface area, while at the same time achieving an exterior that remains harmonious with the urban web in which it stands.

The building is split, both in terms of volumetrics as well as the solution of the fa?ade, in response to the surrounding constructions. With the objective of giving it a more unique and sculptural character and simultaneously diminishing bulkiness, the part of the building that faces the square is decomposed into two rotating volumes that generate different terraces.

The ceramic piece reminiscent of a brise soleil that covers the exterior emphasises its volumetrics while at once protecting the student's privacy.□

項(xiàng)目信息/Credits and Data

地點(diǎn)/Location: Plaza Gardunya No. 9, Barcelona

客戶/Client: Consorci d'Educació de Barcelona.

發(fā)起人/Promotor: Ajuntament de Barcelona, BIM/SA

主持建筑師/Principal Architect: Carme Pinós Desplat

項(xiàng)目經(jīng)理/Project Manager: Samuel Arriola

設(shè)計(jì)團(tuán)隊(duì)/Design Team: Elsa Martí, Roberto Carlos García, Holger Hennefarth, Blanca Perote, Ana Isabel Rodríguez, Inés Senghour, Francisco Olivas

結(jié)構(gòu)工程/Structural Engineer: BOMA-MASALA consultors

機(jī)電工程/Mechanical & Electrical Engineer: INDUS Ingeniería y Arquitectura

執(zhí)行總監(jiān)/Direction of Execution: ENTROPIA-PCG

承建/Constructor: UTE Massana (ACCIONA-COPCISA)

建成面積/Built Area: 11,010m2

有效面積/Effective Area: 10,050m2

設(shè)計(jì)時(shí)間/Preliminary Design Period: 2006-2007

基礎(chǔ)項(xiàng)目開始時(shí)間/Basic Project Start Time: 2008

執(zhí)行項(xiàng)目時(shí)間/Executive Project Time: 2010

施工開始時(shí)間/Construction Start Time: 2015

竣工時(shí)間/Completion Time: 2017.09

攝影/Photos: Estudio Carme Pinós, Duccio Malagamba

5 總平面/Site plan

6.7 剖面/Sections

8 立面/Elevation

9 首層平面/Ground floor plan

10 二層平面/First floor plan

11 四層平面/Third floor plan

12 庭院/Courtyard

13 外景/Exterior view

評(píng)論

李存東：學(xué)校的建設(shè)為城市原有的廣場注入了新的活力，不同尺度堆積變化的立面使得建筑周邊的公共空間都產(chǎn)生了積極的改變。立面的凸出凹進(jìn)以及材料肌理的變化，既帶來了豐富性又形成了一種統(tǒng)一，從而賦予建筑獨(dú)特的個(gè)性。學(xué)校內(nèi)部公共空間中具有標(biāo)志性的連廊，因?yàn)閮蓚?cè)標(biāo)高的差異而產(chǎn)生了趣味性的效果，增加了空間的吸引力。

鮑里斯·沙德-賓索：西班牙大都市巴塞羅那當(dāng)然不缺少旅游景點(diǎn)，而且近年來這些景點(diǎn)越來越受歡迎，以至于這座城市在事實(shí)上正與“過度旅游”現(xiàn)象作斗爭。直到令人印象深刻的馬薩納藝術(shù)學(xué)校將這段不受重視的時(shí)期劃上句號(hào)之前，這座城市主要地區(qū)的多中心發(fā)展一直處于停滯狀態(tài)。這座現(xiàn)代化的建筑為小型而公共的嘉杜尼亞廣場注入了新的活力，該廣場直接毗鄰巴塞羅那典型的大市場。社區(qū)居民現(xiàn)在可以享受到當(dāng)下充滿活力的廣場的新鮮魅力，當(dāng)?shù)貙W(xué)生也正在發(fā)揮自己的作用參與復(fù)興。然而幸運(yùn)的是，對(duì)游客而言，這一廣場并不怎么有趣。而從城市發(fā)展的角度來看，這正是該廣場如此重要的原因。

（潘奕 譯）

14.15 中庭/Atrium

16.17 內(nèi)景/Interior views

18 外景/Exterior view

Comments

LI Cundong: The construction of the fine arts school has brought more energy to the existing city square. Its elevation, derived from the ever changing stacking of volume, created positive impacts to the surrounding public space. The extrusion and recess, together with the various textures on the elevation, brought diversity as well as a unified architectural identity. The internal lobby of the building links the two volumes whilst amplifying the height difference. As a result, it became an attractive icon of the space. (Translated by Jue Chen)

Boris Schade-Bünsow: The Spanish metropolis of Barcelona is certainly not short of tourist attractions, and these have become increasingly popular in the recent years. So much so, in fact, that the city is now battling with the phenomenon of "overtourism". The polycentric development of the city's major quarters had fallen by the wayside until the impressive Masane School of Fine Arts brought this period of neglect to a definitive end. The modern building breathes new life into the small, public Gardunya square that directly adjoins one of Barcelona's quintessential market halls. Residents of the neighbourhood can now enjoy the fresh appeal of the now dynamic square, which the local students are also playing their part in reviving. As far as tourists are concerned, however, the square is fortunately largely uninteresting, which is exactly what makes it so important from an urban development point of view.

19 內(nèi)景/Interior views