Drawing Hands《畫(huà)手》

愛(ài)藝

Drawing Hands is a lithograph （28.2 cm × 33.2 cm） by the Dutch artist M. C. Escher first printed in January 1948.

[2]? It depicts a sheet of paper out of which， from wrists that remain flat on the page， two hands rise， facing each other and in the paradoxical act of drawing one another into existence. Although Escher used paradoxes in his works often， this is one of the most obvious examples.

[3]? Drawing Hands has been referenced and copied many times by artists in different ways. One common tribute in tech culture is to draw robot hands drawing or building each other or a human hand and robot hand drawing each other. In geek culture1 and within the transhumanist2 community in particular， robotic renditions of Drawing Hands are occasionally produced.

《畫(huà)手》是荷蘭畫(huà)家M. C. 埃舍爾創(chuàng)作的一幅平版印刷畫(huà)（28.2厘米×33.2厘米），首印于1948年1月。

[2]? ?該畫(huà)描繪了一張紙，兩只手從紙面所畫(huà)的兩個(gè)手腕處伸出紙外，面對(duì)面以一種矛盾的方式將對(duì)方畫(huà)出。埃舍爾經(jīng)常在其作品中運(yùn)用悖論，而這一幅是最典型的例子之一。

[3]? ?《畫(huà)手》迄今已被多個(gè)領(lǐng)域的藝術(shù)家以不同方式多次引用和復(fù)制。在科技文化中，一種常見(jiàn)的致敬之作是表現(xiàn)機(jī)械手相互繪制或構(gòu)建，或者是人手和機(jī)械手相互繪制。在極客文化尤其是超人主義團(tuán)體中，偶爾也會(huì)出現(xiàn)機(jī)器人版本的《畫(huà)手》。