Try to talk about the national museum collection calligraphy—Ming billiton Cao Quan tablet

JiangZhilin

"Cao Quan tablet" belongs to the beautiful smooth， elegant and beautiful school， just like an Oriental beauty， gas elegant， is style works in han nationalities.

"Cao Quan tablet" full name "han he Yang make Cao Quan tablet"， also known as the "finish Cao Jing monument"， the spirit of the eastern han dynasty emperor flat in l85） two years in October， in the early years of the Ming wanli in shaanxi Yang village unearthed in extraction， in 1956 moved to save xian the forest of steles. Listed in the inscription "Cao Quan"， word scene， dunhuang valley （dunhuang county， gansu province today） people. The monument to celebrate the eastern han dynasty last years Cao Quan make department Yang to other historic contribution， the daughter of the door is a officer Wang Chang publication stone record a merit for it.

China national museum collection is the Ming dynasty calligraphy， cut into， meter 15 and a half open， page 31. Official script， each page four lines， lines of seven characters.

Below is from the pen， structure and aesthetic tendency to carefully discuss：

A a pen

Pen： fangyuan capabilities and give priority to with round pen

Cao Quan tablet is han nationalities in the round pen with typical， represents the style characteristics of eastern han dynasty official script of that period. Calligraphy pen can be roughly divided into three types： the first for the party. The second round pen， And the third for fangyuan.

Second， the structure of

Structure： tightened in the palace， spread around

"Cao Quan tablet" the overall structural features in the palace is tightly closed， stretch， presents the exterior in artistic features. This monument nexus of contracts flat even， word about potential， physically， such as water flow. Appeared accident collocation is proper， the verve of nitrogen hydrogen， unknowingly stiff and see potential long， also long painting of fengshen hydrophobic swings， short draw close dignified.

Three， aesthetic tendency

On the aesthetic tendency： beautiful and pure and fresh， like the Oriental beauty

Cao Quan tablet， beautiful and elegant style， make it stand out in the numerous han tablet， "official script inscriptions intact， word potential flat， posture is lightsome， brushwork outside， stipple round hidden inside the bar， the lead or pick si or long horizontal， silkworm， the leading wild goose tail ShuXian static show， if JuanJuan debut， simplifying as scholars， inscription extremely well equipped， pen， hiding， start-stop delicate place in the mind. The wei jin southern and northern dynasties and the tang and song dynasties have the extremely profound influence on calligraphy.

作者簡(jiǎn)介：姜芝林（1991—），男，漢族，籍貫：山東濟(jì)寧人，齊魯工業(yè)大學(xué)，14級(jí)在讀研究生，碩士學(xué)位，研究方向：書(shū)法藝術(shù)與設(shè)計(jì)表現(xiàn)。