福爾康綜合體建筑

地點(diǎn)：挪威奧斯陸

建筑類型：賓館、住宅、商業(yè)

面積：9 400m2

年份：2011年

Location: Oslo

Building type: Hotel, housing, commercial

Size: 9 400m2

Year: 2011

該項(xiàng)目包括一個(gè)酒店、藝術(shù)家公寓、辦公室及一個(gè)集工作坊、酒吧及餐館于一體的綜合體，位于奧斯陸心臟地帶阿克爾河主河道旁較低街區(qū)集市般的結(jié)構(gòu)中。

該建筑旨在為主干道“城鎮(zhèn)樓層”與河畔舊工業(yè)建筑旁邊規(guī)劃中的文化廣場(chǎng)的迥異變化形成一個(gè)過渡。

該項(xiàng)目的精品酒店有130間客房，一個(gè)酒吧以及有100個(gè)餐位的餐廳，可欣賞到河流景觀。

商業(yè)樓層則設(shè)計(jì)為當(dāng)?shù)氐霓k公室及工作室。

下層空間則用于本地藝術(shù)家的工作坊、各種餐館、酒吧及帶有餐桌的大型咖啡廳/餐廳用，并向外延展至廣場(chǎng)上，在較低的街道上形成聚焦中心。

規(guī)劃好的公寓、復(fù)式樓和工作室位于較小的塊狀結(jié)構(gòu)的4個(gè)樓層上。

主要的挑戰(zhàn)則是要在目前仍占主導(dǎo)地位的二十世紀(jì)40年代的較高樓層的建筑和十九世紀(jì)90年代之交具有吸引力的磚鋼結(jié)構(gòu)河濱工業(yè)大廈之間構(gòu)筑一個(gè)過渡。酒店從路旁至高點(diǎn)逐漸以可控的形式向河邊伸展，比起通常的場(chǎng)地線更能給現(xiàn)有建筑提供更大的視野和采光，而不影響最大區(qū)域。

項(xiàng)目在上層街道平面現(xiàn)存的40年代街區(qū)的綿長(zhǎng)外立面上形成了一個(gè)戲劇性的結(jié)束，創(chuàng)造了進(jìn)入文化廣場(chǎng)的入口。

建筑物溫婉的弧形運(yùn)動(dòng)曲線打破了原有的限制，并為現(xiàn)有的建筑及已規(guī)劃的文化廣場(chǎng)都提供了一個(gè)堅(jiān)實(shí)穩(wěn)定的背景。

其結(jié)構(gòu)主要是鋼與混凝土面板，用水泥纖維板覆層包覆并初涂。

在現(xiàn)有的1940年代街區(qū)及新方案之間過度建設(shè)的屋頂面積形成了一個(gè)有吸引力的公共花園。北端一個(gè)栽種了植物的露臺(tái)為餐廳及前臺(tái)通向公共花園提供了入口。

The project comprises a hotel, artist’s apartments, of fi ce and with a mixture of workshops and bars and eateries in a bazaar-like structure at the lower street level along the main Aker River running through the heart of Oslo.

The building aims to negotiate a transition through steep terrain between the main road, “the fl oor of the town”, and the planned cultural square in and around the old industrial buildings along the riverside.

The compact hotel accommodates 130 rooms, a bar and 100 seats restaurant with views to the river.The commercial fl oors are intended to serve as local of fi ces and studios.

The lower level spaces are intended for use as workshops for local artists and various eateries and bars with the tables of a large café/restaurant spilling out onto the square to form a focal point at lower street level.

There are also programmed apartments, duplex and studios in the 4 fl oors of the smaller block-like structures.

The primary challenge was to create a mediator for the existing dominant 1940s blocks at upper ground level and the attractive brick and steel industrial riverside buildings from the turn of the 1890s without extinguishing either. The hotel starts roadside at it’s highest point, and steps gradually downwards toward the river in a controlled manner that offers greater views and light to the existing buildings than the regulated site lines would have allowed without affecting the maximum area.

The project forms a dramatic ending to the long fa?ade of the existing 40′s blocks at upper street level creating a portal to the cultural square.

The building’s gentle curving motion envelopes and gives a stable backdrop to both the existing buildings and the programmed cultural square.

The structure is primarily steel with concrete slabs, clad with cement fi bre board cladding and render.

The roof of the overbuilt area between the existing 1940s blocks and the new scheme forms an attractive communal garden. At the northern end a planted terracing opens the restaurant and reception to the communal garden.