“凝視”別墅 希臘帕羅斯

設(shè)計(jì)單位：React建筑師事務(wù)所，

Christophe Pingaud建筑設(shè)計(jì)事務(wù)所

設(shè)計(jì)團(tuán)隊(duì)：Natasha Deliyianni， Yiorgos Spiridonos，

Christophe Pingaud

主管建筑師：Giannis Vagias

合作建筑師：Andreas Androulakakis， Tatiana Tzanavara，

Marion Vallerin

結(jié)構(gòu)工程：Aggelos Kottikas

景觀設(shè)計(jì)：OUTSIDE， Eva Papadimitriou

機(jī)電工程 ： Nikos Chrystofyllakis

建筑面積 ： 550平方米

項(xiàng)目年份 ： 2018年

攝影師 ：George Messaritakis

Architects： Christophe Pingaud Architecture， React Architects

Design Team： Natasha Deliyianni， Yiorgos Spiridonos， Christophe Pingaud

Collaborating Architects： Andreas Androulakakis， Tatiana Tzanavara， Marion Vallerin

Collaborating Architect – Supervision： Giannis Vagias

Structural Engineering： Aggelos Kottikas

Landscape： OUTSIDE， Eva Papadimitriou

3d Visualization： Andreas Androulakakis， Tatiana Tzanavara， Nikol Georgopoulou

Electrical and Mechanical Engineering： Nikos Chrystofyllakis

Area： 550 m?

Year： 2018

Photographs： George Messaritakis

項(xiàng)目地塊位于帕羅斯島拉戈瑞海灘。北面是一片海景?！澳暋眲e墅位于地塊的南側(cè)，俯瞰海灘。房屋成排布置，庭院有封閉式的，也有通向大海的。庭院毗連生活區(qū)，緊靠地面的自然坡度。入口位于地塊的南側(cè)，同時(shí)也位于最高點(diǎn)。第二座建筑綜合體帶有客房，在設(shè)計(jì)上與主建筑相連。后院位于核心區(qū)，直接連著生活區(qū)以及封閉的“藍(lán)色”客廳——天井。

通過通風(fēng)開口向外望去，就是一片海景，不論是在視覺上，還是在功能上，都與后院、住宅和北側(cè)的露臺(tái)融合，相得益彰。室內(nèi)裝飾的建筑材料和色彩，凸顯出建筑設(shè)計(jì)的各部分元素，并將室內(nèi)外空間統(tǒng)一起來。別墅設(shè)計(jì)采用基克拉迪建筑的元素，旨在為了適應(yīng)干旱的地貌，減少對(duì)環(huán)境的影響，主要是這里靠近拉戈瑞保護(hù)區(qū)。

建筑著重突出的是“第五立面”（屋頂面），旨在利用該地區(qū)獨(dú)特的地貌，使得建筑的各個(gè)部分與自然環(huán)境相融合。別墅中也融入了景觀建筑設(shè)計(jì)，當(dāng)?shù)氐闹脖桓采w建筑周圍的大部分區(qū)域，完整保留了地塊有意義的原始形態(tài)。

相應(yīng)地調(diào)整各部分建筑和功能元素，使得別墅與該處地形緊密相融。建筑的各個(gè)部分連接緊密，一起融入建筑物的內(nèi)部空間。在此處可以更容易看到海景，建筑物似乎被襯托為一名觀景者，盡管有所遮擋，但仍能看到周圍的景色。改造基克拉迪建筑的形態(tài)元素，創(chuàng)造出一種現(xiàn)代建筑語言，這與融入自然景觀一起，構(gòu)成了設(shè)計(jì)的指導(dǎo)原則。

The plot is located in LAGGERI PAROS ISLAND. It has a north-facing sea view. The house is located along the south side of the plot， overlooking the beach. The volumes of the houses are lined up to the view and there are protected courtyards as well as courtyards to the sea. Courtyards are adjacent to the living areas next to the natural slope of the ground. The entrances are located on the south side of the plot and at the highest point. A second building complex hosts the guest rooms and is architecturally connected to the main building. The back yard creates a nucleus with direct reference to the living areas and the enclosed "blue" living room - patio.

The building creates views to the sea， through airy openings and integrates visually and functionally the backyard， the residence and the terraces on the north side. The interior is dominated by materials and colors that enhance the elements of architectural design and unify the exterior with the interior spaces. Using elements of the Cycladic architecture， the house was designed to adapt to the arid landscape in order to minimize the impact on the environment as we are located near the protected area of Langeri.

Architectural emphasis has been given on the 'fifth fa?ade （roof plan）， aiming to exploit the distinct geomorphology of the area so that the volumes can be harmonized and assimilated into the natural environment. Landscape architecture is incorporated into the project， covering most of the surrounding area of the building with endemic vegetation， leaving intact a significant part of the plot that retains in its original form.

The house is trying to “root” in the topography by adapting all its architectural and functional elements accordingly. Intense architectural elements are incorporated into the interior of the building. The views are heightened towards the sea and the building acts as an observation-viewing machine， albeit sheltered， from the surrounding. The transformation of the morphological elements of Cycladic architecture with the aim of creating a modern architectural language constitutes， along with integration into the natural landscape， the guiding principles of design.