洛麗亞避暑別墅希臘帕羅斯

設(shè)計(jì)單位：React建筑師事務(wù)所

合伙主管建筑師：Ioannis Vagias

合作建筑師：Andreas Androulakakis， Tatiana Tzanavara

結(jié)構(gòu)工程：Aggelos Kottikas

設(shè)備工程：Nicolaos Christofilakis

照明設(shè)計(jì)：Bright SA

景觀設(shè)計(jì)：Eva Papadimititriou

面積：215 平方米

項(xiàng)目年份：2019年

攝影師：Panagiotis Voumvakis

Architects： React Architects

Associate Supervisor Architect ： Ioannis Vagias

Collaborating Architects ： Andreas Androulakakis， Tatiana Zanavara

Structural Engineering ： Aggelos Kottikas

MEP ： Nicolaos Christofilakis

Lighting Design ： Bright SA

Landscape Architecture ： Eva Papadimititriou

Area ： 215 m?

Year ： 2019

Photographs ：Panagiotis Voumvakis

項(xiàng)目地塊位于帕羅斯島南部。建筑的長(zhǎng)側(cè)面朝向西南方，俯瞰阿力奇和安提帕羅斯海灣，可稱(chēng)之為面朝大海。建筑坐落在山坡上，與地勢(shì)地形相融合。

巨大的橫斷墻穿透斜坡，形成了后院，并將室外景觀引入室內(nèi)。墻壁之間的空間形成了建筑入口和花園，同時(shí)為泳池和掩蔽的庭院提供了空間。

這些具有動(dòng)感的室內(nèi)空間，由墻壁塑造而成。只有從地塊的東側(cè)才能看到這些墻體;因此，當(dāng)進(jìn)入別墅時(shí)，生活場(chǎng)景就會(huì)展現(xiàn)出來(lái)。各個(gè)功能空間，由一條步道貫穿起來(lái)。這條步道與住宅內(nèi)部的路徑平行，在生活區(qū)域形成面向大海的景觀視野。

房子的體量和朝向根據(jù)景觀視野而建設(shè)，并通過(guò)低矮的石墻形成了向西的視野。一方面，它們被牢牢地固定在地面上，另一方面，它們似乎漂浮在自然風(fēng)光之中。中間和前院遵循同樣的模式——具備面向大海的陽(yáng)臺(tái)。

入口位于地塊的北側(cè)，最高點(diǎn)作為住宅的入口。所有東西都隱藏在白色的墻壁后面，墻面有最小的開(kāi)口，接待來(lái)訪者時(shí)，可以隱藏前院以及建筑內(nèi)部的布局。這種設(shè)計(jì)可以把相對(duì)立的功能空間融合在一起：

開(kāi)放與私密的空間;

半私密的休息庭院和開(kāi)放庭院;

封閉的內(nèi)部路徑和開(kāi)放的半室外路徑;

棲居于自然，翱翔于坡上。

單體建筑的大體量被分解成更小的體量，更加適應(yīng)地形。從上方看，“第五視角”在山坡上占據(jù)主導(dǎo)地位。

建筑的空間單元懸浮于景觀之上，試圖定義度假宜居的生活場(chǎng)景。在白天，基克拉迪群島上的強(qiáng)烈光線影響著建筑內(nèi)的活動(dòng)場(chǎng)景。建筑為人們提供了一個(gè)相對(duì)私密的活動(dòng)空間。

The plot is in the southern part of Paros Island. It has a southwest orientation on the long side， overlooking the sea， the bay of Aliki， and Antiparos. The building rests on the hillside and adapts to the topography and the terrain's morphology.

Large transverse walls penetrate the slope. These walls form the backyards and give continuity to the interior of the house towards the landscape. Spaces created between the walls， define the entrance， organize the garden， and give space for a water element and a sheltered courtyard.

These spaces flow from the interior and are shaped by the walls. The walls are visible only from the east side of the plot; therefore， the living scenario is revealed upon entering the residence. A path crosses them， which connects the thematic sections. The path unfolds parallel to the path inside the house， forming views toward the sea and the living areas.

The volume of the house develops toward the view and protects against a low stone wall forming a view to the west. On the one hand， they are firmly hooked to the ground and on the other， they seem to float toward the view and the natural relief. The same pattern is followed by the intermediate and front yards – balconies that aim at the sea.

The entrance is on the north side of the plot and the highest point acts as a gateway to the residence. Everything is hidden behind the white wall with minimal openings， which welcomes the visitor by concealing the interior layout， as well as the front yards. The composition works with design and functional dipoles：

Hidden spaces and those exposed from the visitor's eye;

Sheltered courtyards with sitting areas and courtyards open to the view;

Inner closed path and the path between thresholds;

Dwelling in Nature and hovering over the slope.

The large volume of a single building is broken down into smaller volumes， directly adapted to the terrain. The "Fifth View"， from above， becomes dominant leaning against the hillside.

The architecture swings over the landscape forming spatial units in an attempt to define the scenario of holiday habitability. The intense Cycladic light elaborately stages all possible scenarios and transforms， during the day， the architectural composition. Architecture embraces human activity， creating an intimacy with space and place.