“鳥巢”別墅希臘蔻斯特

設(shè)計(jì)單位：React建筑師事務(wù)所

項(xiàng)目建筑師：Yiorgos Spiridonos， Natasha Deliyianni

合作建筑師：Andreas Androulakakis， Tatiana Tzanavara

項(xiàng)目主管：Yiannis Vagias

結(jié)構(gòu)工程：Agellos Kottikas

設(shè)備工程：Nikos Christofyllakis

建筑面積：185平方米

項(xiàng)目年份：2020年

攝影師：Panagiotis Voumvakis

Architects： React Architects

Design Team： Natasha Deliyianni ， Yiorgos Spiridonos

Collaborator Architects： Andreas Androulakakis - Tatiana Tzanavara

Supervision： Yiannis Vagias

Structure Engineer： Agellos Kottikas

MEP： Nikos Christofyllakis

Area： 185 m?

Year： 2020

Photographs： Panagiotis Voumvakis

該場地曾是大量鷓鴣的居所。很多鷓鴣至今還一直把該地當(dāng)作是它們的巢穴。場地位于帕羅斯島科斯托斯市圣揚(yáng)尼斯。建筑向東南方向延伸，可以看到大海和納克索斯灣的景色。

別墅在這一側(cè)延伸。建筑物凸顯在斜坡上，與地形輪廓完美融合。西側(cè)幾乎完全沉入地下。蜿蜒彎曲的墻體采用的是基克拉迪景觀中的干砌石墻。這樣組合而成的“殼體”，無論在何種天氣，都可以保持內(nèi)部良好的微氣候。

訪客可以從場地西側(cè)，也就是最高點(diǎn)位置，向下走向房子的中心區(qū)域。主屋的房間由一條長長的走廊連接，將帕羅斯島凱法洛斯角和鄰近的納克索斯島的風(fēng)景連成一片。從馬路向別墅走近時，幾乎無法看到這片景致。從室內(nèi)到室外，再到前面的戶外大平臺下來的坡面，成為別墅內(nèi)部和愛琴海地標(biāo)局部景觀向納烏薩、納克索斯的喬拉、安提凱法洛斯角、納克索斯的西側(cè)、卡斯特拉基、赫拉克萊亞和伊奧斯全景過渡的區(qū)域。

庭院鋪設(shè)馬賽克，位于生活區(qū)的旁邊。且與自然坡度完美融合。西側(cè)庭院是客廳。從客廳、廚房以及兩間臥室都可以看到大海景觀。在較低的一層，設(shè)計(jì)有一間半地下的客房。

門窗都是木板制成，涂上灰色。擋土墻是石料砌成。景觀建筑僅限于庭院內(nèi)，其余部分則保留了基克拉迪的自然景觀。墻體不算高，按照傳統(tǒng)建筑比例設(shè)計(jì)而成，圍繞著中央庭院。建筑著重突出的是“第五立面”，也就是屋頂立面。在設(shè)計(jì)中，開口的重復(fù)以及標(biāo)準(zhǔn)化極其重要。

建筑具有雙重特性：與景觀的幾何形狀融為一體，并由一道獨(dú)特的白墻凸顯出來，形成生活區(qū)。這面墻演變成了一個立面，劃分了不同的樓層，分割出生活區(qū)以及觀景區(qū)。這樣的設(shè)計(jì)避開常見的白色區(qū)域聚集，并在白墻后面劃分出一系列的天井、走道、封閉式庭院、坡道以及用于連接各處的樓梯。建筑中處處使用自然景觀元素，填補(bǔ)各處空隙，重新定義建筑各必要組成區(qū)、各部分形象以及生活區(qū)，補(bǔ)充了景觀，并深入其中，成為周邊環(huán)境必不可少的組成部分。

The site used to be the home of a family of partridges. The family continues to consider the site its nest. Τhe site is located at Ag. Giannis at the municipality of Kostos on the island of Paros. Its orientation on the long side is southeastern， with a view towards the sea and the Gulf of Naxos.

The house extends on this side. The building protrudes from the slope of the hill， fully adapted to the contours of the terrain. On the western side， it is almost underground. The zig-zagged walls refer to the dry-stone walls of the Cycladic rural landscape. They combine to create a “shell” that maintains a favorable microclimate regardless of the weather conditions.

From the west side and the highest point of the site， the visitor descends towards the heart of the house. The rooms of the main house are connected by a long corridor， offering framed views of the Kefalos Cape in Paros and of neighboring Naxos. Upon approaching the house from the road it is barely visible. The descent towards the interior and then outside， to the big outdoor plateau in front is a gradual transition from within the house and the framed views of the Aegean landmarks towards a panoramic view： Naousa， Naxos chora， the Antikefalos Cape， the west side of Naxos， Kastraki， Herakleia， and Ios.

The courtyards are paved with mosaics and are positioned next to the living areas. They are adapted to the natural slope. The courtyard on the west side refers to the living room. The living room， the kitchen， and the two bedrooms have a view of the sea. On a lower level， a semi-subterranean guest house concludes the design.

The doors and windows are made of wood planks， colored grey. The retaining walls are made from stone. The landscape architecture is limited to courtyards. The rest of the site retains the natural Cycladic landscape. The walls have a low height and they surround the central courtyard following the proportions of traditional architecture. An emphasis has been given to the “fifth” elevation， the elevation of the rooftops. Repetition and standardization of the openings are of elementary importance to the design.

The architecture has a dual nature： it is integrated into the landscape geometries “elevated” from them by a distinct white wall that generates living spaces. This wall morphs into a fa?ade that delineates the different levels and organizes living and viewing spaces. The design avoids the typical white volume clustering， defining a series of patios， walkways， enclosed courtyards， descents， and connecting stairs behind the white wall. The architectural language is a result of the use of natural elements. It fills in voids and redefines necessities， images， and living spaces. It complements the surface of the landscape， it takes root， and it becomes an integral part of its surroundings.