城中村的馬賽克

周實(shí)

Studio 10 創(chuàng)始人周實(shí)的“城市的時(shí)間維度：城中村的馬賽克”，嘗試從微觀角度出發(fā)，通過大量收集城中村建筑立面脫落的馬賽克，并將其斑駁外觀背后承載的四維信息轉(zhuǎn)化為三維柱狀圖，進(jìn)而轉(zhuǎn)譯為模型，最后將馬賽克的脫落圖像、三維柱狀圖以及打印的實(shí)體模型整合在一起形成系列裝置，使其背后的時(shí)間維度得以再次顯現(xiàn)。在2017年深圳城市建筑雙年展上，上圍村展場(chǎng)設(shè)計(jì)借鑒文物修復(fù)中“金繕”的技術(shù)手段，以膩?zhàn)哟尜F金屬對(duì)原建筑的馬賽克立面進(jìn)行精修填充，形成“時(shí)間馬賽克壁畫”，而脫落的馬賽克也被收集并重新利用做成水磨石。

In the speech, “The Time Dimension of the City:Mosaics in Urban Villages,” ZHOU SHI, founder of Studio 10, started the attempt from a microscopic perspective. By collecting a large number of mosaics flaked from the facades of buildings in urban villages and transforming the four-dimensional information hidden in crumbling buildings into three-dimensional bar charts, which then transform into models. After combining the image of flaked mosaics, the threedimensional bar charts, and the 3D printed model into a series of installations, the time dimension behind the crumbling surface is represented again. In the 2017 Shenzhen Bi-City Biennale of UrbanismArchitecture exhibition, the design of Shangwei Village took the example of “Kintsukuroi,”a technology for ancient pottery conservation to restore the mosaic facade of the original building.Instead of using noble metal, the spackling paste helped create a “time mosaic mural” some flaked mosaics were also recycled and became terrazzo.

案例 民智學(xué)堂 (馬賽克裝置)，2017 深雙汕尾馬賽克展覽