人物訪談

150米的周末度假屋 - 本世紀(jì)最長的房屋，泰國150M Weekend House - The Longest House in this Century， Thailand

導(dǎo)報(bào)：您的建筑作品以住宅建筑為主，能談?wù)勀鷮?duì)當(dāng)下居住方式的理解嗎？

小川：任居住空間如何變化，我也肆意享受生活。以簡約的空間設(shè)計(jì)，承載更多可能，展現(xiàn)精彩人生。

導(dǎo)報(bào)：白色、漂浮、利落優(yōu)美的線條是您作品中常出現(xiàn)的意向，構(gòu)成極簡的基調(diào)。能談?wù)勀鷺O簡主義精神的來源嗎？

小川：永恒的空間。簡約而不簡單。

導(dǎo)報(bào)：您如何在極簡的設(shè)計(jì)中給空間注入靈性？

小川：空間性即為重點(diǎn)。通過改變空間維度和空間比例，賦予房間更多的光影變換，為房間增添靈動(dòng)之氣。

導(dǎo)報(bào)：您怎樣把控項(xiàng)目的完成品質(zhì)？

小川：在按照設(shè)計(jì)圖紙施工時(shí)，認(rèn)真監(jiān)督施工現(xiàn)場(chǎng)。

我們通過監(jiān)督施工現(xiàn)場(chǎng)，確保項(xiàng)目質(zhì)量。

導(dǎo)報(bào)：您的很多作品出現(xiàn)線性的布局與空間，能向我們談?wù)勂渲械挠靡鈫幔?/p>

小川：線性布局和空間對(duì)絕對(duì)空間十分重要。較大的空間可創(chuàng)造更多的可能性。在絕對(duì)空間中創(chuàng)造一個(gè)牢固的永恒空間。

導(dǎo)報(bào)：我們看到您的作品中，建筑本體消融，而極大的引入自然光、景觀，能結(jié)合具體案例向我們談?wù)勀奶幚矸绞絾幔?/p>

小川：盡量將美景和室內(nèi)空間結(jié)合起來。利用庭院空間創(chuàng)造新景觀。通過大型的開放式結(jié)構(gòu)將室內(nèi)外空間結(jié)合起來。

導(dǎo)報(bào)：在獲得景觀視野、開放式設(shè)計(jì)的同時(shí)，怎么保證業(yè)主需要的私密性？

小川：在設(shè)計(jì)中應(yīng)認(rèn)真考慮隱私問題，確保房屋可為屋主提供足夠的安全感。在設(shè)計(jì)中，使用實(shí)體墻和半透明的墻可創(chuàng)造安全的景觀視野，形成開放式設(shè)計(jì)。

導(dǎo)報(bào)：您如何將日本傳統(tǒng)建筑空間的禪意融入現(xiàn)代建筑空間？

小川：通過汲取日本傳統(tǒng)建筑的精髓，將之與日式拉闔門和障子相結(jié)合，實(shí)現(xiàn)靈活多樣的空間功能以及良好的通風(fēng)和采光條件。

導(dǎo)報(bào)：能向我們談?wù)勀缟械慕ㄖ焼幔?/p>

小川：路德維?！っ芩埂し驳铝_，路易斯·康，路德維?！ぞS特根斯坦。

WA: Your works are mainly residential buildings. Could you talk about your understanding of the current way of living?

S.O:Space is minimal, but the way of living is maximal.

Create the most humble space to allow for the potential of accepting and allowing many possibilities and way of life.

WA: White, fl oating, and graceful lines are the intents that often appear in your work, forming a minimalist tone. Could you talk about your inspiration source of minimalism?

S.O:Timeless space. Minimal is Maximal.

WA: How do you inject spirituality into space in a minimalist design?

S.O:Spatiality is important. Light, shadow and spirituality are represented by dimension and proportion of the space.

WA: How do you control the quality of the project?

S.O:Supervise the construction site carefully after the execution of the design.

We ensure the quality of the project by controlling construction site.

WA: Many of your works have a linear layout and space. Could you talk to us about the intentions?

S.O:Linear layout and space are important for absolute space.

Generous space allows in fi nite potentials.

Creating a strong and permanent space in abstracted space.

WA: ln your works, the building itself is often melted, and the light and landscape are greatly introduced. Could you introduce us about your method in combination with speci fi c cases?

S.O:Combine beautiful landscape and inside space as much as possible

Create new natural landscape and lighting with the courtyard spaces.

Connecting outside space and inside space with a large structural opening.

WA: How to ensure the privacy of the owners while obtaining the landscape vision and open design?

S.O:Privacy is carefully considered to give a complete sense of security.

By using solid and translucent walls enable to obtain secured landscape vision and open design.

WA: How do you integrate the Zen of Japanese traditional architectural space into modern architectural space?

S.O:Flexible and diverse functionality, ventilation and daylight are realized through the abstraction of traditional Japanese architectural space and the mobility of the opening such as Fusuma and Shoji.

WA: Can you introduce us about the architect you admire?

S.O:Ludwig Mies van der Rohe, Louis Kahn, Ludwig Wittgenstein.