澳大利亞丹頓?廓克?馬修建筑設(shè)計(jì)事務(wù)所

事務(wù)所簡(jiǎn)介 A Brief Introduction

丹頓·廓克·馬修建筑設(shè)計(jì)事務(wù)所（DCM）是澳洲非常優(yōu)秀成功的設(shè)計(jì)事務(wù)所之一，在歐洲、亞洲和澳大利亞設(shè)計(jì)完成了很多立面風(fēng)格獨(dú)特，建筑方法新穎、功能性完備的優(yōu)秀建筑以及城市規(guī)劃項(xiàng)目。DCM于1972年成立于墨爾本，現(xiàn)在的公司業(yè)務(wù)已發(fā)展到了全世界，總部設(shè)在墨爾本，在倫敦、曼徹斯特和雅加達(dá)都設(shè)有分部，共有150名專(zhuān)業(yè)人員為其服務(wù)。公司因在澳洲境內(nèi)設(shè)計(jì)完成的一些令人難忘的地標(biāo)類(lèi)項(xiàng)目而備受矚目，例如，墨爾本博物館、澳大利亞戰(zhàn)爭(zhēng)紀(jì)念館澳新軍團(tuán)廳、網(wǎng)橋和墨爾本城標(biāo)等建筑。國(guó)際有名的項(xiàng)目包括英國(guó)巨石陣游客接待中心和博物館和英國(guó)曼徹斯特民事法院、澳大利亞駐北京、東京、雅加達(dá)大使館官邸以及意大利威尼斯雙年展中的澳洲展館。

丹頓·廓克·馬修擁有創(chuàng)造最高水平設(shè)計(jì)和項(xiàng)目實(shí)施的經(jīng)驗(yàn)和能力，具體體現(xiàn)在他們獲得的一系列澳大利亞聯(lián)邦建筑師協(xié)會(huì)（AIA）頒發(fā)的重要獎(jiǎng)項(xiàng)以及國(guó)際建筑設(shè)計(jì)頒發(fā)的獎(jiǎng)項(xiàng)，其中包括授予約翰·丹頓、比爾·廓克、貝瑞·馬修澳洲最高建筑設(shè)計(jì)榮譽(yù)獎(jiǎng)金牌獎(jiǎng)，表彰他們?cè)诎闹藿ㄖO(shè)計(jì)和城市規(guī)劃方面做出的杰出貢獻(xiàn)。

丹頓·廓克·馬修的威尼斯澳大利亞展館、英國(guó)巨石陣游客接待中心和博物館，澳大利亞駐北京大使館和英國(guó)曼徹斯特民事法院四次獲得澳大利亞聯(lián)邦建筑師協(xié)會(huì)國(guó)際建筑金獎(jiǎng)，并因墨爾本會(huì)展中心，墨爾本博物館和澳大利亞戰(zhàn)爭(zhēng)紀(jì)念館澳新軍團(tuán)廳三次獲得澳大利亞公共建筑金獎(jiǎng)——澤爾曼·考恩爵士公共建筑獎(jiǎng)。

事務(wù)所在眾多澳大利亞和國(guó)際大型設(shè)計(jì)競(jìng)賽中經(jīng)常通過(guò)競(jìng)賽中標(biāo)、在合作過(guò)程中得到委托并經(jīng)常得到老客戶的多次委托。

一些著名的競(jìng)賽勝出項(xiàng)目包括英國(guó)巨石陣游客接待中心和博物館、維多利亞洲Shepparton藝術(shù)博物館項(xiàng)目。DCM和政府、公共機(jī)構(gòu)以及私人客戶形成了長(zhǎng)期戰(zhàn)略合作關(guān)系，這一點(diǎn)有力地證明了他們高質(zhì)量的設(shè)計(jì)、專(zhuān)業(yè)的服務(wù)和極高的性?xún)r(jià)比。澳大利亞外交部委托該事務(wù)所設(shè)計(jì)完成澳大利亞駐北京、日本、雅加達(dá)大使館的設(shè)計(jì)工作，并在場(chǎng)地極為敏感的文化遺產(chǎn)保護(hù)區(qū)中為澳大利亞戰(zhàn)爭(zhēng)紀(jì)念館設(shè)計(jì)了四座主要建筑。

丹頓·廓克·馬修設(shè)計(jì)的基礎(chǔ)是追求簡(jiǎn)潔和清晰。論項(xiàng)目的規(guī)?；蝾?lèi)型——大到超高層塔樓，博物館，橋梁，小到別墅，咖啡杯具——每一個(gè)項(xiàng)目自身的特性都予以充分的考慮，根據(jù)其獨(dú)特的要求進(jìn)行設(shè)計(jì)，為客戶創(chuàng)造真正的價(jià)值。公司合作和創(chuàng)新的工作方式目的是要將客戶的目標(biāo)和期望抽取出來(lái)，結(jié)合功能用途、選址、文化、環(huán)境設(shè)計(jì)、造價(jià)和美觀性等的考慮，使設(shè)計(jì)成果自然而然地呼應(yīng)這些條件而產(chǎn)生。這些過(guò)程的關(guān)鍵在于將“抽象”的建筑概念詮釋成為圖像、個(gè)性特征、純?nèi)颓逦默F(xiàn)實(shí)尺度的美麗、建筑形態(tài)和材質(zhì)表達(dá)出來(lái)。做每一個(gè)項(xiàng)目的時(shí)候，不管是在城市還是鄉(xiāng)村，都希望建筑如同一個(gè)“抽象”的雕塑作品矗立在周?chē)坝^之中。

Denton Corker Marshall is one of the most significant and successful Australian owned,international architecture and design practices. Established in 1972, the practice now operates worldwide with offices in Melbourne, London, Manchester and Jakarta employing some 150 professional staff.

The practice is best known for landmark projects in Australia such as Melbourne Museum, the Australian War Memorial, Webb Bridge and Melbourne Gateway. Notable international projects include Stonehenge Exhibition and Visitor Centre and the Civil Justice Centre in Manchester,both in the United Kingdom; Australian Embassies in Beijing, Tokyo and Jakarta; and the Australian Pavilion for the Venice Biennale in Italy.

Denton Corker Marshall’s ability to achieve the highest quality design is demonstrated by the practice's significant collection of Australian Institute of Architects (AIA) National and International Architecture Awards including Australia’s highest architectural honour, the Gold Medal, awarded to John Denton, Bill Corker and Barrie Marshall, for their collective body of work and contribution to Australian architecture and urban design.

Denton Corker Marshall has been awarded the AIA International Architecture Award four times for the Australian Pavilion in Venice, Stonehenge Exhibition and Visitor Centre, Manchester Civil Justice Centre and the Australian Embassy, Beijing. The practice has also been a threetime winner of the AIA’s prestigious architectural award for public architecture, the Sir Zelman Cowen Award, for Melbourne Exhibition Centre, Melbourne Museum, and Anzac Hall at the Australian War Memorial.

The practice is consistently successful in design competitions, collaborative selection processes and repeat client commissions. Some notable competition winning projects include the Stonehenge Exhibition and Visitor Centre, and most recently, Shepparton Art Museum in Victoria. Consistent repeat commissions from government, institutional and private clients is testament to the practice’s high-quality design, professional service and value for money. The Department of Foreign Affairs and Trade has engaged Denton Corker Marshall to design the Australian embassies in Beijing, Tokyo and Jakarta. Similarly, the practice has delivered four major buildings for the Australian War Memorial including Anzac Hall, within a sensitive cultural heritage precinct.

Fundamental to the Denton Corker Marshall design approach is the pursuit of simplicity and clarity. Regardless of scale or type - skyscraper, museum, bridge, house or cup - each design is conceived in its own right, generated by the project’s unique requirements. The practice’s collaborative and creative process aims to distil client objectives and aspirations, together with functional use, siting, culture, environmental design, cost and aesthetics, into an idea that results in a design that seems inevitable. Key to this process is the translation of ‘a(chǎn)bstract’architectural concepts such as imagery, identity, integrity and clarity, into the aesthetic realities of scale, form and materiality. Where appropriate, there is a predilection to see the building exterior as an ‘a(chǎn)bstract’ sculptural-like object in the landscape - whether rural or urban.