M89酒店

意大利米蘭

建筑設(shè)計(jì)：Piuarch

設(shè)計(jì)小組：Luca Lazzerotti, Mauro Mandelli, Silvia Cal

zetti, Alessandro Leanti, Andrea Sforzin, Carlos Noriega,Daniel Gonzalez, Santiago Trujillo, Erica Mensi, Federico Simonetti, Gianluca Iannotta, Niccolò Genesio

結(jié)構(gòu)設(shè)計(jì)：Eurostudio Ingegneria

機(jī)電設(shè)計(jì)：意大利Alpiq InTec

業(yè)主：Star 89 Srl

建筑面積：2 500 平方米

攝影：?Andrea Martiradonna

Architectural design: Piuarch

Team: Luca Lazzerotti, Mauro Mandelli, Silvia Calzetti, Alessandro

Leanti, Andrea Sforzin, Carlos Noriega, Daniel Gonzalez,

Santiago Trujillo, Erica Mensi, Federico Simonetti, Gianluca Iannotta,Niccolò Genesio

Structural design: Eurostudio Ingegneria M&E design: Alpiq InTec Italia

Client: Star 89 Srl

Built surface : 2.500 sqm

Images : ?Andrea Martiradonna

M89酒店對(duì)面，是Caproni工廠規(guī)則排布的廠房，有著別樣的棚屋頂，散發(fā)著工業(yè)考古學(xué)般的魅力。新建的M89四星級(jí)酒店，位于via Mecenate大街89號(hào)。酒店正對(duì)著百年前一大型飛機(jī)制造廠廠房，經(jīng)過Piuarch精心改造和擴(kuò)建，廠房現(xiàn)在已成為古馳新總部大樓。

古馳新總部落成后數(shù)月，Piuarch又在米蘭東郊開始了一個(gè)新的項(xiàng)目，進(jìn)一步打造面向城市需求的動(dòng)態(tài)商業(yè)中心。酒店實(shí)現(xiàn)了與周邊城市建筑的對(duì)話，其對(duì)面是奢侈品大牌古馳占地35,000平方米的總部大樓。兩者相對(duì)應(yīng)，突出了酒店的性質(zhì)。而酒店設(shè)計(jì)也延續(xù)了已有建筑結(jié)構(gòu)的風(fēng)格，以烘托周邊建筑的特征。

酒店在外觀上與對(duì)面的古馳總部大廳輪廓相呼應(yīng)。一樓設(shè)有寬敞的玻璃幕墻，幕墻外有金屬格柵，其高度與廠房的高度相同，成為街道其它透明建筑的理想延續(xù)。而屋頂則以現(xiàn)代模式呼應(yīng)著對(duì)面工廠的棚式房頂。屋頂外形精巧復(fù)雜，留有露臺(tái)空間，露臺(tái)采用全玻璃構(gòu)造。屋頂上還設(shè)有全景餐廳，無(wú)論是酒店房客還是其他人，都可以來(lái)這里一睹米蘭天際線的別樣風(fēng)情。同外觀一樣，酒店內(nèi)部也突出極簡(jiǎn)主義特色。酒店的商業(yè)性質(zhì)決定了其精簡(jiǎn)的設(shè)計(jì)風(fēng)格。主要以炭疽灰、白、綠三色形成完美的色彩對(duì)比，并融合了現(xiàn)代建筑與20世紀(jì)50年代的地標(biāo)性建筑。

入口處，流線式開放空間內(nèi)設(shè)有接待處、前廳（帶有精美幾何圖案的地毯上擺放著舒適的沙發(fā)）、酒吧。酒吧采用白色天花板，搭配圓筒形燈具，與六邊形地磚形成鮮明對(duì)比，營(yíng)造出令人流連忘返的裝飾效果。炭疽灰墻面上飾有印花，呼應(yīng)了原Caproni工廠的建筑風(fēng)格。這一點(diǎn)在頂樓的餐廳中也有所體現(xiàn)。酒店共五層樓，容納50間客房，5間套房，內(nèi)部裝修突出私人性和溫馨感。炭疽灰的天花板搭配純白色的墻面，房間內(nèi)光線極佳。普通客房與套房的面積分別為24平方米和42平方米。兩者不同之處在于裝修細(xì)節(jié)。套房裝修選材更為高端，采用橡木底板和胡桃木壁板。

所有裝飾都恰如其分，同時(shí)巧妙的實(shí)現(xiàn)了材料與功能之間的融合。酒店室內(nèi)和室外部分的設(shè)計(jì)保持高度一致性，整體以其頂部及多面性輪廓為最大亮點(diǎn)。

Opposite the building, there is the rhythmic series of brick blocks of the Caproni factory, with their shed roof and industrial archaeology charm: the M89 Hotel – the new four-star destination at number 89 of via Mecenate– faces the factory halls that one hundred years ago hosted one of the leading aviation companies and which are now home to Gucci, after a meticulous renovation and expansion project by Piuarch.

A few months after the inauguration of the maison new headquarters, Piuarch has started a new project in the east outskirts of Milan, to reinforce its character as dynamic business hub, opened to the city. The dialogue with the surrounding urban fabric – fulcrum of the concept applied to the over 35,000 m2 of the production plant occupied by the fashion company–, also defines the project for the hotel facility, whose building is designed in continuity with the pre-existing volumes, enhancing the architectural identity of the neighbourhood.

On the outside, the hotel hints at the outline of factory halls: the ground floor features a wide glass wall with a metal grate, at the same height of the industrial buildings as an ideal continuation of the permeable facade on the street. The roof, instead, reinterprets the industrial shed system in a contemporary key: the cover takes the shape of a fascinating complex profile and takes a step back to leave room to the terrace framed by full-height glass walls. The roof also hosts the panoramic restaurant,with a view of the Milan skyline, open both to hotel guests and to the public.

Indoors, the hotel boasts the same minimalist character of its enclosure: its business vocation inspires a streamline design, revolving around refined colour contrasts between anthrax grey, white and green and a mix of contemporary furniture and iconic 1950s pieces.

At the entrance, a largefiuid area hosts the reception desk, the lobby –with its comfortable sofas resting on the geometric patterns of the rugs–, and a bar: the white ceiling, spangled with cylindrical lightfixtures, is in contrast with the hexagonalfioor tiles, creating an evocative decorative effect; the anthrax grey walls, instead, are embellished with prints reproducing the architectural heritage of the former Caproni factory and which wefind again in the restaurant area on the topfioor.

Thefioors from thefirst to thefifth host the 50 rooms and 5 suites, whose interiors are decorated as a negative of the public areas: the walls are white and the ceiling is anthrax grey, thus delivering greater brightness to the private areas. With a surface of 24 m2 and 42 m2 respectively, what differentiates the rooms from the suites are thefinishing details, more precious in the suites with oak parquetfioors and elegant walnut boiserie.

Nothing is superfiuous and the décor is ensured by the wise combination of materials and functional distribution, for a project that creates perfect consistency between indoor and outdoor, with the crowning and its multi-faceted outline as the true protagonist of the restored building.