山谷別墅，維爾紐斯，立陶宛

建筑設(shè)計：Arches

Architect: Arches

1 外景/Exterior view

2 模型/Model

維爾紐斯是歐洲城市化程度最低的首都之一，擁有風(fēng)景如畫的山丘、全境充沛的綠地，以及不幸的高度城市蔓延形態(tài)。盡管城市深受交通可達(dá)性、社會福利、經(jīng)濟(jì)、基礎(chǔ)設(shè)施等各方面挑戰(zhàn)帶來的困擾，力圖提升城市密度，但市民依然有機(jī)會生活在夢中。這個夢應(yīng)該擁有一塊土地、一棟私人住宅，最好遠(yuǎn)離鄰居，同時城市中心及服務(wù)設(shè)施又近在咫尺。

維爾紐斯山谷別墅就是這一夢想實(shí)現(xiàn)的模樣。應(yīng)該補(bǔ)充的是，這不僅是戶主的夢想，也是建筑師的夢想。用建筑師的話說，他們有幸得到這樣一次機(jī)會，得到充足的信任和自由，在這樣一個絕佳環(huán)境中探索居住環(huán)境、也是設(shè)計創(chuàng)造的最高品質(zhì)。

別墅坐落于一條河流的古老坡岸，如今這里是帕維尼亞地區(qū)公園。當(dāng)知曉這個地段附近只有一片高密度住宅區(qū)、一家醫(yī)院和一條繁忙街道時，這里的優(yōu)美和靜謐就更加令人艷羨了。

根據(jù)公園相關(guān)法規(guī)，別墅建在一棟幾年前燒毀的小木屋所在的地段。它眺望著山谷，自身亦呈現(xiàn)為一份當(dāng)代建筑的響亮宣言。建筑的非常規(guī)形態(tài)是回應(yīng)地形與景觀的結(jié)果。底層局部掩于坡地中，由于表面覆蓋著黑色頁巖板，這一部分幾乎“消隱”于陰影中，使得這座建筑看起來更小。二層體量則由天然木材包裹，展現(xiàn)出張揚(yáng)而簡潔的形式，這也是對傳統(tǒng)坡頂住宅形態(tài)的當(dāng)代詮釋。

室內(nèi)空間巧妙利用最佳的景觀朝向，幾乎每個房間都擁有專門的露天平臺。平臺和庭院布置在不同標(biāo)高，既保證了私密性，又讓人得以從不同角度欣賞日出和日落。

優(yōu)雅的建筑美學(xué)，是藉由極簡的建筑手法和一絲不茍的細(xì)節(jié)設(shè)計來實(shí)現(xiàn)的。□（黃華青 譯）

3 夜景/Night view

Featuring picturesque hilly relief, abundant green areas in the whole territory and, unfortunately,high level of urban sprawl, Vilnius is one of the sparsely urbanised capitals in Europe. While the city is struggling with the outcomes such as mobility, social welfare, economic and infrastructural challenges,promoting compactness, the citizens are still enjoying possibilities to live in a dream. This dream features an individual house with a plot of the land, preferably isolated from the neighbours and close to the city's attractions and services.

Villa on the valley in Vilnius is one of the incarnation of those dreams. And, the dreams not only of the owners,but of the architects as well, must be added. Quoting the architects, they were granted with a chance, credits and tools to opt for the ultimate quality of living environment and innovative design in an exceptional environment.

The Villa is located on the slope of prehistoric bank of the river, which today is part of Pavilniai regional park. The beauty and serenity of the location is striking even more, when knowing that there's a densely built residential area, adjacent hospital and a busy street in a close vicinity.

Due to the regulations of the Park, the villa was built on the location of the former wooden homestead, which burned several years ago. It overlooks the valley at the same time exposing itself as a strong statement of contemporary architecture.The irregular shape of the house corresponds to the landscape. The ground floor is partly hidden in the slope and thanks to the black shale finish, it"disappears" in the shadows, making the building visually smaller. The first floor volume, finished with natural wood, celebrates expressive, yet laconic,forms of volumes that interprets the silhouette of a traditional sloped house.

The interior spaces are smartly orientated towards the most precious views in such a way that almost every room has its own open-air terrace. The terraces and courtyards are arranged in different levels, providing privacy, enabling to enjoy both morning and evening sun.

Elegant aesthetics is achieved with minimal architectural means, yet very meticulous implementation of every detail. □ (Text by Rūta Leitanait?)

評論

韓林飛：維爾紐斯山谷別墅坐落于維爾紐斯帕維尼亞地區(qū)公園內(nèi)的一條河流的岸坡上，建筑整體呈現(xiàn)眺望山谷的姿態(tài)，底層采用了消隱的手法，表面覆蓋著黑色頁巖板，局部掩蓋于坡地中，使建筑獲得一種漂浮感。建筑二層及屋頂采用了天然的木材，屋頂采用非常規(guī)坡屋頂，形態(tài)與建筑的形體相呼應(yīng)，體塊的切割簡潔而硬朗，體現(xiàn)了建筑的張揚(yáng)，詮釋了立陶宛傳統(tǒng)雙坡木屋的特點(diǎn)。建筑的平面是不規(guī)則的，因此建筑也采用了多個朝向的開窗，在建筑中能夠欣賞到不同標(biāo)高、不同方向的景觀。本著盡量能夠?qū)⒕坝^盡收眼底的原則，室內(nèi)利用了景觀的最佳朝向，幾乎每個房間都有一個室外露臺，建筑采用了大面積的連續(xù)開窗，從室內(nèi)向外看，自然景觀像一幅畫卷緩緩展開，建筑設(shè)計營造了很好的室內(nèi)外交融的空間。

Comments

HAN Linfei: The "Villa on the Valley" in Vilnius is located in the Pavilniai Regional Park, along the bank of a river. The architecture is designed so that it seems like it overlooks the valley. The ground floor is styled to look"hidden"; its facade is covered with shale slabs and it's placed partially under the sloping fields, which creates the feeling that the building is floating. The upper floor and its rooftop utilise natural wooden materials. The form of the house is echoed through its irregular pitched roofs, which have been cut simply and firmly to show the power of the building. This allows the gabled roofs,a distinctive feature of Lithuanian chalets, to be on full display. Due to the uneven ground level, the windows face in different directions giving views of diverse elevations and orientations. The interior uses the best orientation of the landscape to offer a panoramic view and almost every room features an outdoor terrace.From inside the building, a substantial number of continuous open windows enable the natural scenery outdoors to unveil gradually as if unfolding a scroll.Such design style creates harmony between indoors and outdoors. (Translated by Dandan Wang)

項目信息/Credits and Data

類型/Type: 獨(dú)棟別墅/Single Family Villa

面積/Area: 416m2

攝影/Photos: Norbert Tukaj

4 平面圖/Plans

5 剖面/Sections

6 概念方案/Schemes

7-10 內(nèi)景/Interior views

安娜瑪麗亞·安德里佐尤：建筑從平面到整體體量的動態(tài)造型，以有機(jī)的方式獲得了與周圍景觀的一致性。加之外飾面的石材與木材等自然材料的使用，建筑消隱于自然環(huán)境之中。

首層向二層垂直插入的體量產(chǎn)生了可供起居室作為露臺使用的室外空間。起居室被置于二層，向四面打開。毗鄰的露臺令起居室可擴(kuò)展至兩倍大，使別墅周圍的壯麗景觀可以盡覽無余。

大面積的玻璃為全部室內(nèi)空間提供了良好的光照，同時又恰到好處地分離了日間使用區(qū)域與夜間使用區(qū)域，取得了私密與展露間的平衡。（陳茜譯）

Anamaria Andritoiu: The dynamic shapes for both the plan and the overall volume of the building are organic and congruent with the surrounding landscape. This, along with natural choice of exterior finishing, stone and wood help the building blend into the natural environment.

The perpendicular orientation of the first floor relative to the second floor allows for the creation of exterior spaces that can be used as terraces for the living area. The living room, placed on the higher level and open on all sides, doubled by the adjacent terraces offers an unimpeded panoramic view of the beautiful landscape surrounding the villa.

All interior spaces are well illuminated by generous glazing, while keeping the day/night areas separated with appropriate privacy and exposure.