家庭住宅法國拉馬蒂埃爾

設(shè)計(jì)負(fù)責(zé)人：Nader Tehrani

項(xiàng)目經(jīng)理：Harry Lowd & Lisa LaCharité

設(shè)計(jì)團(tuán)隊(duì)：Dan Gallagher, Katie Faulkner, Tim Wong,Craig Chapple, John Houser, Ellee Lee, Kevin Lee, Parke MacDowell, Ryan Murphy, Jonathan Palazzolo, Caitlin Scott, Joana Rafael, Rawan Alsane

Principal in charge: Nader Tehrani

Project Managers: Harry Lowd & Lisa LaCharité

Project Team: Dan Gallagher, AIA, Katie Faulkner, AIA, Tim Wong, RA,

Craig Chapple, John Houser, Ellee Lee, Kevin Lee, Parke MacDowell,

Ryan Murphy, Jonathan Palazzolo, Caitlin Scott, Joana Rafael, Rawan Alsane

幾個(gè)世紀(jì)以來，不同的地理環(huán)境一直都采用這類封閉的庭院形式——每一次都根據(jù)當(dāng)?shù)貧夂颉L(fēng)俗習(xí)慣和建筑實(shí)踐進(jìn)行改造。作為一種在建筑物內(nèi)捕捉戶外景觀的手段，庭院由建筑內(nèi)部結(jié)構(gòu)決定。流暢的庭院不但提供內(nèi)外部隱私保護(hù)，而且也不斷地向外延伸，積極融入周邊景觀。該住宅遵守嚴(yán)格的分區(qū)指導(dǎo)方針，同時(shí)通過在屋頂上擴(kuò)建自然植物區(qū)系與景觀融合。坐落在橄欖樹林、松樹和葡萄園內(nèi)，該住宅充分利用坡地，從而獲得可持續(xù)的拓展和種植系統(tǒng)。從概念上講，人們可以把庭院建筑看作是一個(gè)框架：一個(gè)觀察天空的框架。該住宅移位庭院在對(duì)角線上將這一邏輯轉(zhuǎn)化為一條斜線，將風(fēng)景與天空連接起來。因此，該建筑物可被理解為一種觀察設(shè)備，它將內(nèi)外的景物聯(lián)系在一起。反過來，離散的變形景觀可從建筑物和景觀長廊上的游泳池中盡情觀賞。這種景觀和房子結(jié)合的最佳結(jié)果形成一個(gè)通往中央庭院的巨大拱形門檻。拱頂是一個(gè)規(guī)則表面，介于東北角支撐樓梯、游泳池和上面的生活區(qū)之間。

For centuries, the enclosed courtyard has been overlaid on various geographic settings—each time transformed according to the climate, rituals, and construction practices of the place. A vehicle to capture the outdoors within the building, the courtyard is defined by its interiority. The slipped court provides simultaneous interiority and exteriority—protected and private as well as extroverted and engaged. This house respects strict zoning guidelines, while merging with the landscape by extending natural flora over the roof. Sited within an olive tree grove, Pinus Pinea, and a vineyard, it seeks to leverage the sloping terrain, producing sustainable systems for amplification and cultivation.Conceptually, one can think of a courtyard building as a frame: a frame for viewing the sky. The displaced courtyard of this house turns that logic on a diagonal, linking the landscape with the sky.The house, then, can be understood as a viewing apparatus, framing views both in and out of the house. In turn, discrete anamorphic views are unveiled into the house and the pool on the landscape promenade. The most significant result of this integration of landscape and house is the production of a monumental vaulted threshold to a central courtyard. The vault is a ruled surface that mediates between the geometry of the supporting stair at the northeast corner, the pool, and living areas above.