交流了藝術(shù)，結(jié)識(shí)了朋友
——記澳門青年藝術(shù)發(fā)展協(xié)會(huì)交流團(tuán)訪京

文德加De Jia 譯曹宇光Cao Yuguang

交流了藝術(shù)，結(jié)識(shí)了朋友
——記澳門青年藝術(shù)發(fā)展協(xié)會(huì)交流團(tuán)訪京

Art in Exchange, Friendship in Visit——on MYADA Delegation’s Visit to Beijing

文德加De Jia 譯曹宇光Cao Yuguang

《莊周蝴蝶夢(mèng)》劇照 楊瑾攝Stage Photo of theDrama Chuang Tze’s Butterfly DreamPhoto by Yang Jin

4月12日至17日，澳門青年藝術(shù)發(fā)展協(xié)會(huì)一行14人在中國(guó)劇協(xié)會(huì)員、澳門青年藝術(shù)發(fā)展協(xié)會(huì)會(huì)長(zhǎng)鄭繼生的率領(lǐng)下在北京進(jìn)行交流演出。4月14日和16日晚，交流團(tuán)分別在北京青藍(lán)劇場(chǎng)和中國(guó)人民大學(xué)學(xué)生活動(dòng)中心劇場(chǎng)演出了舞臺(tái)實(shí)驗(yàn)話劇《莊周蝴蝶夢(mèng)》，并訪問(wèn)了中國(guó)文聯(lián)、中國(guó)人民大學(xué)、中國(guó)戲曲學(xué)院等單位，參觀了中國(guó)國(guó)家博物館、大興區(qū)星光影視園等機(jī)構(gòu)，各項(xiàng)活動(dòng)取得了圓滿成功。本次活動(dòng)由中國(guó)文學(xué)藝術(shù)基金會(huì)、澳門基金會(huì)資助，中國(guó)文聯(lián)港澳臺(tái)辦公室、中國(guó)人民大學(xué)港澳臺(tái)辦公室、澳門青年藝術(shù)發(fā)展協(xié)會(huì)主辦。

舞臺(tái)實(shí)驗(yàn)話劇《莊周蝴蝶夢(mèng)》是鄭繼生改編執(zhí)導(dǎo)的一部作品，也是澳門本土華語(yǔ)戲劇代表性作品之一。1999年澳門回歸前后，由澳門著名的華語(yǔ)戲劇社團(tuán)曉角劇社在澳門文化中心劇場(chǎng)首演，同年曾代表澳門赴葡萄牙伊斯達(dá)利亞戲劇節(jié)演出，受到廣泛好評(píng)。《莊周蝴蝶夢(mèng)》故事取自明代馮夢(mèng)龍的通俗小說(shuō)《莊周試妻》，改編者以現(xiàn)代人視角和情懷，重新詮釋和探討女性在社會(huì)中的角色與地位。該劇以非寫(xiě)實(shí)的藝術(shù)手法，運(yùn)用燈光音響等藝術(shù)手段，加之炫彩的裝置和舞美，演繹一個(gè)古老的中國(guó)故事，直指人性中的弱點(diǎn)和幽暗，喚起觀眾對(duì)于自身的省思。

2017年初，澳門青年藝術(shù)發(fā)展協(xié)會(huì)重新排演此劇，新的創(chuàng)作團(tuán)隊(duì)集中了澳門戲劇、舞美、音樂(lè)、表演界的優(yōu)秀青年藝術(shù)家和藝術(shù)愛(ài)好者，整個(gè)創(chuàng)作團(tuán)隊(duì)年齡在30歲左右。2017年2月在澳門戲劇農(nóng)莊黑盒劇場(chǎng)演出數(shù)場(chǎng)。此次澳門青年藝術(shù)發(fā)展協(xié)會(huì)在北京舞臺(tái)上用普通話表演《莊周蝴蝶夢(mèng)》，不僅是對(duì)澳門青年藝術(shù)家一個(gè)挑戰(zhàn)和檢驗(yàn)，更向北京觀眾展示澳門青年本土藝術(shù)創(chuàng)作成果。

在演出之后的座談交流中，各位嘉賓和觀眾代表充分肯定了《莊周蝴蝶夢(mèng)》所蘊(yùn)含的中國(guó)文化情結(jié)以及在舞美、音樂(lè)、表演方面的探索實(shí)踐，認(rèn)為該劇將中國(guó)傳統(tǒng)文化中一個(gè)古老的傳說(shuō)故事加以演繹，從多個(gè)層次探討了個(gè)人在社會(huì)中的多重角色以及種種困擾糾結(jié)，具有很強(qiáng)的藝術(shù)張力。在舞臺(tái)上，簡(jiǎn)潔炫彩的布景裝置、精心設(shè)計(jì)的音樂(lè)舞美和演員充滿情感的表演，充分體現(xiàn)出了澳門中西文化交融的城市文化特征。該劇在北京上演有助于增進(jìn)北京青年藝術(shù)界對(duì)于澳門本土戲劇的了解，有助于推進(jìn)澳門與內(nèi)地青年之間的藝術(shù)交流與合作。

澳門青年藝術(shù)發(fā)展協(xié)會(huì)成立于2012年，是澳門青年藝術(shù)工作者和青年藝術(shù)愛(ài)好者的聯(lián)誼組織，會(huì)員包括戲劇、舞蹈、音樂(lè)、美術(shù)、電影、攝影、漫畫(huà)、設(shè)計(jì)等方面的青年藝術(shù)工作者，都是澳門藝術(shù)界的青年骨干。此次是澳門青年藝術(shù)發(fā)展協(xié)會(huì)成立以來(lái)第一次來(lái)北京交流演出。

在京期間，澳門青年藝術(shù)發(fā)展協(xié)會(huì)一行參訪了中國(guó)文聯(lián)、中國(guó)人民大學(xué)、中國(guó)戲曲學(xué)院等單位，參觀了中國(guó)文聯(lián)發(fā)展史展覽，觀摩了中國(guó)戲曲學(xué)院京劇系學(xué)生排演，使澳門青年藝術(shù)發(fā)展協(xié)會(huì)一行增進(jìn)了對(duì)于中國(guó)歷史文化、中國(guó)戲曲藝術(shù)和北京影視藝術(shù)發(fā)展的直觀了解和深切感受，增加了對(duì)于中國(guó)歷史文化藝術(shù)的認(rèn)知和感悟，提升了推動(dòng)澳門中華藝術(shù)文化發(fā)展、推動(dòng)澳門與內(nèi)地青年之間文化藝術(shù)交流的責(zé)任和動(dòng)力。中國(guó)文聯(lián)港澳臺(tái)辦公室主任董占順表示，歡迎更多澳門青年藝術(shù)家和藝術(shù)愛(ài)好者來(lái)內(nèi)地交流訪問(wèn)，并愿意為培訓(xùn)澳門青年藝術(shù)人才，幫助澳門青年學(xué)習(xí)中國(guó)戲曲藝術(shù)提供支持。

澳門青年藝術(shù)發(fā)展協(xié)會(huì)會(huì)長(zhǎng)、《莊周蝴蝶夢(mèng)》編劇、導(dǎo)演鄭繼生表示，這次北京的交流演出收獲很大，交流了藝術(shù)，結(jié)識(shí)了朋友，看到了差距，增強(qiáng)了動(dòng)力，今后將繼續(xù)努力做好澳門青年藝術(shù)家和藝術(shù)愛(ài)好者的團(tuán)結(jié)聯(lián)誼工作，并在中國(guó)文聯(lián)的支持下進(jìn)一步推動(dòng)澳門與內(nèi)地青年之間的文化藝術(shù)交流，使中華文化在澳門這個(gè)“一國(guó)兩制”實(shí)踐熱土綻放出更加絢麗的光彩。

《莊周蝴蝶夢(mèng)》劇照 段經(jīng)琨攝Stage Photo of theDrama Chuang Tze’s Butterfly DreamPhoto by Duan Jingkun

From April 12 till 17, a 14-member delegation of Macao Youth Art Development Association (MYADA), headed by Zheng Jisheng, member of China Theatre Association and president of MYADA, conducted exchange and performance a ctirities in Beijing. On the evenings of April 14 and 16, MYADA delegation performed an experimental dramaChuang Tze’s Butterfly Dreamrespectively at Beijing Qinglan Theatre and Students’ Event Center of Renmin University of China (RUC).Besides, the delegation visited CFLAC, RUC, National Academy of Chinese Theatre Arts (NACTA), National Museum of China,Starlight Film and TV Studio at Daxing District of Beijing, all of which turned out to be a great success. This event was financed by China Literature and Arts Foundation, and Macao Foundation and jointly sponsored by Hong Kong, Macao and Taiwan Affairs Office of CFLAC, Hong Kong, Macao and Taiwan Affairs Office of RUC and MYADA.

The experimental dramaChuang Tze’s Butterfly Dream, adapted and directed by Zheng Jisheng, is a representative works of local Chinese drama in Macao. On the eve of Macao’s returning to China in 1999, the famous Hiu Kok Drama Associaiton (HKDA)presented its premiere at the theatre of Macao Cultural Center.In the same year, it participated in the Estarreja Theatre Festival in Portugal, representing Macao, and was extensively wellreceived. This drama is derived from a popular novelChuang Tze Tests His Wifeby Feng Menglong in Ming Dynasty. The adapter provides a novel interpretation and discussion of women’s role and status in society from the contemporary perspective and temperament. In a non-realistic artistic approach, by utilization of lighting and sound, dazzling installation and stage arts,this drama presents a time-honored Chinese story to reflect the weakness and dark side of human nature and indace selfexamination among audiences.

At the beginning of 2017, MYADA decided to rehearse this drama in a new way, The new creation team gathered excellent young artists and art amateurs in theatre, stage arts, music and performing arts in Macao uhose average age was 30. In February, this drama was presented consecutively at Blackbox Theatre of Macao Theatre Farmers. on Beijing stage, MYADA tried to perform this drama in Mandarin, which was a challenge and a test for young artists from Macao, but atthe same tiweo an opportunity to showcase their local artistic creation power to Beijing audiences.

In the seminar after the performance, distinguished guests and audience repvesentatives fully acknowledged the Chinese cultural complex as well as exploratory practice in stage art,music and acting embodied in this drama. Common consensus was that with distinct artistic tension, this drama provided new interpretation of an old Chinese legend aswellsa discussion of an individual’s multiple roles and confusions in the society from multiple perspectives. The simple yet brilliant setting and installation, exquisite music and stage art and emotional acting had sufficiently highlighted Macao’s such urban cultural feature as integration of Chinese culture and Western cultures. This performance in Beijing helped young artists in Beijing to know more about their counterpart in Macao and to enhance their art exchange and cooperation.

Founded in 2012, MYADA is an organization for the friendship between young art workers and art amateurs in Macao. Its members consist of young backbone art workers in theatre,dance, music, fine arts, film, photography, comics and designs.This was the first exchange and performance tour of MYADA in Beijing.

After viewing the CFLAC’s history exhibition, visit to RUC and observing the rehearsal of the students from Peking Opera Department of NACTA, the delegation had enriched their first-hand knowledge and profound feeling about Chinese history and culture, Chinese theatre, film and TV arts Beijing.Their sense of responsibility and motivation to promote Chinese art and cultural development in Macao, and art exchange between young people of the mainland and Macao.As Dong Zhanshun, Director General of Hong Kong, Macao and Taiwan Affairs Office of CFLAC, held, more young artists and art amateurs in Macao are welcome to visit the mainland.with He expressed willingness to provide support for training young talents in Macao and helping Macao youngsters to learn Chinese theatre arts.

As Zheng Jisheng, head of MYADA and director of the dramaChuang Tze’s Butterfly Dream, said, the exchange and performance in Beijing have benefited them a lot as the delegation exchanged art experiencs, made friends and identified areas to learn from the counterpart in the mainland,and strengthened their motivation for future endeavor. They are determined to continue the friendship and consolidation of young artists and art amateurs in Macao, and with support from CFLAC, further promote the cultural and art exchanges between youth of Macao and the mainland, so that Chinese culture may give off more brilliance in such a region of “One Country, Two System” as Macao.