巴爾德菲耶羅公園，薩拉戈薩，西班牙

?？送袪枴べM(fèi)爾南德斯·埃洛薩/Héctor Fernández Elorza

巴爾德菲耶羅公園，薩拉戈薩，西班牙

?？送袪枴べM(fèi)爾南德斯·埃洛薩/Héctor Fernández Elorza

Valdeferro Park, Zaragoza, Spain, 2010

1-3 草圖/Sketches

薩拉戈薩巴爾德菲耶羅公園項(xiàng)目的許多重要決定都源于場(chǎng)地自身的文脈。這座公園建在各級(jí)臺(tái)地上，使新栽的樹(shù)木易于生長(zhǎng)，又免受凜冽的北風(fēng)侵襲。水平臺(tái)地的設(shè)計(jì)讓當(dāng)?shù)鼐用窨梢愿鶕?jù)公園的布局調(diào)整他們的活動(dòng)和需求。建在鋼筋混凝土墻之間的樓梯和坡道一直延伸到居住區(qū)的街道上，讓居民能夠往來(lái)于各層之間。他們可以坐在從巨石中雕出的長(zhǎng)凳上，或者通過(guò)樓梯和坡道在室內(nèi)穿行。攀援植物會(huì)在墻上生長(zhǎng)，昆蟲(chóng)和鳥(niǎo)兒會(huì)在這里筑巢，而涂鴉也是不可避免的。這一眼望不到邊的手工墻猶如巨大的掛毯，與水泥和石頭的縱橫紋理交織在一起，成為人們談話與討論的背景，或是他與她偷偷初吻的地方。□

在一張白紙上落筆時(shí)我會(huì)躊躇不已，良久之后才能在速寫本上畫出那一條線。只有先將全部想法都聯(lián)系在一起，才能做到“胸有成圖”。所以草圖最開(kāi)始的幾筆往往要準(zhǔn)，它在紙面上的位置將決定整個(gè)構(gòu)圖，就像一本書(shū)或一首詩(shī)的第一句。作為整張草圖的綱領(lǐng)，一條線凝聚了所有的可能：海平面、古典神廟的臺(tái)基、城墻的邊緣、建筑的檐口等等。線條構(gòu)成建筑的框架，代表著人的生活，讓草圖成為推敲建筑最得心應(yīng)手的工具?！酰ㄉ袝x 譯）

4-6 外景/Exterior views

The major decisions concerning the Valdeferro Park Project in Zaragoza were determined by the opportunities aforded by the context of the site itself. The Park has been built in terraces, on which the recently planted trees will easily grow, protected from the harsh north wind. The horizontal terraces are designed so that local residents will adapt their activities and needs to the layout of the Park. These same residents will move about between the diferent levels using the stairways and ramps built between the reinforced concrete walls that continue on into the streets of their neighbourhood; they will sit on the benches carved into the Cyclopean masonry or they will make their way through the interior using the various stairwells and ramps. Climbing plants will grow on the walls, insects and birds will make their nests here and grafti will make its appearance. These infnite artisanal walls, like giant carpets, interweaving with the warp and weft of cement and stone, will serve as a backdrop for conversations, and discussions or as a secret hiding-place for the frst kisses.

I get very nervous with the first clean stroke on a white paper. It takes me a long time before I can make that line on a sketchbook. Previously, all the ideas have been linked until the drawing is "mentally fnished". Therefore, the frst lines of those sketches are usually drawn with precision, on that position of the paper that will structure all the drawing, like the frst sentence of a book or the frst poem's verse. As a summary of the whole sketch, that line condenses all the intentions: the horizon of the sea, the platform of the classic temple, the edge of a city wall, the cornice of a building, etc. Lines that hatch the frame of the architecture and represent the life that surrounds us, making the drawing process the most efective tool developing architecture.□

項(xiàng)目信息/Credits and Data

建筑設(shè)計(jì)/Architects: Héctor Fernández Elorza + Manuel Fernández Ramírez

業(yè)主/Client: Sociedad Municipal ZARAGOZA VIVIENDA, SLU

承建商/Constructor: Construcciones MARIANO LóPEZ NAVARRO, SAU

合作者/Collaborators: Félix Royo Millán, José Antonio Alonso García, Antonio Gros Ba?eres (Engineers)

占地面積/Surface Area: 11hm2

設(shè)計(jì)時(shí)間/Design Period: 2006-2007

施工時(shí)間/Construction Period: 2009.09-2010.12

攝影/Photos: Montse Zamorano - ARCHITECTURE PHOTOGRAPHY