柳州奇石博物館，廣西，中國(guó)

建筑設(shè)計(jì)：張華

柳州奇石博物館，廣西，中國(guó)

建筑設(shè)計(jì)：張華

1 外景/Exterior view2 內(nèi)景/Interior view

在建筑空間形體塑造上，將平面的矩形進(jìn)行擠壓斜切成平行四邊形，在X與Y的二維方向上運(yùn)用拓?fù)鋵W(xué)中的同胚變化原理將之分為12份，同時(shí)這12份之間帶有分形幾何的無(wú)規(guī)則相似的特點(diǎn)并兼具放射自相似的特征，之后再把平面撕裂如同作地球的板塊運(yùn)動(dòng)。三維中的Z軸變化開(kāi)始進(jìn)入其中。板塊本身作S形的高低變化，塊體之間呈有規(guī)律的相同變化，同時(shí)在兩個(gè)對(duì)立的方向上做相同又相反的自相似變化，板塊從東南一側(cè)起從曲到折，高度上從西南到東北由高至低作曲線(xiàn)變化。兩股反向的力各自推動(dòng)一端向?qū)γ孀髦韵嗨品律渥兓?，相鄰的單元即相似又有各自的變化，隨著單元的增多，原有的特征變化慢慢消失而又不斷增加新的變化。建筑體型呈現(xiàn)為前曲后折，山水一體的和諧變化。中國(guó)的山水文化中，高山流水是一種陰陽(yáng)和合的世界觀、哲學(xué)觀和美學(xué)觀。高山流水是世界萬(wàn)物的兩面性的表現(xiàn)。濁者為地，輕者為天的所謂天地合一。這種高山流水的思想也是我們?cè)谧匀唤缈梢源罅坑^察到的現(xiàn)象。除了喀斯特地貌，廣西來(lái)賓的紋石由于石質(zhì)的軟硬不均，在湍急的流水沖擊下表面的花紋也會(huì)有流形的變化。這種水紋是石頭在萬(wàn)年的水流沖刷下形成的特殊紋理，我稱(chēng)之為凝固的水。換個(gè)外在條件，高溫下的熔巖也會(huì)呈現(xiàn)為液體狀。這種高溫下的特殊液體在溫度的突然變化下剎那間凝固而成的形狀會(huì)依然呈現(xiàn)水的特征，充滿(mǎn)流動(dòng)感。上述種種變化在幾何上均屬于拓?fù)渥儞Q或分形變化。

項(xiàng)目信息/Credits and Data

設(shè)計(jì)團(tuán)隊(duì)/Design Team: 王倩，黃南北，孫晴雯，翟相濤，李倩，國(guó)青/WANG Qian, HUANG Nanbei, SUN Qingwen, ZHAI Xiangtao, LI Qian, GUO Qing

用地面積/Site Area: 20,000m2

建筑面積/Floor Area: 13,500m2

攝影/Photos: 陳溯/CHEN Su

On the architectural space and shape design, first, the rectangular plane is distorted in "X" and "Y" dimension into a parallelogram which is divided to 12 parts by S-shaped curves, these 12 parts have selfsimilar characteristics; Second, after tearing the plane, the z axis entered. Each part is extruded vertical along a S shape, the movement of each part participate with the other parts and the macroeconomic e ff ects, lowering gently in height from the southwest to the northeast. At last, two di ff erent kind of force were exerted on the two end of this building, so at last, the building is curved in one elevation and linear in the opposite one, which is a rejection of water and mountain in nature landscape. We have become accustomed that round and rectangular shapes cannot co-exist, but in this building curvilinear and straight lines are no longer set in contrast like in Euclidean geometry, but become a Integrate under series of topological nonlinear transformation. I call it "manifold", a movement variation from beginning to end and filled with two or more different forms in one body, the body is not a result but a process, continuous changes from linear to non-linear geometric composition, with both topological and fractal characteristics.

Liuzhou Suiseki Museum, Guangxi, China, 2012

Architect: ZHANG Hua

3 平面/Plan4 剖面/Section5 外景/Exterior view