南京佛手湖建筑實(shí)踐展01號(hào)住宅，南京，中國(guó)

建筑設(shè)計(jì)：周愷

南京佛手湖建筑實(shí)踐展01號(hào)住宅，南京，中國(guó)

建筑設(shè)計(jì)：周愷

2003年，由磯崎新與劉家琨作為策展人邀請(qǐng)了中外各10名建筑師，以全球化與地域性為主題，在南京佛手湖舉辦了中國(guó)建筑實(shí)踐展，我們有幸參與其中。

通過抓鬮，我們得到1號(hào)地塊——面湖且朝南的陡坡，背景輪廓為茂密的樹林和遠(yuǎn)山。第一次看到它，我便想到兩個(gè)詞匯：歸隱與平實(shí)。歸隱，可說是一種愿望，一種意境的追求，嵌入山水，融入自然，找尋一份超脫都市的寂靜；平實(shí)，則是強(qiáng)調(diào)以平實(shí)的手法和單純的形態(tài)與環(huán)境契合，與自然共處，并在順應(yīng)地勢(shì)的同時(shí)，圍合出自身的一片小天地。因此，方案策略是盡量減小建筑尺度，將建筑與環(huán)境融為一體。

設(shè)計(jì)將建筑嵌入陡坡，建筑屋頂與道路齊平，人們從道路的標(biāo)高幾乎看不到建筑的存在，避免了對(duì)主景區(qū)視線上的遮擋。在流線上，主入口沿道路標(biāo)高進(jìn)入，從屋頂層平面下行進(jìn)入建筑的首層平面，室內(nèi)用一系列的臺(tái)階和坡道串聯(lián)起不同標(biāo)高的功能房間，同時(shí)結(jié)合院落、采光井有機(jī)組織空間。在形體的處理上，為弱化建筑體量，采取退臺(tái)式綠植屋面，逐層向水面跌落。從湖面角度看去，建筑僅沿湖探出一個(gè)角部，大部分形體掩映于茂密的樹林之中。既避免建筑的出現(xiàn)對(duì)自然環(huán)境的破壞，又營(yíng)造出一種超然世外歸隱山水的意境。

In 2003, as curators, Arata Isozaki and LIU invited ten international architects and ten Chinese architects to participate in an exhibition with the subject of globalisation and regional at Foshou Lake, Nanjing. We were honored to participate.

By lottery, we got plot 01, which is situated at a south facing slope and right next to the lake. In the background is the lush woods and mountains. Upon encountering the site, I thought of two words: ''hermitage'' and ''natural''. For our design team, the notion of ''hermitage'' represented an idealised pursuit of an artistic conception. It is embedded in the landscape, intertwined with nature, while pursuing a monastic silence-detached from urban life. The notion of ''natural'' is reinforced by the deployment of simple forms to fi t into environment, coexisting with a natural context and responding to the topography. Concurrently, the building also withdraws into its own little world.

Accordingly, one of the key design objectives is to minimise the building scale and allow it to merge into the natural environment. The building is embedded in the slope which avoids interrupting the primary view from top. Users cannot observe the building from the road because the roof top nearly flushes with the roadway elevation. The building is entered at its main entrance from the road elevation and once in, users walk down to the fi rst level. The multi-levels of function rooms are connected by a series of steps and ramps which are also linked through courtyard and light wells. In order to reduce the impact of the building mass, it has a vegetated partial roof and cascades down the hill towards the lake. Looking back from the lake, only a portion of the building is visible and most of the mass is hidden in the dense woods. In realising this design, we not only can minimise our impact on the environment but also create a unique hermitage that provides a momentary detachment from everyday life.

項(xiàng)目信息/Credits and Data

設(shè)計(jì)團(tuán)隊(duì)/Design Team: 王鹿鳴，章寧，郭恩建，田書韋，邵海，曾永捷，張?jiān)聺嵉?WANG Luming, ZHANG Ning, GUO Enjian, TIAN Shuwei, SHAO Hai, ZENG Yongjie, ZHANG Yuejie, et al.

基地面積/Site Area: 2210.5m2

建筑面積/Floor Area: 601m2

建成時(shí)間/Completion: 2011

攝影/Photos: 姚力，周愷/YAO Li, ZHOU Kai

Plot 01, Foshou Lake, Nanjing, China, 2011

Architect: ZHOU Kai

1 外景/Exterior view2 內(nèi)院/Courtyard3 內(nèi)景/Interior view

4 外景/Exterior view5 總平面/Site plan6-8 平面/Plans9.10 剖面/Sections