彼奇民居供兩戶人家使用的獨(dú)立民居，2009 年馬德里展

彼奇民居供兩戶人家使用的獨(dú)立民居，2009 年馬德里展

Pitch′s House Individual house for two families. Madrid 2009

建筑師：伊尼亞基·加爾尼塞羅

技術(shù)建筑師：Manuel Iglesias Velasco

建筑工程師：JG

施工：Anton Iakoviny Pitch

業(yè)主：私人業(yè)主

建筑預(yù)算：39萬(wàn)歐元

日期：2009年

這兩個(gè)半獨(dú)立房屋采用非傳統(tǒng)方式設(shè)計(jì)。從一開(kāi)始，這兩個(gè)單元被設(shè)想為單個(gè)項(xiàng)目，雖然這兩個(gè)住宅規(guī)劃相同，但是卻采用不對(duì)稱布局。已完成的設(shè)計(jì)響應(yīng)了客戶的需求，同時(shí)也保留了轉(zhuǎn)化成單棟房子的可能性，展望未來(lái)更廣泛的合理情景。房子位于西班牙拉斯羅薩斯（在西班牙語(yǔ)中是指“巖石區(qū)”的意思），建在一個(gè)有許多露頭坡面的山坡上，朝向?yàn)槟舷?。然而，建筑物更多的不是考慮本身，而是將其帶回到周圍環(huán)境，與遠(yuǎn)處的森林和馬德里帕爾多天際線的相互映襯。設(shè)計(jì)否定場(chǎng)地和直接環(huán)境的陡峭地形的同時(shí)，整個(gè)結(jié)構(gòu)巧妙地利用構(gòu)成大平面的現(xiàn)有巖石，確定了建筑足跡。一旦確立這個(gè)數(shù)據(jù)，房子則被組織成兩個(gè)獨(dú)立的單元。停車場(chǎng)和其他服務(wù)設(shè)施位于建筑物下方，而生活區(qū)放在建筑物上部，采用單一空間。關(guān)于“足跡平面”，這個(gè)密封水平棱鏡的大小、形狀和位置很好地規(guī)劃了項(xiàng)目的剩余部分：臥室、主浴室、書(shū)房及一個(gè)小廁所。供日常生活使用的主樓層上，地上鋪上白色石灰石。一個(gè)離地板140米的獨(dú)特飄窗裝點(diǎn)著景觀天際線和均勻照亮著混凝土天花板。倚山而建，懸掛的混凝土箱像個(gè)天篷，保護(hù)底層不受太陽(yáng)光照射，同時(shí)也將視域引向地平線。所產(chǎn)生的水平空隙幾乎橫跨整個(gè)建筑物，把自然光引到一樓，并讓自然光對(duì)角地進(jìn)入地下，即使中央是通高空間。這同其他通高空間一起，將兩個(gè)相互獨(dú)立的樓層聯(lián)系起來(lái)。在這些分隔的世界之間，入口設(shè)在一塊巨大石周圍，設(shè)有一個(gè)若隱若現(xiàn)的樓梯。建筑物內(nèi)部，物體之間以多種方式聚集并相互關(guān)聯(lián)。在第一層，家具被縮減成一個(gè)集成元件，整合多種功能：存儲(chǔ)、廚房柜臺(tái)、就座區(qū)及入口風(fēng)障。在一樓，所有的衣柜都集中在單個(gè)條帶上，條帶連接到建筑立面上，改善建筑物熱性能，從而降低能耗。雖然這座建筑有兩個(gè)住宅單元，但規(guī)模上遠(yuǎn)不及一般房子。通過(guò)抽象傳統(tǒng)的居住元素，游客會(huì)被誤導(dǎo)，他的注意力會(huì)被轉(zhuǎn)移到環(huán)境的特殊性上。

Architect: I?aqui Carnicero

Technical Architect: Manuel Iglesias Velasco

Building Engineer: JG

Construction: Anton Iakoviny Pitch

Client: Private client

Budget: 390.000,00 €

Date: 2009

The design of these two semi-detached houses is addressed in a non-conventional manner. From the beginning, the two units were conceived as a single project, and although the program for both residences is identical, the layout is asymmetrical. The fnished design answers to the clients’ needs, as well as offers the possibility of being transformed into a single house, envisioning a wider range of plausible scenarios in the future. The house is located in Los Pe?ascales – "rocky area" in Spanish – on a slope with many outcrops and oriented to the south. The building, however, does not relate to them, but rather turns its back to the immediate surroundings, interacting with the distant Pardo forest and with Madrid′s skyline. While the design denies the abrupt topography of the site and the immediate context, the structure delicately leans on the existing rocks with a large horizontal plane that defnes the footprint of the building. Once this datum has been established, the house is organized in two independent units. Car parking and other services are located underneath, and the living areas are put above in a single volume. Relating to the "footprint plane," the size, shape, and placement of this hermetic, horizontal prism provides for the rest of the program: bedrooms, the main bathroom, study rooms, and a little toilet. In this piano nobile, where the daily life goes on, the foor is covered with white calcareous stone. A unique bay window located 1,40 meters from the floor trims the skyline of the landscape and uniformly illuminates the concrete ceiling. Resting against the hillside, the hanging concrete box serves as a canopy to protect the ground foor from the sun, while stimulating views into the horizon. The horizontal void created practically spans the whole building, bringing natural light into the frst foor and allowing it to enter the ground foor diagonally though the central double-height space. This as well as other double-height volumes put in relation the two rather independent levels. Between these segregated worlds, the entrance appears around a huge rock and through a slightly hidden stair. Inside, objects are clustered and related to one another in multiple ways. In the ground foor, the furniture is reduced to a single element with various functions: storage, kitchen counter, sitting area, and entrance windbreak. In the frst foor, all the wardrobes are concentrated in one single strip that is attached to the fa?ade, improving the thermal behavior of the building, and therefore reducing its energy consumption. This building hosts two dwelling units, but lacks the typical scale of a house. By abstracting traditional dwelling elements, the visitor is mislead and his attention redirected to the specifcity of the environment.

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