新加坡維多利亞公園住宅小區(qū)江景

新加坡維多利亞公園住宅小區(qū)江景

RIVERSCAPE at Victoria Park Residence, Singapore

江景主要研究比例、表面紋理、顏色及細(xì)部方面的對(duì)比力量和相對(duì)物的二元性，讓觀察者感知寧靜和分心。由3件組成的一套藝術(shù)作品遵循場地風(fēng)水原則，放置在私人花園內(nèi)，讓客人擁有一席安靜之地，進(jìn)行個(gè)人沉思，其中利用水聲營造極度優(yōu)雅和幽靜之感。

Riverscape is a study in the duality of opposing forces and contrasts in scale, surface textures, colour and details which stirs a viewer’s a perception of both calm and disruption. A series of 3 sculptural artworks adheres to the principles of the site’s geomancy, is set in a private garden responds to the client brief for an area of calm, personal retreat using the sound of water to instill a feeling of utmost privacy and solitude.

在這三塊大型矩形花崗巖石上，創(chuàng)造性使用對(duì)比性分離面和拋光表面，這些藝術(shù)品展現(xiàn)了柯林?岡下勝美博士如何通過人為干擾對(duì)自然河流景觀的闡釋。這些景觀向人們展示河谷網(wǎng)，水從粗糙表面流過。分離面的頂面不斷重復(fù)出現(xiàn)整齊平行鋸口，大量任意放置的直立拋光花崗石片伸入到表面上，然而仍舊沒有破壞掉藝術(shù)品的整體韻味。從其“切割系列”中，我們可以感受到藝術(shù)家對(duì)侵蝕和永久過程的癡迷，在大膽干涉同時(shí)不忘保護(hù)整個(gè)石頭的完整性。

Created from three massive rectangular granite blocks fnished with contrasting split face and polished surfaces the artworks presents the Dr Okashimo’s interpretation of a natural riverine landscape provoked by the inference of human interaction shows a network of valleys where water fows through and across the rugged surfaces. Perfectly straight, parallel, saw-cut incisions repeat across the split face top surface onto which numerous arbitrarily-placed, upstanding polished granite blades intercept yet support the rhythm. Part of his ‘Cutting Series’ it explores the artist’s ongoing fascination of the process of erosion and impermanence through aggressive interventions while preserving the integrity of the stone.

柯林?岡下勝美博士格言

Quote - Dr Colin K. Okashimo

“干擾和平衡朝著相對(duì)寧靜狀態(tài)發(fā)展……這始終遵循以下前提條件，亦即，為了表達(dá)寧靜狀態(tài)，需要將寧靜同干擾進(jìn)行對(duì)比。”

"Disruption and equilibrium, towards a state of relative calm…this follows from the premise that in order to express a condition of calm, one needs to contrast it with one of disruption."

石雕的吵鬧對(duì)寧靜可從鋸口上看得出來，這些鋸口有規(guī)律均勻排列，中間隨意插入大量人造物品，突出了二元性。觀眾可在一瞥之際感受到對(duì)比的力量。

The chaos versus calm of the stone sculpture can be seen at a glance with the saw cutting taking place in a rhythmic and evenly spaced, inserting overtly man-made objects in a random fashion to add to the duality. An on-looker can sense the opposing forces in a glance.