周春芽藝術(shù)工作室，上海，中國(guó)

主持建筑師：童明，黃瀟穎

周春芽藝術(shù)工作室，上海，中國(guó)

主持建筑師：童明，黃瀟穎

1 首層平面/Floor 0 plan

2 二層平面/Floor 1 plan

周春芽藝術(shù)工作室的基地三面環(huán)水，是典型的江南水鄉(xiāng)風(fēng)貌。為了適應(yīng)這種自然野趣的環(huán)境，建筑選擇采用清水混凝土的結(jié)構(gòu)及外表，這也相應(yīng)能夠體現(xiàn)藝術(shù)工作空間的品質(zhì)與氛圍。

設(shè)計(jì)的主要出發(fā)點(diǎn)在于藝術(shù)家本人的工作及其生活特征要求，同時(shí)結(jié)合基地現(xiàn)場(chǎng)特征，將工作室在總體上分為東西兩個(gè)部分。東側(cè)沿河為兩層樓高的長(zhǎng)條體量，以容納藝術(shù)家的工作空間及居住空間，總體上對(duì)外相對(duì)封閉，以保證私密性的要求。西側(cè)由于基地現(xiàn)場(chǎng)原先存有一幢移建的傳統(tǒng)建筑，它在建造過(guò)程中被完整地保留下來(lái)，因此在設(shè)計(jì)過(guò)程中以此作為新建工作室的一個(gè)主要線索，形成以建筑-庭院組合而成的空間序列，以用于藝術(shù)家較為頻繁的公共展示活動(dòng)。由于東西兩部分建筑存有高差，西側(cè)一層部分的屋面則被設(shè)計(jì)為屋頂平臺(tái)，并經(jīng)由各種交通聯(lián)系與藝術(shù)家的工作空間和生活空間聯(lián)絡(luò)起來(lái)，從而擴(kuò)大了公共面積，提供了多重的使用可能性，另一方面也為工作室提供了一個(gè)開(kāi)敞的四周景觀。

江南春季多雨，屋面的雨水排放采用明溝系統(tǒng)，并與采光天窗的改造結(jié)合起來(lái)，使得雨水的流淌為人所見(jiàn)，以顯示地方的特征。

The site of the Zhou Chunya Art studio is surrounded by water on three sides, typical of the water towns in the lower Yangtze Valley. To adapt to such environment's natural and wild charm, fair-faced concrete is applied to both the building's surface and structure, which correspondingly also embodies the art studio's spatial character and atmosphere.

The starting point of the design consists mainly in the working and living requirements of the artist himself. The overall structure is divided into two parts – east and west – according to site characters. The east part, a longitudinal band along the river, accommodates the artist's working and living space, which as a whole is relatively enclosed for the purpose of privacy. The west part of the site originally had a relocated traditional building, which was completely preserved during the construction process. It served as a main clue for the design of the new studio, creating a spatial sequence in the building-courtyard composition, which is used for more frequent public exhibitions. Due to the height difference between the two parts, the roof of the single-storey section of the west part is adapted into a patio, and is connected to the artist's working and living space through various means of circulation; this way the public area is enlarged, offering multiple functional possibilities while providing the studio with an open panorama.

Spring is the rainy season in the lower Yangtze Valley, so open ditches are used for rooftop drainage; together with the remolded clerestory windows, it makes the dripping rainwater a visible scene – a display of local character.

項(xiàng)目信息/Credits and Data

委托人/Client: 周春芽/ZHOU Chunya

場(chǎng)地面積/Site Area: 3000m2

建筑面積/Floor Area: 146m2

設(shè)計(jì)時(shí)間/Design Period: 2008.01-2009.08

Zhou Chunya Art Studio, Shanghai, China, 2010

Principal Architects: TONG Ming, HUANG Xiaoying

3 生成圖解/Diagram

4.5 剖面/Sections

6 西北入口/Entrance from Westnorth

7 內(nèi)院/Inner courtyard

8 臨水院子/Waterfront courtyard