趙卿的油畫藝術(shù)：在視覺常態(tài)中提煉

趙卿的油畫藝術(shù)：在視覺常態(tài)中提煉

Zhao Qing's Painting to be Refi ned in Visual Normalcy

人物名片

趙 卿 副教授 四川美術(shù)學(xué)院油畫系油畫教研室主任2015年藝術(shù)足跡：在星星藝術(shù)空間舉辦“浮生記-后窗之象”個展，參展意大利佛羅倫薩“流變與共在——中國新現(xiàn)實(shí)繪畫”、四川省美術(shù)館“從解放碑到寬窄巷子”成渝畫院百名畫家邀請展、“為大于細(xì)——四川美術(shù)學(xué)院油畫系青年教師邀請展”、杭州藝術(shù)博覽會、臺北藝術(shù)博覽會等。

Zhao Qing， Associate Professor Director of the oil painting teaching section of fi ne arts painting department of Sichuan Academy

2015 art footprint： hold "Fushengji" exhibition in stars art space， participate in exhibition of China new reality painting in Florence， Italy， hundreds of painters of Chongqing and Chengdu invited exhibition by Sichuan province Gallery， and “Youth teachers of Sichuan art college Painting Department invited exhibition”， Hangzhou Art Expo， and Taipei Art Expo.

在中國當(dāng)今的藝術(shù)實(shí)驗(yàn)中，借用繪畫這一傳統(tǒng)的形式來探究人們內(nèi)心感受和審美體驗(yàn)新的可能性仍然是值得多數(shù)當(dāng)代藝術(shù)家去努力挖掘的一種實(shí)踐行為，哪怕是以很傳統(tǒng)的方式切入，只要是忠實(shí)于自己特定的感悟，創(chuàng)造的快慰仍然會眷顧于實(shí)驗(yàn)者的！

趙卿近期的畫表明了他仍屬于比較傳統(tǒng)和強(qiáng)調(diào)視覺感悟的一類畫家，他并不刻意表達(dá)繪畫以外更多的觀念言說，而是通過普通的日常生活提供的視覺元素來返回繪畫本身，使精神 性與繪畫性通過自然表象融為一體。

趙卿絕對是一位對藝術(shù)和生活抱有極真誠的態(tài)度、試圖在尋常的視覺經(jīng)驗(yàn)中、在沉寂的傳統(tǒng)語匯中執(zhí)著挖掘的拓荒者。縱觀美術(shù)史上的許多繪畫大師，他們都無不是將繪畫單純化，讓思想和觀念隱藏于繪畫的語言方式之中，以純視覺的方式來訴說、來闡釋，而無需將觀念外化后直接登場，這既符合于繪畫這一視覺藝術(shù)的特性，也更能讓視覺與心靈獲得一種和諧的交流。趙卿便是抱守這樣一種信念來創(chuàng)作的藝術(shù)家……

01 《童年三部曲——星空》布面油畫125X145cm01 Starry sky of childhood Trilogy 125X145cm

02 《小魔仙》60X70cm02 Little magic fairy 60X70cm

文/龐茂琨

01 浮生 11# 125X145cm 亞麻布面油彩01 Floating Life NO.11 11# 125X145cm

02 浮生 16# 60 X 73 cm 亞麻布面油彩02 Floating Life NO.60 16# 60 X 73 cm

03 浮生 25# 120X120cm 亞麻布面油彩03 Floating Life NO.25 25# 120X120cm

In the Chinese contemporary art experiment， a practice of using the traditional form of painting to explore people's inner feelings and aesthetic to experience new possibilities is still worth most contemporary artists to work on， even in a very traditional way， as long as it's faithful to their particular understanding， the joy to create still favor in Trier！

Zhao Qing's recent paintings suggest that he's still the kind of painter who's more traditional and emphasizes the visual perception， he did not express his thoughts more than painting，but to return the painting itself through the ordinary visual elements of daily life， so that the spirit and paintings become one through the natural appearance.

Zhao Qing is defi nitely a dedicated mining pioneer who has a sincere attitude for art and life， attempts to explore more through unusual visual experience and in the silence of the traditional vocabulary. Most of masters in history simplify painting； let their thoughts and ideas hidden in the language of painting in a purely visual way. Zhao Qing is one of these artists who are holding the belief.

Written by Pang Maokun