島藝術餐廳，唐櫃，日本

建筑設計：安部良建筑師工作室

1 外景/Exterior view

島藝術餐廳是一個富于創(chuàng)新的項目，它把豐島某山村中一處閑置的房屋改造為藝術空間和餐廳，而豐島只是日本西部瀨戶內(nèi)海上的一座偏遠小島。

這幢舊宅周邊有幾處空地，都是很久以前拆除了其他房屋之后留下的，并且還剩下一座舊倉庫和兩棵柿子樹。我們將這處舊宅改造成了開放的廚房，并把倉庫改裝為藝術畫廊，遮陽頂篷圍繞著兩棵棗樹延伸，形成了室外劇場的空間。劇場的形式以傳統(tǒng)“能劇”風格為基礎，有舞臺（指能劇三面開敞且?guī)蓓數(shù)乃闹枧_——譯注）、游廊（指幕和舞臺連接的部分，不只是單純的通道，也作為副舞臺代表各種空間，如房子的外面和里面、很遠的地方、這個世界和另一個世界等——譯注）和觀眾席（能劇觀眾席左側的脇正面，是上等座——譯注）。

遮陽頂篷由表面烤焦的木板建成，這原本是傳統(tǒng)房屋外墻的做法。這些木板松垮地連接在一個結構框架上，微風拂過時，仿佛鳥羽一般輕輕浮動。建筑材料十分簡單，即便是在如此孤立無援的小島上，也可輕易獲得。我們用直徑34mm的鋼制水管作為主結構柱和主梁，27mm的鋼制水管作為次梁，D10的鋼筋則用于建造遮陽頂篷的網(wǎng)格框架。我們還采用了扁鋼螺旋樁的輕質基礎體系。

為遮陽頂篷設計的造型從現(xiàn)存房屋延伸出來，外側邊緣低于周邊房屋的高度。通過這種方式，遮陽頂篷十分和諧地融入了周圍的鄉(xiāng)村景觀，絲毫不妨礙這里寧靜祥和的氣氛。

我們通過把現(xiàn)存的房屋、傳統(tǒng)的做法和簡單的材料相結合，為村落營造了一處私密的聚會空間，讓人們能在兩棵大樹的庇蔭之下體會到舒適愜意?！酰ㄐ熘m 譯）

2 剖面/Section

3 平面/Plan

Shima Kitchen was a renovation project to create a venue for arts and dinning from an old vacant house in a village on Teshima, a rural island in the Seto Inland Sea of Western Japan.

突破口，大力發(fā)展高效節(jié)水灌溉，充分挖掘節(jié)水增產(chǎn)潛力，通過建設一批規(guī)?；咝Ч?jié)水灌溉區(qū)，促進水土資源集約節(jié)約利用，不斷提高農(nóng)業(yè)生產(chǎn)效率和效益。

Around this old house were vacant lands where several other buildings had been demolished a long time ago. An old warehouse and two persimmon trees remained. We changed the house into an open style kitchen, refitted the warehouse as an art gallery, and extended a sunshade awning around the trees to create an outdoor theatre. The theatre was based on a traditional NOH style, with its stage(butai), veranda (hashikake), and gallery (sajiki),but was designed to adapt to various kinds of event programs such as live music, modern performance art, and community festivals.

The awning is made of charred timber shingles which are traditionally used as siding on the houses.The shingles were tied loosely to a frame and would flutter slightly in the wind to evoke bird feathers.The structure is created with simple materials that can easily be found even on this isolated island. 34 mm steel water pipes were used as the main columns and main beams, 27 mm steel water pipes as the subbeams, and D10 steel rods as the grid frame of the awning. We also employed a very light foundation system with spiral steel flat bar piles.

The form of the awning was conceived to flow contiguously from the existing house with its outer edges lower than the neighboring houses. In this way the roof fits harmoniously into the surrounding landscape of the village, without disturbing the serene atmosphere.

Working with existing structures, traditional methods, and simple materials, we created an intimate village gathering place that creates a pleasant feeling of being under the shade of trees.□(圖片提供/Images courtesy: World Architecture Festival)

7.8 外景/Exterior view

業(yè)主/開發(fā)商/Client/Developer: Art Front Gallery Co., Ltd.

環(huán)境工程師/Environmental Engineer: Architects Atelier Ryo Abe

主承建商/Main Contractor: Nomura-Gumi, Uehara-Komuten

項目經(jīng)理/Project Manager: Megumi Motouchi

舞臺設計顧問/Stage Consulting: Yu Furuhashi,Showa Academia Musicae

結構工程師/Structural Engineer: Masayoshi Kurashige,Neturen Co., Ltd., Mitsuhiro Kanada, Tokyo university of the Arts

照明/Lighting: Maxray Inc.

屋頂覆瓦/Roof Coverings: Kyoei Lumber Inc.

衛(wèi)生設備/Sanitary Wear: Cera Trading Co., Ltd螺旋樁基/Spiral Fundamental: GT-spiral Inc.,

所獲獎項/Award: 2011年世界建筑節(jié)文化建筑獎/2011 WAF－Culture Winner

評語

該項目卓越且極為罕見地展現(xiàn)了對場所的敏銳感受，并在許多層面與它所服務的社區(qū)產(chǎn)生積極的聯(lián)系。設計淋漓盡致地發(fā)揮了普通的建筑材料所能達到的效果，使細部精巧的雨棚成為極為重要的新元素。盡管該項目姿態(tài)謙卑，卻飽含著形式的抒情意味、文化共鳴與敏銳的社會視角，因而能從該類型諸多強勁的對手中脫穎而出。

Jury Citation

The project displays an extraordinary and all too rare sensitivity to place, engaging on many levels with the community it serves. Employing basic materials to great effect, the beautifully detailed canopy is the key new element. Despite its modest means, the project embodies a formal lyricism, cultural resonance and social sensitivity that made it stand out in what was a very strong overall category.