20年代之屋，維也納，奧地利

1 歷史照片/Historical photos（攝影/Photo: ?sterreichische Nationalbibliothek）

2 歷史照片/Historical photos（攝影/Photo: ?sterreichische Nationalbibliothek）

3 地下二層平面/Basement 2 plan 1-藝術(shù)品出租/Artothek 2-入口區(qū)/Entrance Area 3-儲藏/Storage 4-技術(shù)用房/Technics

4 地下一層平面/Basement 1 plan 1-開放區(qū)/Open Area 2-露臺/Terrace 3-沃特巴花園/Wotruba-Garden 4-廚房/Kitchen 5-咖啡廳、衣帽間/Cafe、Wardrobe 6-兒童工作室/Children's Studio 7-院子/Yard 8-沃特巴檔案儲藏/Storage Wotruba-Archive 9-工作位/Working Station 10-雕塑院/Sailpture Yard 11-沃特巴展覽區(qū)/Exhibition Area Wotruba 12-技術(shù)用房/Technics 13-儲藏/Storage

本建筑是1958年布魯塞爾世界博覽會的展廳，由卡爾·施旺哲設(shè)計。建筑營造出的環(huán)境、高度和空間都非常迷人。1962年，該建筑在維也納被重建，并成為了一個20世紀藝術(shù)博物館。

建筑后部用作雕塑展示的空間緊貼建筑主體，形成引人注目的音樂般的空間韻律?！?0年代之屋”目前在阿森納大街上的立面通過較低的庭院和其上的橋梁得到了加強。建筑前的空間和橋突顯出建筑的景觀輪廓。前院的寬度限定了庭院盡端的塔的尺寸。這座塔是重新定義“20年代之屋”的一個重要元素，但對既有建筑并未造成影響。通過在延續(xù)原有建筑布局規(guī)則的基礎(chǔ)上加設(shè)較低的一層，形成了建筑的全新概念和空間感受。上層樓面可變的展示系統(tǒng)使空間能適應(yīng)不同的使用需要。塔則嵌入建筑網(wǎng)格中，起到對建筑物的強調(diào)作用。

2011年9月，“20年代之屋”將在奧地利美景宮美術(shù)館中重新作為一個藝術(shù)博物館開放?！酰ㄋ抉R蕾 譯）

5 改造前/Before conversion（攝影/Photo: Kurt Prinz）

6 改造前/Before conversion（攝影/Photo: Kurt Prinz）

7 改造前/Before conversion（攝影/Photo: Kurt Prinz）

8 改造前/Before conversion（攝影/Photo: Kurt Prinz）

9 改造前/Before conversion（攝影/Photo: Kurt Prinz）

10 首層平面/Ground floor plan 1-入口區(qū)/Entrance Area 2-功能房/Function Room 3-電影院/Cinema 4-門廳/Foyer 5-博物館商店/Museum Shop 6-入口廳/Entrance Hall 7-辦公空間/Office Hall

11 上層平面/Upper floor plan 1-中庭/Atrium 2-畫廊/Gallery 3-管理/Administration

This building is a pavilion for the Brussels world fair in 1958, designed by Karl Schwanzer, fascinating with its character that generates the surroundings,heights and spaces. In 1962 the building was reerected in Vienna and since then used as a Museum for the Arts of the 20th Century.

Remarkable is the accompanying music of space, located at the rear, which give room for sculptures, which nestles to the building.The present appearance of the “20er Haus”on Arsenal Street is strengthened by adding a lowered court and a bridge crossing the same.The space in front of the building and the bridge present the landscape frame of the building.The frontcourts width defines the dimension of the tower located at the end of the court. The tower serves as an important signal for the new definition of the “20er Haus” without actually touching the existing building. By continuing the rules of topology of the existing arrangement and gaining a lower floor, a new definition and a reassessment is achieved. A variable exhibition system on the upper floor makes different use of space possible. The tower inscribes itself into the grid like emphasis of the structure.

In September 2011 the 20er-Haus will be reopened as an Art-Museum for the ?sterreichische Galerien Belvedere. □

業(yè)主/Client: Burghauptmannschaft, ?sterreich

使用者/Occupant: ?sterreichische Galerien Belvedere

合作者/Collaborators: Luciano Parodi (項目建筑師/Project Architect), Jana Raudnitzky, Felix Siegrist,Karin Triendl, Florian Zierer, Anna Dabernig, Gregor Hauke, Stefan Just

12 效果圖/Rendering

13 效果圖/Rendering

14 剖面/Sections

15 剖面/Sections

16 剖面/Sections