二郎鎮(zhèn)天寶洞區(qū)域改造項(xiàng)目

“技藝”之于建筑的重要性自當(dāng)不言而喻，不過要想將建筑中的“技”（technics）與“藝”（crafts）轉(zhuǎn)變?yōu)椤凹妓嚒?，卻也并非字面上的組合那般輕而易舉。對(duì)于“技藝”而言，“藝”是目的，“技”是途徑，因此“技藝”意味著將“技術(shù)”轉(zhuǎn)化為“藝術(shù)”。在建筑之中，技術(shù)是不可或缺的存在，但卻不是充分必要的表現(xiàn)內(nèi)容。如何將技術(shù)轉(zhuǎn)變?yōu)榻ㄖ用娴乃囆g(shù)？這需要我們用一種建筑學(xué)的視角去看待技術(shù)及其運(yùn)用。

基于這樣的思考，本期“AT建筑”將為讀者呈現(xiàn)“二郎鎮(zhèn)天寶洞區(qū)域改造項(xiàng)目”，這對(duì)于我們重新審視“建筑技藝”這個(gè)主題是非常合適的。一直以來，人們很容易將家琨建筑的作品與“低技策略”等同起來，也許，正是早期項(xiàng)目中那些“低技”造就了劉家琨，讓他善于將技術(shù)問題轉(zhuǎn)變?yōu)楦哂袆?chuàng)造性的設(shè)計(jì)行為?！暗图肌币l(fā)的“高智”成就了“技藝”的呈現(xiàn)。

作為家琨建筑的最新作品，二郎鎮(zhèn)天寶洞區(qū)域改造項(xiàng)目既可以被視為劉家琨近期設(shè)計(jì)理念的一個(gè)縮影，也可以從中感受到他一直延續(xù)而來的建筑思考。無論是從地形、材料、結(jié)構(gòu)、細(xì)部這些建構(gòu)層面的操作對(duì)象，還是從光線、形式、使用、空間體驗(yàn)等的呈現(xiàn)結(jié)果，二郎鎮(zhèn)天寶洞區(qū)域改造項(xiàng)目都踐行著家琨建筑始終如一的對(duì)技術(shù)的理解，以及其他對(duì)“技藝”的表現(xiàn)。

As is known to all,“technique and art”are both important to architecture,but it is not so easy to combine “technics” and“craft s” to realize “technique and art”.“Technique and art” mean transforming “technics”into “art”,here,art is the purpose while technic is the method.Technology is indispensable for architecture,but it is not a sufficient and necessary expression content.Only if we regard technology and its application from an architectural perspective,can we ultimately transform technology into architectural art.

Based on this idea,“AT special” will present “the Renovation of Tianbao Cave District of Erlang Town” this time,which is very appropriate for us to re-examine the theme of “architectural technique and art”.It seems that people are used to equating the works of Jiakun Architects with “l(fā)ow technic strategies”.Perhaps it is the “l(fā)ow technic” in his early projects that made Liu Jiakun,so he is good at transforming technical problems into more creative design behavior.The “high intelligence” triggered by “l(fā)ow technic” has achieved the presentation of “technique and art”.

As the latest work of Jiakun Architects,the Renovation of Tianbao Cave District of Erlang Town can not only be regarded as an epitome of Liu Jiakun's recent design concept,but also convey his continued architectural thinking.Whether from the operation objects at the tectonic level like terrain,materials,structure and details,or the presentation results of light,form,use and space experience,the Renovation of Tianbao Cave District of Erlang Town is a practice that includes Jiakun Architects’consistent understanding of technology and other expressions of “technique and art”.

鳥瞰? 存在建筑