項(xiàng)目地點(diǎn):澳大利亞維多利亞菲利浦島
業(yè)主單位:菲利浦島自然公園
設(shè)計(jì)單位:TERROIR
竣工日期:2019 年
總建筑面積:4 950 平方米
項(xiàng)目施工:KANE 建筑公司
景觀設(shè)計(jì):Tract 顧問(wèn)公司
結(jié)構(gòu)及土木工程:Stantec
項(xiàng)目經(jīng)理:AECOM
照片攝影:John Gollings,Peter Bennetts
Project location:Phillip Island,Victoria,Australia
Client:Phillip Island Nature Parks
Architecture Design:TERROIR
Completion Year:2019
Gross Built Area:4 950 SQM
Construction:KANE Constructions
Landscape:Tract Consultants
Structural &Civil Engineer:Stantec
Project Manager:AECOM
Photographs:John Gollings,Peter Bennetts
一個(gè)多世紀(jì)以來(lái),人們絡(luò)繹不絕地在黃昏時(shí)分來(lái)到菲利普島,觀看小企鵝們走上岸邊。人們能夠在一個(gè)壯觀而敏感的景觀中親近企鵝,使該地成為全球同類體驗(yàn)最重要的場(chǎng)所之一,而菲利普島上的“企鵝歸巢”在之后成了澳大利亞排位第一的野生動(dòng)物景點(diǎn)——每日傍晚有4000名游客前來(lái)。
在二十世紀(jì)80年代,薩默蘭住宅區(qū)內(nèi)有177間住宅,研究表明企鵝會(huì)于1997年在“企鵝歸巢”消失。為此,州政府通過(guò)致力于買(mǎi)下整塊地產(chǎn)來(lái)確保小企鵝們的未來(lái)——環(huán)境保護(hù)上的世界首創(chuàng)。同時(shí),菲利普島自然公園成為企鵝護(hù)理與企鵝棲居地開(kāi)發(fā)的杰出權(quán)威機(jī)構(gòu)。新的“企鵝歸巢”游客中心必須通過(guò)圖解、實(shí)驗(yàn)與功能的背景,承載起游園與保護(hù)功能的愿景。
建筑位于沙丘、海岬以及濕地三處景觀的交匯處,像一枚別針將這些景觀連接起來(lái),并以各自特定的方式匯集、回應(yīng)彼此——以一種正式而實(shí)驗(yàn)性的方式。三處景觀的力量通過(guò)建筑表面的均質(zhì)鋅貼面得到體現(xiàn),貼面在增強(qiáng)抽象性的同時(shí)提供了一個(gè)常量,三處景觀以此襯托自身。建筑圍繞著三處景觀進(jìn)行空間組織并使景觀可見(jiàn),激發(fā)對(duì)三者的理解與體驗(yàn)。因此,除了頗受歡迎的黃昏觀看企鵝體驗(yàn),半島的生態(tài)特征還通過(guò)其他方式來(lái)驅(qū)動(dòng)體驗(yàn)與收入,增長(zhǎng)的利潤(rùn)則貢獻(xiàn)給研究與保護(hù)計(jì)劃。選址不僅以一種正式的方式探討著景觀間的邊界,同時(shí)提供了7公頃新的企鵝棲息地。這個(gè)決定——將客戶定位為企鵝種群自身——在帶領(lǐng)游客到達(dá)、穿過(guò)建筑與景觀的過(guò)程中盡可能不影響到企鵝,并減少任何有害的種群重疊。
從城市到企鵝世界的旅途中,最重要的是建筑中一條80米的長(zhǎng)脊,其組織著三處景觀的最終交匯點(diǎn),同時(shí)根據(jù)是否適合沿途各種功能與景觀,在周?chē)芈钒才挪贾媒ㄖ?nèi)容。長(zhǎng)脊與功能空間之間,處于功能未定義的“第三空間”的層狀邊緣狀態(tài),由座椅、解釋性元素與門(mén)檻組成,同時(shí)解決了高流量活動(dòng)空間的物流壓力,以及在自然棲息地親密接觸小企鵝的問(wèn)題。新的“企鵝歸巢”游客中心在半島上創(chuàng)造出一種更加復(fù)雜的游客體驗(yàn)。隨著企鵝種群的鞏固,以及資助一項(xiàng)更加廣泛的野生動(dòng)物保護(hù)計(jì)劃,這塊曾經(jīng)主要作為住宅的地區(qū),如今轉(zhuǎn)變成一處主要的野生動(dòng)物保護(hù)區(qū)。而這也激發(fā)了潛能,擴(kuò)展聚焦生態(tài)與環(huán)境旅游的游客體驗(yàn)。
People have been coming at twilight to watch Little Penguins come ashore on Phillip Island for almost a century. The ability to get close to the penguins in a spectacular but sensitive landscape,makes this one of the key places in the world for this experience and subsequently the Penguin Parade on Philip Island is the number one wildlife attraction in Australia -with up to 4000 visitors every evening.
In the 1980s,Summerland Estate consisted of 177 houses and research identified the penguins would disappear from the Penguin Parade by 1997.The state government secured the future of the little penguins by committing to buy back the entire estate–a world first in environmental conservation.At the same time,Philip Island Nature Parks has become a pre-eminent authority on care for penguins and development of penguin habitat. The new Penguin Parade Visitor Centre has to carry the ambitions of this tourism and conservation program across iconographic,experiential and functional contexts.
The building sits at the nexus between 3 landscapes:dunes,headland and wetland,linking these landscapes like a brooch that gathers these together and responds to each in specific ways–formally and experientially. The power of the three landscapes is acknowledged in the homogenous zinc cladding to the building that increases its abstraction while providing a constant against which the three landscapes are registered. This tough exterior is complemented by an equally robust interior consisting of exposed sustainably-sourced Victorian Ash timber structure and plywood panels that,as with the exterior,are selffinishing materials with integral colour and texture. Central to the journey from an urban world to the world of the penguins is the 80m long spine of the building which organises the ultimate junction of three landscapes and arranges program around and along it as appropriate for the various functions and landscapes intertwined in these moves. The centre features visitor facilities,including retail and hospitality spaces,a theatre,interpretation space,in addition to an education centre.
平面圖 plan
剖面圖 sections
Between the spine and functional spaces is a layered edge condition of unprogrammed and indeterminate“third spaces”of seats,interpretative elements and thresholds which simultaneously address the disjunction between the logistical pressures of a high-volume event space and the intimacy of encountering a small penguin in its natural habitat.
The new Penguin Parade Visitor Centre contributes to a more sophisticated visitor experience on the peninsula. An area once prime real estate has been transformed into a major wildlife sanctuary,with the growth of the penguin population underpinning and funding a broader wildlife conservation program. This in turn has led to the potential for expanded visitor experiences that focus on ecological and environmental tourism.