有愛，更有江南文人式的審美

孫雯

第29屆香港書展。

因?yàn)榕_(tái)風(fēng)，雨雨晴晴。

但是，逛書展的人群，絲毫不受影響。香港會(huì)展中心的門口，每天10點(diǎn)不到就排起了長隊(duì)，參觀者多是一只手拖著拉桿箱——這是他們多年來的逛展裝備，另一只手牽著孩子。一年一度的書之盛會(huì)，本地人都不會(huì)錯(cuò)過。

“問世間情為何物”，金人元好問在《摸魚兒·雁丘詞》中的這一句，被大幅的海報(bào)書寫著懸掛在場館之中，詮釋著書展的主題：“愛情文學(xué)”。其余，關(guān)于書展的信息招貼，大多體量小而密集，昭示著城市因地理促生的生存法則。

一

那么，就從“愛情文學(xué)”說起吧。

它是本屆香港書展的年度主題。

在香港會(huì)展中心三樓的文藝?yán)?，有一場特別的展覽：文間有情。展覽介紹了10位香港作家，包括張愛玲、徐速、亦舒、依達(dá)、林燕妮、深雪、林詠琛、鄭梓靈、天航及Middle，展出了他們的手稿與圖書。

愛情是香港的鑰匙。

這座國際化城市，見證了各種不同場景的愛情瓜葛，也讓小說家們找到剪不斷理還亂的線索，浸淫在喜怒哀樂的情緒夢(mèng)幻中，譜寫一篇又一篇的愛情小說。

亞洲周刊總編輯邱立本認(rèn)為，每一部愛情小說，譜寫的都是一個(gè)時(shí)代。

譬如張愛玲的《傾城之戀》。小說中，1941年香港即將被侵華日軍攻陷，范柳原與白流蘇在淺水灣酒店的愛情攻防戰(zhàn)也進(jìn)入了高潮。

“大時(shí)代的變幻與崩塌，讓愛情的抉擇變得決絕，容不下一絲猶豫?！鼻窳⒈菊f，這是張愛玲最有香港味道也最有時(shí)代氣息的一本小說。

在戰(zhàn)爭面前，相愛抑或不再愛的男女，會(huì)以怎樣的狀態(tài)，來面對(duì)未來？

范柳原與白流蘇給出一種答案，他們的決斷與引發(fā)的想象，對(duì)于俗世所有閱讀著這個(gè)故事的男男女女而言，范柳原與白流蘇即是“我”或者“我們”。

同樣以抗戰(zhàn)為背景的愛情小說，還有徐速的《星星·月亮·太陽》。

小鎮(zhèn)青年徐堅(jiān)白與三個(gè)女性有了不同的感情互動(dòng)。她們對(duì)他來說——就像星星、月亮與太陽。徐速“仰望”著純潔美好的愛情，又抒發(fā)著“感時(shí)憂國”的情懷。在香港，《星星·月亮·太陽》成為上世紀(jì)六七十年代最流行的華文小說。除了愛情，那些字句之間，有那一代香港人看待自我以及周遭的情愫。

亦舒的愛情小說，則讓“家明與玫瑰”頻頻出場。衣著亮麗的中環(huán)麗人，外表讓人驚艷，內(nèi)心充滿與命運(yùn)和男權(quán)博弈的勇氣。寫作者本身，也是“玫瑰”一枝。

又如林燕妮，是尤物，是“女俠”，也是“女皇”。

2018年5月31日，林燕妮離世。香港書展的現(xiàn)場，聚集了她的生前老友。與林燕妮同在TVB供職過的甘國亮，當(dāng)年初入職場，林燕妮對(duì)他既傳授買片、營運(yùn)公司等商業(yè)知識(shí)，還替他抱打不平。有一次，甘國亮曾被美術(shù)部同事當(dāng)眾批評(píng)衣著配襯失宜，林燕妮替他出頭：“不用管他人看法，著衫最緊要有自己風(fēng)格！”

從張愛玲到Middle，文學(xué)里的愛情，也成為網(wǎng)絡(luò)文學(xué)中流行的樣式。Middle寫了網(wǎng)絡(luò)上流行的“深情散文”，當(dāng)爭議四起，Middle有自己的辯解：“難道我現(xiàn)在去不了你的境界，就代表我沒有存在的意義嗎？”

是的，時(shí)代與閱讀者共同塑造著文學(xué)樣式。

正因如此，一本《2018香港書展特刊》的尾聲，寫的是中國網(wǎng)絡(luò)文學(xué)20年，以及杭州濱江白馬湖畔中國網(wǎng)絡(luò)作家村里的風(fēng)起云涌。

而作為香港書展主題省的浙江，對(duì)于“愛情文學(xué)”這一年度主題的參與，也多是知名的網(wǎng)絡(luò)文學(xué)作品，如《羋月傳》《甄嬛傳》等。

二

首次作為主題省參加香港書展的浙江省，設(shè)定了“書香浙江 人文天堂”的主題。

香港會(huì)展中心三樓，專門布設(shè)“中華文化漫步——浙江行”文藝?yán)?。在靜態(tài)的展覽之外，還有四個(gè)非遺項(xiàng)目：越劇、杭州雕版印刷、富陽竹紙制作和傳統(tǒng)裝幀技藝。

這四個(gè)項(xiàng)目每天循環(huán)展演兩場，吸引了2500余名觀眾參與體驗(yàn)，也留下了諸多讓人感動(dòng)的瞬間。

一段越劇唱腔，讓一位在香港居住了半個(gè)多世紀(jì)的“老浙江”，聽得淚流滿面。

而杭州雕版印刷、富陽竹紙制作和傳統(tǒng)裝幀技藝，恰恰可以完成一本書的制作過程。

香港的民眾，對(duì)于一本書，特別是一本攜帶了諸多傳統(tǒng)文化信息的書，有著超出意料的喜歡。因此開展首日，浙江展團(tuán)的書法類圖書就銷售了三分之一，文創(chuàng)產(chǎn)品也大受歡迎。

到書展上轉(zhuǎn)一圈，會(huì)發(fā)覺現(xiàn)場比數(shù)字來得更直觀。在展區(qū)的收銀處，讀者一撥一撥來結(jié)賬，他們多是自己想練字，或者買來送給朋友；曉風(fēng)書屋團(tuán)扇、環(huán)保袋、筆記本、香包，浙江人民美術(shù)出版社的《白描花卉》《白描神仙圖》在極短的時(shí)間內(nèi)銷售一空。

通雅軒書店的線裝本和它所在的一個(gè)小的空間，竟然吸引了眾多年輕人前來自拍。一色深藍(lán)的線裝本，加上翠竹小軒窗的空間布置，大約在這些年輕人的日常里，這種江南文人式的審美是罕見的。他們也會(huì)翻翻《紅樓夢(mèng)》《水滸傳》《全唐詩》……當(dāng)然，古籍書中的休閑和養(yǎng)生類比較受歡迎，比如《隨園食單》《飲膳正要》——這正契合了港人的生活氣質(zhì)吧。

一位工作人員說，書展首日，買普及型書法用書的作者比較多，接下來會(huì)有更多的資深愛好者前來逛展。

很快，資深買者就來了。一位坐在輪椅上的收藏家，帶了數(shù)位助手，幾乎將杭州萬事利公司的絲綢書一掃而空。

浙江展團(tuán)共帶去1500余種1.3萬余冊(cè)浙版精品圖書。共銷售24.8萬碼洋浙版圖書。另外，浙產(chǎn)的文創(chuàng)產(chǎn)品也頗受香港民眾青睞，書展期間共銷售各類文創(chuàng)產(chǎn)品13余萬碼洋——這是來自浙江省新聞出版廣電局的數(shù)字。

三

浙江作家麥家的新作，也被讀者念念不忘很久了。

在香港書展，麥家說，他的新小說要出爐了，在書展上與麥家對(duì)談的馬家輝已經(jīng)預(yù)定成為“首批讀者”，馬家輝說自己接下來的一個(gè)月會(huì)很難熬，“因?yàn)橐恢彼㈦娮余]箱（看這部新作）”。

諸多溫暖的瞬間，貫穿于對(duì)談之中。

麥家說，前些年他與余華等多位知名作家前往美國參加紐約書展?；顒?dòng)間隙，遠(yuǎn)遠(yuǎn)看到一位身材發(fā)福的美國老太太，背著陽光，步履蹣跚地朝著他走過來，那是一段普通人半分鐘就可以走完的路。

“三四分鐘后，她來到我跟前，顫巍巍地拿出我寫的一本書，問我可以簽一下名嗎？我當(dāng)然樂意，過后她又問，可以擁抱我嗎？沒想到的是，在我的肩上，她流下了兩行熱淚。”

麥家至今仍然記得那次擁抱的感覺和溫度。事后他才了解到，這位老人的丈夫是一位破譯專家，曾被派駐英國的情報(bào)部門工作，最后死在了倫敦。

“那一刻，離開她半個(gè)多世紀(jì)的丈夫，又回到她的心里。”麥家說，讓人重溫自己往昔幸福的瞬間，這也是他孜孜不倦地寫小說的動(dòng)力。

香港書展的對(duì)談現(xiàn)場，有一位從鄭州趕來的女士。她說，看了麥家的書，她重新認(rèn)識(shí)了自己的丈夫，她的丈夫是一位火炮專家，她也想擁抱一下麥家。

“要擁抱的讀者，來買票排隊(duì)，一百塊，可以用支付寶?！?/p>

馬家輝適時(shí)地來一句馬家輝式的調(diào)侃，猛然讓人覺得，這樣的對(duì)談，很“香港”。

From July 18 through 24， 2018， Hong Kong held its 29th Book Fair at Hong Kong Exhibition and Convention Center. Zhejiang participated in the trade show as “Province of Honor” for the first time. On the third floor of the center， Zhejiang set up a long corridor featuring the theme of “Books of Zhejiang， a Paradise of Culture”. Artists and craftsmen from the province of honor demonstrated and exhibited four intangible cultural heritage pieces： Yueju Opera， woodblock printing of Hangzhou， bamboo papermaking of Fuyang， and traditional bookbinding. The professionals from Zhejiang performed twice a day. Over 2，500 audience members tried their hands at the intangible cultural heritages.

Calligraphy master books marketed by Zhejiang publishers were extremely popular at the trade show. On the first day， one third of the calligraphy books from Zhejiang were sold out. Many visitors wanted to practice calligraphy or would give away the calligraphy master books as gifts to friends. Innovative book-related products such as moon-shaped fans， environment-friendly bags， notebooks， and silk sachets were also popular with the visitors. and ， published by Zhejiang Fine Art Publishing House， sold out pretty soon.

Yatongxuan Bookstore from Hangzhou presented its thread-bond books at a specially arranged traditional home space at the trade show， which attracted a lot of young visitors to take selfies there. The exhibitor thought the poetic style from Jiangnan was rare for those who grew up in Hong Kong.

On the first day， popular editions of calligraphy master books moved fast. Then specialists and collectors appeared. A collector came in the wheelchair with an entourage of assistants. He nearly bought all the silk books published by Wensli， a silk manufacturer based in Hangzhou.

The exhibitors from Zhejiang brought 13，000 copies in 1，500 titles. The total sale amounted to 248，000 yuan. Other cultural products sold for more than 130，000 yuan. The numbers were provided by Zhejiang Administration of Press， Publication， Radio and Television.

At the trade show， Mai Jia， a novelist based in Hangzhou largely known for his so-called spy books， held a dialogue with Ma Ka Fai， a Hong Kong scholar who appears in television talk shows and writes columns in newspapers. Mai Jia is best known among the readers in the west for ， a 2002 novel which tells the story of a brilliant Chinese mathematician recruited to work as a cryptographer for his country. It is set primarily in the 1940s. It is Mais first novel， as well as his first book translated into English. At the dialogue， Mai Jia said his new novel would soon come out. Mr. Ma signed up among the first batch of readers. The novelist would send the novel in installments to Ma through email. Ma said he would spend a lot of time reading the novel in the next month.

In the dialogue， the novelist recalled some heart-warming moments in his career as a novelist. A few years ago， he promoted his book at a book fair in New York. An old woman shuffled difficultly to him and asked gently if he would be kind enough to sign a copy of his book for her. After the signature， the woman asked if she could hug him. She hugged him and wept on his shoulder. Later Mai Jia learned that the old womans husband， an American decipherer working in the English intelligence， died in London in World War II. When she hugged Mai Jia， the husband who had passed away more than 50 years ago， came back to her.

After the dialogue， a woman from Zhengzhou， capital of Henan Province in central China， asked Mai Jia if she could also hug him. It turned out that her husband was a military specialist engaged in weapon research and development. She said that Mai Jias novels helped her understand her husband better.