城市即展場，展覽即實踐

都市實踐

1 2017深雙展場改造地圖2017 UABB Venue Regeneration Plan

位于中國深圳城市中心區(qū)域的南頭古城有著始于晉代的1 700余年建城史，近百年間古城不斷消退而村莊不斷膨脹，隨著深圳城市化的加劇，最終形成城市包圍村莊，而村莊又包含古城的城村環(huán)環(huán)相扣，古城時隱時現(xiàn)的復雜格局—“城中村中城”。

2016年初，都市實踐的設(shè)計和研究團隊介入南頭保護與更新項目，認為只有尊重歷史原真性、且珍視各個時代的文化層積和歷史印記，才能塑造一個本土文化歷久彌新，永遠鮮活的城市歷史文化街區(qū)。我們提出今日的南頭是承載著千年古城文化、且沉淀了深圳各個發(fā)展時期空間、社會和文化遺產(chǎn)的“南頭故城”。她是深圳僅有的能將千年文化傳承譜系與30余年中國高速城市化的過程全光譜式并置呈現(xiàn)的珍貴城市文化樣本。

基于前期在南頭的城市研究，都市實踐為南頭古城保護與更新提出了以介入實施為導向、由點及面漸進式激活、以文化活動促進古城復興的發(fā)展模式，基于前期充分的現(xiàn)場調(diào)研、分析策劃、城市設(shè)計和研究工作，我們在2017雙年展選址過程中提出了將深雙嫁接到南頭的設(shè)想。

2017深圳/香港雙城雙年展以“城市共生”（Cities，Grow In Difference）為主題，經(jīng)過深入的歷史文獻研究和現(xiàn)場調(diào)研，逐漸梳理出了一條空間改造和展覽植入高度吻合的敘事主線。秉承南頭古城保護與重生的城市設(shè)計思路，結(jié)合雙年展展場空間遴選，嘗試重建南頭十分匱乏的公共開放空間系統(tǒng)，以點狀分布的建筑空間和室外場地串聯(lián)為展線，展場分布由北向南分再向東西延展為5個板塊：A工廠區(qū)組團、B十字街組團、C南城門組團、D古建筑組團、E春景街組團等。整個展覽的空間敘事繼而由“起、承、轉(zhuǎn)、合、聚、敞、隱”7個環(huán)環(huán)相扣的主題計劃串接而成，類似文學和戲劇結(jié)構(gòu)的起承轉(zhuǎn)合，高潮起伏。本屆深雙作為一次城市介入與古城更新計劃再度合體，量身定制并巧妙銜接。

在主展場的改造中，設(shè)計團隊選擇多樣的空間類型作為展覽現(xiàn)場，既有城中村的廠房，也有街道、廣場、居民樓、歷史建筑和公園。希望通過一系列展覽空間的改造以及建筑、藝術(shù)作品與活動的介入為南頭古城再生和城中村改造提供一次另類實驗的契機，以“城市策展”的方式介入城市更新，成為漸進改善城市空間和提升城市生活品質(zhì)的一項長期計劃。

城市設(shè)計與研究階段

項目地點：深圳南頭古城

項目時間：2016年4—7月

用地面積：282 637m2

建筑面積：34 070m2

景觀面積：65 788m2

立面改造面積：25 700m2

主持建筑師：孟巖

項目總經(jīng)理：林怡琳

項目組：李聰毅，劉勘，張雪娟，吳然 |王彥峰 |田林，鄭娜，王一帆，韓偲穎（實習）

業(yè)主：南山區(qū)政府深圳設(shè)計聯(lián)合會

建筑改造階段

項目地點：深圳南頭古城

項目時間：2016年10月—2017年11月

用地面積：38 150m2

建筑面積：12 485m2

景觀面積：24 469m2

主持建筑師：孟巖

項目總經(jīng)理：林怡琳

項目建筑師：饒恩辰，Milutin Cerovic

項目經(jīng)理：臧敏

建筑組：游東和，姜輕舟，劉勘，鄭植，陳卉，李聰毅 |廖夢君，申晨，張超賢，王彥峰，彭宇新，戴福平 |楊浩洲，肖世豪，翁永琪，曹竣（實習）

景觀組：魏志姣 |李冠達，許瀟 |蔡琪，劉雨濃，韓珂（實習）

合作?：深圳市清華苑建筑與規(guī)劃設(shè)計研究有限公司（施工圖），深圳市共和設(shè)計工程有限公司（室內(nèi)施工圖）

業(yè)主：南山區(qū)政府

代建方：深業(yè)置地投資發(fā)展（深圳）有限公司

圖片來源：圖1～3，5?URBANUS都市實踐；圖4、6～8，10～13?UABB 攝影：張超

2 南頭古城建筑層積分類Historical Layers of Architecture of Nantou Old Town

3 南門公園軸測圖Axon of Southern Gate Park

4 南門公園中的甕城The Barbican in the South Gate Square

5中山南街Zhongshan South Street

6 報德廣場鳥瞰Aerial view of Baode Square

The Nantou Old Town in the city center of Shenzhen, China was founded as a city over 1,700 years ago starting from the Jin Dynasty. In the past century, the ancient town has gradually vanished,while the village was constantly expanding. The exacerbation of urbanization in Shenzhen has resulted in an intertwined layering with complex pattern of the historical town embedded in the urban village, which is again encircled by the city—“village in city, city in village”.

At the beginning of 2016, the design and research team of Urbanus started to be involved in the Nantou Preservation and Regeneration Project and concluded that only by respecting the authenticity of the history and cherishing the cultural layers and historical traces of each period of time can we shape a timelessly dynamic urban community rooted in local history and culture. We see today’s Nantou not as an old historic town in the traditional sense, but as a historical heritage town, which carries on the history and culture of nearly two thousand years, and which preserves the spatial, social and cultural heritage of Shenzhen across every historical period. It is the only precious sample of Shenzhen’s urban culture that displays both the Millennium culture heritage a long side all optical spectral juxtaposition of China’s rapid urbanization over the last three decades.

Based on the preliminary study on Nantou,Urbanus proposed a development model of promoting the rejuvenation of the ancient city with the guidance of the intervention, promoting the revival of the ancient city with cultural activities with the gradual activation from point to surface. Later on,after sufficient field investigation, urban design and research work in the early stage, we came up with the idea to propose Nantou as the main venue of 2017 UABB in the biennale venue selection process.

7 B3棟建筑西側(cè)與中山南街West side of B3 Building and Zhongshan South Street

8 B3棟建筑東側(cè)與報德廣場East side of B3 Building and Baode Square

The Bi-City Biennale of Urbanism/Architecture(Shenzhen) (shorted as UABB) is themed with Cities, Grow in Difference. Further field surveys and research into Nantou’s historical documents helped us to find a narrative line on which spatial renovation and the exhibition implementation could highly coincide. Following the urban design strategy of preservation and regeneration while locating exhibition spaces for UABB, we sought to reconstruct a public open space system which is very rare in Nantou. Serving as an exhibition route,this system consists of both architectural spaces and outdoor venues in the spot distribution. The exhibition venues are in five zones from north to south and extending out toward east and west: A.Factory Zone, B. Cross Road Zone, C. Southern Gate Zone, D. Historic Buildings Zone, and E.Chunjing Street Zone. The whole exhibition spatial narrative is formed with “Introduction, Elucidation,Transition, Conclusion, Agglomeration, Openness and Seclusion” seven interlocking themes, like the opening, developing, changing and concluding with rising and falling climax structure of Chinese literature or drama. The urban intervention of this UABB is highly consistent with the old town regeneration plan, making a smooth transition from one to the other.

During the renovation of the main venue,the design team selected a great variety of spaces and tailored to, including factory buildingsin village embedded in city, streets, squares, residential buildings, historical buildings, and parks. We hope through renovation for exhibition spaces and architecture, art with organized events interventions,to bring an alternative experimental opportunity for the regeneration of Nantou Old Town and the renovation of villages in urban in general.Intervening the current urban renewal process in the way of “urban organized exhibition”, is a long-term strategy for the incremental improvement of urban spaces and the quality of urban life.

9廠房區(qū)一層和大家樂舞臺軸測圖Axon of Factory Zone and Dajiale Stage

10 廠房展區(qū)Factory Zone

11 廠房區(qū)A2棟展覽空間The Exhibition space of A2 Building in Factory Zone

Urban Design and Research Stage

Location:Nantou Old Town, Shenzhen

Time:2016.04—2016.07

Site Area:282,637m2

Construction Area:34,070m2

Landscape Area:65,788m2

Fa?ade Renovation Area:25,700m2

Principle Architect:MENG Yan

ProjectManager:Lin Yi-lin

Project Team:LI Cong-yi, LIU Kan, ZHANG Xue-juan,Wendy WU | WANG Yan-feng | TIAN Lin,ZHENG Na, WANG Yi-fan, HAN Si-ying(Internship)

Client:Nanshan District Government, Shenzhen Design Union

Building Renovation Stage

Location:Nantou Old Town, Shenzhen

Time:2016.10—2017.11

Site Area:38,150m2

Construction Area:12,485m2

Landscape Area:24,469m2

Principle Architect:MENG Yan

Project General Manager:LIN Yi-lin

Project Architect:RAO En-chen, Milutin Cerovic

Project Manager:Zang Min

Architecture Team:YOU Dong-he, JIANG Qing-zhou, LIU Kan, ZHENG Zhi, CHEN Hui, LI Cong-yi| LIAO Meng-jun, SHEN Chen, ZHANG Chao-xian, WANG Yan-feng, PENG Yuxin, DAI Fu-ping | YANG Hao-zhou,XIAO Shi-hao, WENG Yong-qi, CAO Jun (Internship)

Landscape Team:WEI Zhi-jiao | LI Guan-da, XU Xiao | CAI Qi,LIU Yu-nong, HAN Ke (Internship)

Collaborators:TSINGHUA-YUAN Architecture and Planning Design and Research Ltd. Shenzhen(Construction Drawing)?Shenzhen Republic Design& Engineering Co., Ltd. (Interior Construction Drawing)

Client:Nanshan District Government

Construction agency:Shum Yip Land Investment &Development Co., Ltd. (Shenzhen)

Photo Credit:Fig. 1～3, 5?URBANUS, Fig. 4, 6～8, 10～13,?UABB, ZHANG Chao

12 大家樂舞臺鳥瞰Aerial view of Dajiale Stage

13 大家樂舞臺Dajiale Stage