火山蜂箱，奧斯陸，挪威

設計：斯諾赫塔建筑事務所

蜜蜂是世界上最重要的食物供給者之一。全世界1/3的食物生產(chǎn)需要依賴植物傳粉，而蜜蜂在其中扮演了最不可替代的角色。

我們通過設計和建造這些蜂箱，把更多的蜜蜂帶到了城市中。而且，我們也想讓游人了解蜜蜂是如何造福于環(huán)境的，并給他們創(chuàng)造接近蜜蜂的機會。

這兩個蜂箱被安置在馬塔倫美食廣場——“舞蹈之家”的屋頂上。之所以這樣，不僅僅是因為食物與蜂蜜的關聯(lián)，也是為了以一種更加自然的、符合文脈的方式，使蜜蜂能夠在周邊區(qū)域內(nèi)的大量植被空間中活動，比如阿克河，或者格呂納洛卡區(qū)的科洛尼哈根。

蜂箱的形式受到了天然蜂巢的幾何形態(tài)的啟發(fā)，由兩個六角形體塊穿插而成。同時，我們也調(diào)整了它們的高度和寬度，以配合養(yǎng)蜂人的需要。蜂箱使用了淺色的木材，表面還涂有一種色調(diào)類似于蜂蜜的涂層，這也是我們想要創(chuàng)造和展現(xiàn)的某種關聯(lián)?！酰ㄐ翂衄?譯）

1.2 外景/Exterior views

Bees are among the world's most important food suppliers. One third of the world's food production is depending on pollination, where bees play the largest role.

By creating these beehives, we bring more bees to the city. We want to give visitors information on how they can contribute to the environment, and become involved with the bees.

The two beehives are appropriately placed at Mathallen, on the rooftop of Dansens Hus,not only for the food and honey relationship, but also naturally and contextually with many of the green spaces in the area, such as Akserselva and Kolonihagen Grünerl?kka.

The natural honeycomb geometry was our inspiration for the form and pattern. Having two intersecting hexagonal volumes to create the form,which were then adjusted in height and width to fit with the need of the beekeeper. Using a light coloured fi nished wood surface that is honey in tone was also a relationship that we wanted to create and present.□

3 模型/Model

4 外景/Exterior view

項目信息/Credits and Data

合作者/Collaborators: Aspelin Ramm, Scandic,Sparebankstiftelsen DNB, ByBj Bir?kterlag, Heier Du Rietz攝影/Photos: Morten Brakestad蜜色的涂料也很直觀，是一種簡單明了的設計。然而，具體操作程序在作品介紹中沒有提及。

5 蜜蜂入口/Entrance for bees

佘依爽：蜂蜜經(jīng)常吃，而蜂箱難看到，這是我們對現(xiàn)代食物理解的一個縮影。都市里成長的人較少有機會了解食物的形成過程，缺失了對自然食物鏈的切身感受，與自然環(huán)境的聯(lián)系愈加薄弱。這些蜂箱里的蜂蜜可能不是最好的蜂蜜，但是卻能時刻提醒我們自然規(guī)則的存在。這些蜂箱沒有按照傳統(tǒng)的標準產(chǎn)品進行設計與制造，而是發(fā)揮了設計師對理想蜜蜂家園的想象，上演了一場浪漫的自然教育。

評論

何可人：來自挪威的斯諾赫塔建筑事務所雖然已經(jīng)在世界各地都有大量作品，其特點仍然具有北歐建筑和設計的理念，如他們官網(wǎng)上說的，“態(tài)度比設計更重要?！蓖瑯邮寝r(nóng)產(chǎn)品，都市屋頂上做蜂箱養(yǎng)蜂首先當然就是一種態(tài)度，這和都市種植是一類的做法。蜂箱的六角形三維體量、六角形的圖案和蜂

Comments

HE Keren: Sn?hetta from Norway has already designed and built a lot of buildings all over the world. Most of their works represent a kind of Scandinavian design concept, as they posed on their oきcial webpage – "Our projects are examples of attitudes rather than designs."Having a beehive on top of the roof in a city, as part of urban farming, is an attitude as well. The hexagonal form, pattern and honey hued painting are quite straightforward and simple designs. While it lacks of detail operational description in the texts.

SHE Yishuang: We rarely see beehives from which honey, as a common food, comes. The unfamiliarity is an epitome of our understanding of food in modern society. People in cities have almost no opportunities to know the process of producing food,not to mention a personal experience in natural food chain. Consequently, the connection between human beings and nature becomes more and more weak. The beehives perhaps cannot produce the best honey, but they can constantly remind people of the existence of the natural orders. The design and fabrication of those beehives are made according to designer's imagination of an ideal habitat for bees, rather than conventional standardised products. The project is a romantic experience of nature education. (Translated by ZHANG Jingqiu)