大漆傳承

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大漆，據(jù)說世上最好的保護(hù)膜。器物只要涂過一層大漆，即使用硝酸或鹽酸也無法溶解，也沒有細(xì)菌可以侵入。被大漆所包容的器皿，能耐過數(shù)十年乃至上百年的消磨。

大漆的永恒之美吸引著王黎陽。

王黎陽，34歲，重慶市大漆傳統(tǒng)制作技藝第三代傳承人。在他手中，一件漆器從設(shè)計稿到成品需要兩年時間。每一件漆器像是陪他一起成長的伙伴，不僅映射出成長的步伐，審美的意趣，傾注的心血，還有他對工藝十年如一日的苛求。

It is said that Chinese lacquer is the best protective film which can protect objects from bacteria. Even nitric acid or hydrochloric acid cannot dissolve Chinese lacquer.The ware coated with Chinese lacquer would not be worn down or faded over decades or even a hundred years.

Wang Liyang has been deeply attracted by the everlasting beauty of Chinese lacquer.

Wang Liyang, 34-year-old, is the third-generation inheritor of Chinese traditional lacquer craftsmanship in Chongqing. A piece of lacquer ware will cost him two years from designs to finished products. Each work means a partner to grow up with, they witnessed his growth and dedicated efforts as well as reflected his aesthetic interest and strict self-request.

王黎陽的工作室隱在長江邊一處廢棄的老廠區(qū)里。他家離這里不算遠(yuǎn)，可他仍不想耗費(fèi)時間往返，索性搭了張小床，24小時待在工作室里。

閑聊間，王黎陽下意識拿起打磨石，打磨富貴歲朝圖櫥柜的圖案。這個櫥柜他已經(jīng)做了一年半時間，年底就要交工了。王黎陽認(rèn)死理，“做多少就要磨多少，一遍一遍細(xì)細(xì)地打磨，直到漆器表面非常平滑，一點瑕疵都沒有。”

Wang’s workshop locates in an abandoned factory along the Yangtze River.His home is not so far from there. However,in order to save the round-trip time, he has set a small bed in his studio to stay overnight.

During conversation, Wang Liyang picked up a stone subconsciously to polish the painting named as Fugui Suichao (one of the Chinese Traditional Painting) on a cabinet. He has devoted to this cabinet for one and a half years and will finish it at the end of this year. Wang adheres to the old wisdom, “the pattern should be polished again and again until it owns smooth surface without any flaw.”

漆藝步驟繁多。單是木胎上就要做29道工藝，生漆涂刷、封固、補(bǔ)填木屑、刮底漆灰、通體裱布，再分別刮粗、中、細(xì)灰等，而后才是堆漆。

“要想堆出山水人物建筑的層次關(guān)系，堆漆要做兩百到四百遍。”王黎陽輕描淡寫地說著，沒有刻意強(qiáng)調(diào)工序之難。對他來說，心不覺難，事就不難。

Lacquer wares require complicated manufacturing processes. For instance，the raw wooden needs to go through 29 processes as painting raw lacquer,sealing, filling sawdust, removing primer ash and mounting cloth, etc.Then, thick, middle and fine ash should all be removed. Finally, the process of piling lacquer follows.

“The hierarchical relations can be shown among the Landscapes, figures and architectures after repeating the process of piling lacquer for two to four hundred times.”Wang mentioned it lightly without emphasizing on the complicated processes. For him, it is easy to do anything if you treat it calmly.

王黎陽畢業(yè)于四川美術(shù)學(xué)院漆畫裝飾設(shè)計專業(yè)。大學(xué)時，他傾心于中國古代大漆技藝，最喜歡漢唐鼎盛時期的漆器，“質(zhì)地溫潤如玉，色彩和藝術(shù)效果萬文千化。”他分析自己的性格適合做大漆，原因是，摩羯座細(xì)心、耐得住寂寞。

畢業(yè)后，全班21人，只有他一人從事漆器。

生活越簡單越好，王黎陽這樣想著，把精力和感情都用在了復(fù)雜的作品設(shè)計與制作上?！懊恳粏味疾灰粯?，每一個都是新的設(shè)計，工藝要求，新的制作方案，每次都是新的挑戰(zhàn)?！?/p>

Wang Liyang graduated from Sichuan Fine Arts Institute, majoring in Lacquer Painting Decorative Design.During college, he was drawn to Chinese lacquer craftsmanship, especially preferred lacquer wares from the prosperous period of Han and Tang Dynasty to all others. “They have mild, fine and smooth textures and various color and artistic effects.” He analyzed his Character as a Capricorn man, who is blessed with carefulness and has strong tolerance to loneliness, so that he thinks he is born to make Chinese lacquer.

After graduation, he was the only one engaged in lacquer wares among all 21 students in his class.

He believes that simper life is better. So he puts all energy and emotion into the design and creation of complex lacquer wares. “Each order means a new challenge for me because they require different designs,process requirements and production plans.”