聯(lián)通中外古今認識我們自己
——記第九屆海峽兩岸暨港澳地區(qū)藝術論壇

文本刊記者 蒲波 Pu Bo 譯曹宇光Cao Yuguang 圖片由中國文聯(lián)文藝評論中心提供

嘉賓與專家學者合影Group Photo of Distinguished Guests and Experts

第九屆海峽兩岸暨港澳地區(qū)藝術論壇于8月22日至24日在哈爾濱舉行。此次論壇由中國文聯(lián)、中國文藝評論家協(xié)會、黑龍江省文聯(lián)主辦，以“文藝評論與中華文藝的創(chuàng)新發(fā)展”為主題，涉及文學、戲劇、音樂、美術、曲藝、舞蹈、民間文藝、書法、雜技、電視等多個藝術門類。來自海峽兩岸暨港澳地區(qū)的專家學者圍繞文藝評論與文化立場、文藝評論與中華文化傳統(tǒng)、文藝評論與中華文化傳播、文藝評論與中華文化復興、文藝評論與網(wǎng)絡文藝發(fā)展等議題，通過大會演講、分論壇等形式暢所欲言，各抒己見，共同為當代中華文化藝術的繁榮與發(fā)展建言獻策。

中國文聯(lián)副主席郭運德、陳振濂，中國文聯(lián)榮譽委員劉國松、施子清，澳門基金會行政委員會主席吳志良，黑龍江省委宣傳部副部長田文媛，黑龍江省文聯(lián)主席傅道彬，中央駐香港聯(lián)絡辦宣文部副部長朱挺，中國文聯(lián)、文化部、中央駐香港聯(lián)絡辦、中央駐澳門聯(lián)絡辦有關部室和香港民政事務局負責人以及海峽兩岸暨港澳地區(qū)的80多位知名文藝評論家、文藝家和專家學者出席論壇開幕式等相關活動。

郭運德在開幕式上致辭。他說，海峽兩岸暨港澳地區(qū)藝術論壇在加強和擴展海峽兩岸暨港澳地區(qū)文藝領域溝通協(xié)作、積極探索中華文藝發(fā)展規(guī)律、增強民族文化自豪感和自信心、推動中華藝術走向世界等方面產(chǎn)生了積極影響，發(fā)揮了有益作用。論壇不僅成為海峽兩岸暨港澳地區(qū)專家藝術家交流藝術創(chuàng)作、深化理論研究與評論的學術平臺，更成為大家建立情感與友誼、凝聚共識與愿景的重要紐帶。本屆論壇的主題“文藝評論與中華文藝的創(chuàng)新發(fā)展”，這是全球化語境下面對新的時代挑戰(zhàn)，如何闡述、激活、傳承中華傳統(tǒng)文化，推動中華文藝創(chuàng)新發(fā)展的熱點話題，也是文化學術研究和文藝理論評論事業(yè)發(fā)展面臨的前沿性課題。

郭運德表示，當前，中華民族正在走向偉大的復興。我們要推動中華文化的繁榮發(fā)展，必須在兩個方面做足功課：一方面，必須追尋歷史，深入闡釋中華文化的歷史淵源、發(fā)展脈絡和基本走向，深入闡釋中華文化的獨特創(chuàng)造、價值理念和鮮明特色，堅守中華文化立場，傳承中華文化基因，充分發(fā)揮中華文化的價值引領能力；另一方面，必須立足現(xiàn)實，從傳統(tǒng)文化資源寶庫中汲取更加豐厚的養(yǎng)分，并將之與社會實踐和時代要求結(jié)合起來，做出更具普適性的文化表達，進行更符合時代潮流的文化創(chuàng)造，努力推出更多的具有豐厚歷史底蘊、展示當代中國風貌、體現(xiàn)人類共同命運和審美價值且又能在世界文化園地占有重要位置的標志性文化產(chǎn)品。

田文媛說，本次論壇為推進海峽兩岸暨港澳地區(qū)的文化藝術交流搭建了新的平臺，也為黑龍江省的文藝工作和文藝工作者開闊了視野、創(chuàng)造了機遇。文化交流是一把開啟心靈的金鑰匙，能讓不同文化背景甚至不同意識形態(tài)的人互相理解、彼此欣賞。希望此次論壇能夠多出成果，并以此推動文藝評論事業(yè)蓬勃開展、推動中華文化繁榮興盛。

在論壇上，傅道彬、毛俊輝、朱壽桐、蔣述卓、汪威江、宋生貴、張志慶分別就“文學批評的思想家原則”“從世界傳統(tǒng)表演藝術說起”“文學的批評本體與文藝批評的文體間性”“當代文藝評論應自覺與文化傳統(tǒng)構(gòu)成一種對話關系”“電視節(jié)目在兩岸關系中扮演的角色”“中國當代藝術批評：增強融入少數(shù)民族文化資源的學理自覺”“文化傳承與國家形象塑造”分享他們的研究心得與成果。

8月23日，汪涌豪、劉國松、楊春棠、張澤珣、金浩、于文秀、鐘明德、盧偉力分別就“亟待開顯的漢語性”“中國水墨文藝復興”“白瓷盒與博物館”“文化的跨時空交流——古絲綢之路上的龜茲石窟彩塑藝術”“中國古典舞蹈的當代審美鑒賞”“物化時代的文學生存——70后、80后女作家創(chuàng)作論”“從藝乘到身體劇場：陶冶提供了一個討論‘垂直性’的空間”“戲劇分析的中國學派問題”等主題與與會專家進行深入交流。

8月24日，各藝術領域?qū)＜揖拖嚓P議題進行分組討論。與會專家放眼世界藝術發(fā)展，立足中國文化立場，從各自所熟悉的領域出發(fā)，站在中華文藝復興的高度審視和探討文藝評論與中華文藝的創(chuàng)新發(fā)展，真切地表達了他們對中華優(yōu)秀文化藝術傳統(tǒng)深沉的愛和無悔的追求。中國文聯(lián)文藝評論中心副主任周由強作論壇總結(jié)，他認為本屆論壇取得的最重要的成果，是就文藝評論與中華文藝發(fā)展創(chuàng)新，形成了不少共識，為今后一起繼續(xù)探討中華文藝發(fā)展打下了良好的思想情感基礎。這些共識歸納起來，就是一句話：“聯(lián)通中外古今，認識我們自己！”

From August 22 till 24, the 9thChinese Art Forum of Mainland, Hong Kong, Macao and Taiwan was held at Harbin. Jointly sponsored by CFLAC, China Literary and Art Critics Association (CLACA) and Heilongjiang Federation of Literary and Art Circles (HFLAC), this Forum, under the theme of “Literary and Art Criticism and Innovative Development of Chinese Literature and Arts”, involves various art disciplines such as literature, theatre, music, fine arts, Quyi, dance, folk arts, calligraphy, acrobatics and TV art. Focusing on such themes as the relationship of literary and art criticism with cultural standing, Chinese cultural tradition, dissemination and rejuvenation, and online literary and art development, experts and scholars from Mainland, Hong Kong, Macao and Taiwan gathered to share their viewpoints through keynote speeches and group discussion so as to make their own contribution to the prosperity of contemporary Chinese culture and arts.

Distinguished guests such as GUO Yunde and CHEN Zhenlian,vice presidents of CFLAC, LIU Guosong and SHI Ziqing, honorary member of the 10thNational Committee of CFLAC, WU Zhiliang,president of Macao Foundation, Tian Wenyuan, deputy director general of Publicity Department of Heilongjiang CPC Committee,FU Daobin, president of HFLAC and ZHU Ting, deputy director general of Publicity and Culture Department of Central Liaison Office in Hong Kong attended the opening ceremony and other events, along with the representatives from CFLAC, Ministry of Culture, Central Liaison Offices in Hong Kong and Macao as well as over 80 well-known experts, scholars, critics and artists.

GUO Yunde delivered a speech at the opening ceremony. As he expressed, in the respect of strengthening communication and coordination in literature and arts across the Straits and between Mainland, Hong Kong and Macao, exploring development principle of Chinese literature and arts, enhancing national pride and self-confidence in culture and promoting Chinese arts into the world arena, this Forum has played a positive role and exerted a beneficial impact. This Forum has become not only an academic platform to exchange artistic creation experience and deepen theoretic research and criticism among experts from different localities of China, but also an important bond to achieve friendship, consensus and common vision. In the context of globalization and in face of new challenges, how to elaborate, revitalize and inherit the traditional Chinese culture,and promote the innovative development of Chinese culture and arts, just as the theme of this Forum indicates, has become a hot issue as well as a pioneering topic in the development course of academic research in culture as well as literary and art criticism.As GUO Yunde stressed, Chinese nation is heading for a great revival and sufficient efforts must be made in the following two fronts so as to ensure the prosperity of Chinese culture. First of all, history must be retrieved to provide a profound elaboration of historical origin, development sequence and tendency, unique creation, values concepts and distinct characters of Chinese culture, to hold fast to the fundamental standing and gene of Chinese culture, and to bring the values of guidance of Chinese culture into full play. On the other hand, the current reality is the very starting point. More nutrition must be absorbed from the traditional treasure of culture and in combination of social practice and times requirement, then conveyed in a universal way.Those cultural creations in times fashion must be realized so as to come up with some milestone Chinese cultural products with in-depth historical connotation, contemporary Chinese expressions, common concerns and aesthetic of humankinds manifestation and significant positions in the global cultural arena.

論壇現(xiàn)場Scene of the Forum

郭動德致辭Guo Yunde delivered speech

As TIAN Wenyuan mentioned in her speech, this Forum has established a new platform for cultural and art exchange between Mainland, Hong Kong, Macao and Taiwan as well as broadened vision and provided opportunities for literary and art workers and their cause in Heilongjiang Province. Exchange and mutual reference, as a key motivation for human progress as well as world peace and development, lead to the colorful brilliance of human civilization. As a golden key to open heart and mind,cultural exchange will bring people of different cultural backgrounds and ideologies into mutual understanding and appreciation. More achievement is expected from this Forum so as to facilitate a rapid development of Chinese literary and art criticism cause, and promote the prosperity of Chinese culture.

At this Forum, FU Daobin, MAO Junhui, ZHU Shoutong, JIANG Shuzhuo,WANG Weijiang, SONG Shenggui and ZHANG Zhiqing shared with each other their research achievement on the following topics: “Thinking Principle of Literary Criticism”, “Starting Elaboration from the Traditional-World Performing Arts”, “Relationship of Literary Criticism Subjects and Critical Essay Types”, “Expected Dialogue of Contemporary Literary and Art Criticism and Cultural Tradition”, “The Role of TV Programs in the Relationship across the Straits”, “Contemporary Art Criticism in China: Self-Awareness of Cultural Resources of Minority Nationality to Be Enhanced”and “Cultural Inheritance and National Image Establishment”.

On August 23, such experts as WANG Yonghao, LIU Guosong, YANG Chuntang, ZHANG Zexun, JIN Hao, YU Wenxiu, ZHONG Mingde and LU Weili respectively conducted an in-depth exchanges concerning the following topics: “Necessity of Criticism of Chinese Style”, “Renaissance of Chinese Ink and Brush Art”, “White Porcelain Box and Museum”, “Cultural Exchange across Time and Space—Colorful Sculpture Art of Guizi Grotto at Ancient Silk Road”, “Contemporary Aesthetic Appreciation of Chinese Classical Dance”, “Literary Survival in Material Age—Creation Theory of Women Writers Born in the 1970s and 1980s”, “From Artistry to Body Theatre: TAO Ye Provides for Discussion of ‘Verticality’” and “The Question of Chinese Schools in Theatre Analysis”.

On August 24, starting from their familiar domains and their pride in Chinese culture ,and in full expectation for Chinese cultural and art rejuvenation, all the participants realized serious observations and discussions about the innovative development of literary and art criticism and Chinese culture from the global perspective, and conveyed their profound love and persistent pursuit of traditional Chinese culture and arts. As ZHOU Youqiang, deputy director general of Literary and Art Criticism Center of CFLAC summarized, concerning the main theme, plenty of consensuses have been achieved so as to lay a sound foundation of fraternity for the ongoing discussion of Chinese cultural and art development, which is absolutely the most important outcome of this Forum. In a word, we all need to find self-recognition through communication across time and space.