【卷首語】

【卷首語】

本期我刊的《展覽現(xiàn)場》和《藝術(shù)視野》欄目，著重給大家推介了一批各具“地域性”特色的藝術(shù)展事和藝術(shù)家個體。在當代美術(shù)研究領(lǐng)域，有關(guān)地域性美術(shù)的研究正在逐漸走向深化。過去，人們總是在一個很宏觀的概念下談?wù)摗皷|方”或“西方”、“德國”或“英國”，但人們往往忽略了，歷史尤其是視覺藝術(shù)史有實際上豐富得多的構(gòu)成要素，同樣在一個時代一個國家的概念之下，不同的地域人居、文化環(huán)境會構(gòu)成遠較我們一般的印象更復雜得多的藝術(shù)形態(tài)。而當代全新的信息傳播媒介，更進一步改變了我們對于一般地域文化的理解，當我們的眼光投向更為廣闊的空間，藝術(shù)即呈現(xiàn)出更瑰麗多變的面貌。

本期的《今日人物》，我們將聚焦于鄧箭今先生的藝術(shù)，他的藝術(shù)用一種獨到的造型藝術(shù)闡釋著精神化的命題，對于當下藝術(shù)界普遍缺失“思想”建樹的狀況進行著有力的回應(yīng)。

本期的《史論經(jīng)緯》欄目，我們也收入了一些極具建設(shè)性視野的理論研究成果。王振德先生有關(guān)“津派國畫”由來的研究分析，朱振江先生有關(guān)齊璧亭先生家政教育與天津美術(shù)專業(yè)由來的研究分析，都對于有關(guān)領(lǐng)域的歷史研究有重要的推進作用和補益作用。

我們期待著在創(chuàng)作和理論兩方面，有關(guān)藝術(shù)史地域性研究繼續(xù)良性地發(fā)展推進，由此給我們呈現(xiàn)出一個更為精彩的藝術(shù)世界。

天津美術(shù)學院學報執(zhí)行主編 邵亮

2016年5月

[Editorial]

A number of art exhibitions and individual artists with “regional” characteristics are introduced in Exhibition Reviews and Art Vision columns of this issue. In the feld of contemporary fne arts research, the research of regional fne arts has been gradually deepening. In the past, people always talked about “the East” or “the West”, ”Germany”or “Britain” in a very macro context, but they often ignored the fact that history, especially the history of visual arts,actually have much richer components. Meanwhile, in the context of an age or a country, different regional human settlements and cultural environments will give rise to artistic forms that are much more complex than what they are like in our general impression. Nowadays, the completely new information media have further changed our understanding of the general regional culture. Looking into a broader space, we will fnd that art is showing a more magnifcent and fexible appearance.

In Figures of Today, we will focus on Mr. Deng Jianjin’s artistic practice. His art explains the spiritual proposition in the form of unique plastic arts, and is a powerful response to the current status in which the contribution of “thought”lacks in the present art world.

In Art History and Theories, we collect some theoretical research results with highly constructive vision. For example, the research and analysis of the origin of “Tianjin school of Chinese painting” made by Mr. Wang Zhende,and the research and analysis of Mr. Qi Biting’s home economics education and the origin of the fne arts major in Tianjin will both play an important role in promoting and supplementing historical study in relevant felds.

We are expecting further development of regional art history studies in the aspects of both creation and theoretical research, which will present to us a much more wonderful art world.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

May 2016