Speelhuis劇院

Speelhuis劇院

Speelhuis Theatre

地點(diǎn)：荷蘭海爾蒙德

業(yè)主：海爾蒙德市政府

面積：1 997平方米

完工：2013年

攝影：Jannes Linders; Léon van Woerkom

Address: Kromme Steenweg 29 Helmond, the Netherlands

Client: Helmond Town Council

Gfa: 1 997 m2

Realisation: 2013

Photography: Jannes Linders; Léon van Woerkom

由Piet Blom設(shè)計(jì)的海爾蒙德Speelhuis劇院在2011年12月的一場(chǎng)大火中被毀后，市議會(huì)決定對(duì)靠近市中心的一座廢棄的新拜占庭式圓頂教堂——圣母升天大教堂進(jìn)行改造，以臨時(shí)代替劇院。新劇院的改建有重要的前提條件，這座教堂屬于歷史遺跡，歸登博斯教區(qū)所有，并且只是臨時(shí)改作劇院，因此改建工程必須盡可能減少對(duì)建筑物的破壞，并且能恢復(fù)教堂原貌。此外，這座新劇院必須盡快投入使用。

原建筑的外觀完全依照傳統(tǒng)，其豐富的裝飾物很大程度上已經(jīng)成為周圍環(huán)境的一部分。在禮堂內(nèi)可以欣賞到各種壁畫(huà)、天頂畫(huà)、雕塑、圓頂、管風(fēng)琴及彩色玻璃窗。舞臺(tái)、舞臺(tái)正面、照明橋、看臺(tái)和包廂等所有新增設(shè)施均作為非固定、可拆除的設(shè)施進(jìn)行搭建，并且清晰可辨。為了營(yíng)造一種親密的氛圍，復(fù)雜而宏偉的鋼結(jié)構(gòu)看臺(tái)靠近舞臺(tái)，前面區(qū)域無(wú)結(jié)構(gòu)性設(shè)施。樓梯從自包廂伸出的人行橋懸下?？磁_(tái)進(jìn)出有序且非常直觀，觀眾可以很自然地從前方和后方到達(dá)所有座位。像部分消音設(shè)備一樣，通道的照明設(shè)備也嵌入到樓梯扶手中，扶手同時(shí)具有結(jié)構(gòu)功能。門廳位于看臺(tái)下方，凹進(jìn)處設(shè)有酒吧，酒吧可以關(guān)閉，可為員工提供一個(gè)隔音的工作場(chǎng)所。

配套設(shè)施主要設(shè)在教堂附近緊湊而又對(duì)比鮮明的擴(kuò)建區(qū)域內(nèi)。半圓形后殿附近的東南側(cè)新建了一座兩層建筑物，內(nèi)設(shè)貨物配送區(qū)、演員更衣室和演員休息室，圣器收藏室內(nèi)設(shè)有通道。擴(kuò)建區(qū)域的大門、售票處、衣帽間和衛(wèi)生間位于北邊，與側(cè)廊相對(duì)，正面采用全透明設(shè)計(jì)，配備屋頂照明設(shè)施，并通過(guò)一條位于原懺悔室的通道與教堂相連。

由于新的Speelhuis劇院受到演員和觀眾的一致好評(píng)，因此有關(guān)當(dāng)局現(xiàn)在已決定讓它成為永久性建筑。

When the Speelhuis theatre in Helmond, designed by Piet Blom, was destroyed by fire in December 2011, the town council opted for a temporary replacement in the Our Lady of the Assumption, a neo-Byzantine domed church near the centre that had become disused. There were important preconditions for the new theatre facility. The church is a monument, it remains the property of the Den Bosch diocese and the facility is temporary, so interventions must damage the building as little as possible and must be reversible. The theatre also had to be operational very quickly.

The physical appearance of the original building was strongly prescriptive and its rich ornamentation has been made part of the ambiance as much as possible. The auditorium has a good view of the wall and ceiling paintings, various sculptures, the dome, the organ and the stained-glass windows. All the additions, such as the stage, the stage front, the lighting bridge and the stand and balcony have been inserted as loose removable objects, and that is completely discernible. To create an intimate atmosphere, the stand in the complicated and imposing steel structure reaches close to the stage without structural provisions in the front section. The stairs system is suspended from the projecting footbridge on the balcony. The logistics of moving on the stand element is extremely intuitive and all the seats can be reached in a natural way from both the front and the rear. Like part of the acoustic muffling, the lighting for the circulation routes is integrated in the banisters, which also have a structural function. The foyer is situated under the stand, with the bar in a recess that can be closed to create a sonically sealed work area for the staff.

The supporting programme components are largely situated in compact and contrasting extensions directly adjacent to the church. A structural element with goods delivery area, artist dressing rooms and greenroom occupies a two-storey new-build volume on the south-east side near the apse, with a passage in the sacristy. The extension with the entrance, box office, cloakroom and toilets is situated on the north side against a side aisle, has a completely transparent frontage, is equipped with roof lighting and is linked to the church via a passageway at the spot of a former confessional.

The new Theater Speelhuis is such a success with performers and audiences, that by now the decision has been taken to make it permanent.

總平面 situation