Serlachius 博物館

芬蘭門(mén)泰

2011年競(jìng)賽

客戶(hù)G?sta Serlachius藝術(shù)基金會(huì)

面積4 800平米/ 預(yù)算 15 000 000歐

圖像C. Wallon

M?ntt? (Finlande)

Competition 2011

CLIENT G?sta Serlachius Fine Arts Foundation

IMPORTANCE 4.800 m2 shon / 15 M€ HT

IMAGE C. Wallon

展覽場(chǎng)所的意義在于，在其高雅的宜于沉思的精神光輝下展示藝術(shù)作品。設(shè)計(jì)基于流動(dòng)性和靈活性的原則，由此決定了展廳的布置 ：隔墻、天花板和采光設(shè)備搭建在樓板的框架軌道上，都是可移動(dòng)可拆卸的。 擁有開(kāi)放空間的博物館表明了我們摒棄圍合的意愿。博物館邀請(qǐng)觀眾沉浸在一個(gè)富有趣味性的景觀世界，一個(gè)有周邊景致環(huán)繞的畫(huà)面中。方案聚焦于那些讓人心動(dòng)的力量: 信步與觀賞，內(nèi)部與外部的取景。方案具有雙重性： 一個(gè)寧?kù)o的允許人沉思的內(nèi)部，用于藝術(shù)品的展出; 一個(gè)對(duì)周邊景觀敞開(kāi)的外表，提供讓人嘆為觀止的絕佳視野。我們的設(shè)計(jì)向人傳遞了一個(gè)顯而易見(jiàn)的野心，同時(shí)也很好地滿足功能和環(huán)境上的要求。方案表現(xiàn)了一個(gè)令人驚嘆的空間比例，并且給參觀者提供 一個(gè)單向參觀路徑。垂直方向上，地板和天花板相互切換，以遵從沿緩坡逐漸下降的參觀過(guò)程的邏輯。樓面能打開(kāi)合而為一，從而創(chuàng)造了大層高的展示空間。

the exhibition, in search of meaning, shows art in all its contemplative, sublime, and spiritual light. Our project is based upon principles of mobility and fl exibility which determine the layout of the exhibition rooms: partitions, ceilings, lighting, all movable and removable thanks to framing rails in place at fl oor level. the open museum corresponds to a new willingness to tear down walls. Our museum invites the spectator to sink into a playful universe of landscape construction, in the image of the nature that surrounds it. The project focuses on forces that make us move: walks and views, interior and exterior framing. We conceived of an object with two facets: a calm and contemplative interior, dedicated to the exhibition of artworks; an exterior opening onto the landscape, providing views that take the breath away.We stand by a project that though ambitious is attentive to what is human, at the same time functional and environmental. the power of our project consists in providing a surprising proportion to the spaces,subjecting them to follow a one-way path. Vertically, both fl oor and ceiling shift, respecting the logic of a visit that progresses in a descent along a gentle slope. the possibility of opening up the levels into one allows for the creation of exhibition spaces of signi fi cant height.