巴特西電站

英國倫敦

2013年競賽一等獎

業(yè)主ArchTriumph

基地面積155 000平米，建筑面積43 000平米/ 預算 無

圖像C. Wallon

此項目是關于倫敦巴特西電站重生的設想，用于把它轉變成一個建造的場所?；貜娪辛Φ卮嬖?，以提醒我們人類在當今時代的尺度，并且質問人和機器的關系。項目不僅關乎展示的問題，而且關乎后現(xiàn)代工業(yè)蘊含的詩意的彰顯。我們認為博物館有能力也有義務使學習變得“有趣”，因此博物館自身必須“有趣”。我們構想了一個具有雙重性的方案，一方面，一個讓人平靜、宜于沉思的內部，用于展品的陳列; 另一方面，一個對周圍景致完全開放的外圍，提供令人嘆為觀止的美景。我們把電站放在舞臺的中央，其結構自身用讓人驚嘆的尺度、形態(tài)和獨特的磚材料來彰顯基地。把鐵軌這一外來元素引入電站空間，它首先能起到活躍宏大空間的氛圍的作用。它使來訪者通過基本的路徑進入結構體，且輕而易舉地領會建筑的布局。軌道的存在定義了路徑，在電站內外空間穿梭這一簡單事實變得合乎情理。通過空間上顯現(xiàn)的張力，我們的項目激發(fā)了娛樂性和趣味性，而這些特性在傳統(tǒng)藝術世界里被大大地忽略了。

Londres (UK)

Competition 2013 1er prix

CLIENT ArchTriumph

IMPORTANCE Site 155.000 m2, batiment 43.000 m2 / Prix nc

IMAGE C. Wallon

Our project envisions the regeneration of the Battersea Power station in london, in creating a popular spot dedicated to architecture. the site has the strength of evoking the dimension and scale of man in the contemporary era, putting into question our relationship to the structure. it is not only a matter of showing, but also of suggesting post-industrial poetry. We believe that museums can and have to make learning “fun”, therefore museums can be “fun”. We conceived of a double-facetted project: on one hand,a calm and contemplative interior, dedicated to the collection’s display; on the other, an exterior opening upon the surrounding landscape, providing breath-taking views. Our project puts the power station on centre stage, the structure itself enhancing the site through its impressive scale, its architecture, and its unique brick material. We have introduced the foreign element of a rail into the space of the power station, which will function above all in animating the huge space. it will offer visitors entering the structure a primary pathway, allowing them to take in the essential layout of the building with a minimum of effort. With the pathway determined by the presence of the rail, the simple fact of moving through the exterior and interior spaces of the station begins to make sense. in its spatial ambition, our project encourages play and fun, categories largely devalued in the traditional world of art.