為中法友好架新橋

著名畫家梁平波的49件中國人物畫作品即將赴巴黎展出，為“巴黎浙江周”增光添彩，在中法人民友好史上架設(shè)一座新的橋梁。

看過梁平波畫作的人，都會由衷贊許他嫻熟的繪畫技藝和對藏族人民生活風(fēng)貌的深切體驗(yàn)。

梁平波科班出身，早年畢業(yè)于浙江美術(shù)學(xué)院(現(xiàn)中國美術(shù)學(xué)院)中國畫系，受過名師熏陶和系統(tǒng)專業(yè)基礎(chǔ)訓(xùn)練，有過硬的造型功夫與筆墨技巧。在擔(dān)任《工農(nóng)兵畫報(bào)》社編輯、社主任期間，創(chuàng)作過眾多連環(huán)畫和報(bào)刊插圖，為轉(zhuǎn)型至水墨人物畫奠定了扎實(shí)的基礎(chǔ)。他的畫，人物造型、性格刻畫、環(huán)境渲染、畫面剪裁，都達(dá)到了用墨精到、設(shè)計(jì)高華、形神兼?zhèn)涞木辰?。近幾年，他致力于把西洋畫人物注重透視、三維空間、光線明暗處理的繪畫技巧與中國人物畫講究線條、韻味的特點(diǎn)結(jié)合起來，融會貫通，在運(yùn)用色彩透視、處理色調(diào)對比、追求質(zhì)感效果方面取得了新的突破，作品落筆準(zhǔn)確，構(gòu)圖飽滿，線條老辣，墨色華滋，給人以蓬勃向上的鼓舞和凝重間含灑脫、磅礴中現(xiàn)靈秀的美感。

梁平波曾兩次進(jìn)藏，深入生活，濃情寫生，搜集了大量的第一手素材，因而他筆下的藏民形象生動(dòng)傳神，多彩多姿，有一種震撼讀者心靈的力量。

梁平波歷任浙江人民出版社副總編輯、浙江省出版總社社長，紹興市委副書記，嘉興市委書記，浙江省委常委、宣傳部長，省委副書記?，F(xiàn)任浙江省政協(xié)常務(wù)副主席、浙江省人民對外友好協(xié)會會長、浙江畫院名譽(yù)院長。他從政20余年，始終懷著一顆對藝術(shù)摯愛和虔誠之心，去再現(xiàn)美、歌頌美、創(chuàng)造美，公務(wù)繁忙卻筆不容棄，每日清晨四五點(diǎn)鐘起床，堅(jiān)持練字繪畫兩小時(shí)，不但自己技藝日進(jìn)，而且為領(lǐng)導(dǎo)浙江的意識形態(tài)工作取得了更多的發(fā)言權(quán)。

現(xiàn)在，其畫作就要遠(yuǎn)涉重洋，與法國觀眾見面交流，相信一定會博得眾多友人的喜愛與推崇。

A New Bridge for Sino-French Friendship

Liang Pingbo， a celebrated painter， will soon exhibit 49 of his traditional Chinese figure paintings in Paris. His masterpieces will add color to Zhejiang Week in Paris and serve as a new bridge for Sino-French friendship.

Those who have seen Liang's figure paintings will applaud his adept skialls and profound knowledge of Tibetan people's life style.

A graduate of Zhejiang Academy of Fine Arts， Liang received professional training under the guidance of famed professors. At the beginning of his career as an artist， he worked as an editor for a pictorial and created a great deal of picture-story books and illustrations. In recent years， he has combined western skills with his traditional Chinese painting know-how. As a result， he has made breakthroughs.

Liang has been to Tibet twice. Thanks to his experiences there， he is able to portray Tibetan people vividly and truthfully.

An established painter， Liang has been working in the government for over 20 years. Though with a heavy workload in office， he gets up around 5 o'clock in every morning and practices his art for 2 hours before going to work.

(Translated by David)